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Snow Angels: A Review by Nate Hill

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“Some will fly, some will fall..”

Snow Angels is an agonizing film to put yourself through, as it determinedly focuses on two people who are losing track of their path in life. Their emotional and psychological clarity is dimming, blinded by possible mental illness and lingering tragedy, mentally snowed in, so to speak, like the ironically idyllic Midwestern town they call home. Kate Beckinsale and Sam Rockwell are Annie and Glenn, a couple wading through a bitter separation that is taking a damaging toll on their little daughter (Gracie Hudson). Glenn embarrassingly clings to Annie and what they had, leaning on the crutch of alcohol and making a pitiable fool of himself. Annie is lost and fragile, unsure of appropriate action at this particular crossroads in life. Their story is laced with that of other residents in the town, and you’ll be pleased to know it’s not all doom and gloom: a budding romance plays out with the talents of Michael Angarano and the wonderful Olivia Thirlby. There’s also work from Griffin Dunne, Nicky Katt and the excellent Tom Noonan in an extended cameo that bookends the film’s  enigmatic emotional climate. Rockwell seeths with regret and heartache, lashing out passively at first until his behaviour becomes very destructive to himself and those around them. Beckinsale has never been better, downplaying Annie by bottling up her feelings, and letting them corrosive erupt in a third act of unimaginable tragedy that demands courage and compassion from the viewer. A highly complex, grounding story of lives gone off track and the not always so simple way in which we humans conduct ourselves with each other. A must see.

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