Cool World is known, by those few who may be aware of its existence, as the ‘other’ film in which live action characters inhabit the same realm as cartoons. The more famous one of course is Who Framed Roger Rabbit, a glorious gem of a film that gets the acclaim, notoriety and long lasting attention, as it well should. (We won’t speak of a third one involving a certain moose and squirrel that really does earn it’s bad rap). Cool World is somewhat maligned as the black sheep of the two, and in some people’s eyes (Ebert laid a stern smackdown on it) downright hated on. It’s no doubt very different from Roger Rabbit, which is admittedly the better film and the easier one to like and relate to. But this one is brilliant in its own right, at least for me. I love the way it uses a sombre tone with its human creations to throw a unique light on them as soon as the Toons show up. It’s quaint and wonderfully inaccessible, with some scenes existing purely of a need to showcase a stream of consciousness type style that doesn’t so much halt the proceedings, as give them their own surreal flavor. Brad Pitt is Frank Harris, victim of a jarring post war tragedy and thrown headlong into the cartoon world, eventually finding himself a Detective in their realm. Outside in our world, lonely cartoonist Jack Deebs (Gabriel Byrne is a sly choice for the role) falls in love with one of his creations, a blonde bombshell named Holli Would (voiced and later played in the flesh by Kim Basinger). Holli is as devious as she is gorgeous, and works to use Jack’s attraction to her as a conduit to escape into our world. Pretty soon a deafening cacophany of cartoon creatures in all shapes, sizes and colours floods out of their dimension and into ours, creating quite the cosmic mess for Pitt to clean up. It’s fun without being too zany, the overblown fuss of the Toons contrasted by a glum human world, reeling from the war and unexpecting of such an event to unfold. Granted, the meshing of the two dimensions isn’t given the precise, big budget fanfare and cutting edge methods of Roger Rabbit, but the world building and special effects here are still pure enchantment and offer a dazzling level of entertainment. Pitt is stoic with flinty sparks of boyish charm, Byrne hilariously plays it dead straight, and Basinger is dead friggin sexy. She steals the show especially as Holli in human form, having a ball with the bubbly bimbo trying to keep a straight face in the real world. The Toons in general really are a diverse bunch, ranging from animals to inanimate objects to tiny little formless cutesy blobs and everything in between, filling their frames with a chaotic, detailed miasma worthy of Studio Ghibli. Lot of hate floating around for this one. You won’t find any from me, I love the film, and accept it for the adult friendly, experimental oddity it is. Great stuff.