RICHARD LINKLATER’S BEFORE SUNSET — A REVIEW BY NICK CLEMENT

before_sunset

A perfect follow up to Before Sunrise, the second film in this most romantic cinematic trilogy, Before Sunset, is my favorite of the three films with Ethan Hawke and Julie Delpy. In this terrific sequel to the beautiful original, Hawke and Delpy showed us once again how perfect of an on-screen couple they are. Every moment that they share, both big and small, is just divine. The story picks up nine years after their perfect day/night meet-cute in Vienna, with the two of them meeting at a book signing, as Hawke has written a story that closely resembles his love-torn experiences while travelling in Europe. After promising to reconnect with one another six months after their first encounter, they talk about why they never ended meeting up (I would never spoil the specifics), and from there, they rekindle their relationship in ways I dare not reveal. Hawke and Delpy co-wrote the script for Before Sunset, with some help from director Richard Linklater, who co-wrote and directed the first film. The style was kept loose and breezy and sexy, with some wonderful stedicam shots through Parisian streets and back alleys and coffee shops and tour boats. And given that Hawke’s character has become an author on a book tour who is promoting his new novel that deals with his chance encounter with a lovely French girl, all of the collaborators get to play with the conceit of life imitating art. Clocking in at 80 minutes, my only objection to the film was that it was too short, but then again, every scene is virtually perfect, so how can I really complain? I love these two characters, and could have easily spent another hour listening to them talk and reminisce and fall in love all over again. The catch of the film is that Hawke is now married with a child, but the specifics of his situation are layered, and again, I don’t want to share too much. Rent both of these movies at the same time and watch them back to back, and then, take a break, and watch Before Midnight. You’ll never look at cinematic relationships the same way again.

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