Yann Demange’s riveting thriller ’71 is one of the most hard core, cut from real life docudramas that I’ve ever seen. Taking a cue from the run-and-gun filmmaking aesthetic of Paul Greengrass (Bloody Sunday feels like a spiritual cousin in many respects), this is a blistering anti-war statement focusing on a bloody and violent riot in the streets of Belfast during The Troubles in 1971, and how a left behind British soldier (the phenomenally intense young actor Jack O’Connell)… has to contend with all sorts of dangerous elements over the course of one hellish night in an effort to stay alive as a group of radicalized demonstrators are looking to do him in for good. This film has tremendous camerawork that goes for the visceral in every moment, the sound design is excellent, there are surprises left and right from the gripping narrative, and Demange exhibits a firm grasp of no-fat linear storytelling that grabs you by the throat from the opening seconds and never lets up for 95 minutes. Agonizing to watch at times, incredibly suspenseful, and dispiritingly sad by its conclusion, the film is aided immensely by O’Connell’s vigorous performance. He’s now demonstrated in three films (Starred Up and Unbroken being the other two) that he is one of the premiere young talents to emerge on the acting scene in quite some time. He always looks different, he’s got a fantastic set of eyes that seem to posses a laser-like intensity, and he’s able to convey vulnerability and confidence in equal measure. As far as military themed thrillers go, this one is at the very top of the list.

