JOE DANTE’S INNERSPACE — A REVIEW BY NICK CLEMENT

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Innerspace is a film I watched repeatedly as a kid, and there’s just so much gee-whiz charm about this film that I can’t stop grinning while watching it to this day. Joe Dante has always been a favorite filmmaker of mine, someone with that Spielberg touch for tone and spirit, as so many of his efforts have left me enchanted that I’ll never forget the importance he’s had on my cinematic upbringing. Explorers, Gremlins, Gremlins 2, Small Soldiers, The Howling, The ‘Burbs, and Matinee (damn I love Matinee!) – it’s just an insane list of genre-defying entertainment, with Innerspace ranking near the very top of his output. Starring Dennis Quaid with that mile-wide smile and Meg Ryan in the prime of her filmic cuteness, this sci-fi-romance-comedy centers on Quaid’s Marine who is miniaturized in a government experiment and is then accidentally injected into Martin Short, playing a massive hypochondriac who feels that he’s become possessed. Short is an utter pisser in this film, and the way he bounced off of Quaid was absolutely perfect, offering up any number of hilarious moments of character interplay. Ryan is Quaid’s love interest, and the chemistry they shared together is bonkers to witness. This film is one laugh after another, one scene of inventive plotting after another, with some truly wonderful (and practical) special effects that never feel dated in a now modern context. Jerry Goldsmith’s score is sprightly and catchy, and one must never underestimate the talents of cinematographer Andrew Laszlo, who also shot First Blood, Streets of Fire, The Warriors, and Southern Comfort. The freshly released Blu-ray has a commentary track with Dante and key craft contributors – can’t wait to give that a listen! Also, it goes without saying, MASSIVE Robert Picardo POWER.

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