THOMAS VINTERBERG’S FAR FROM THE MADDING CROWD

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Charlotte Bruus Christensen is the true star of Thomas Vinterberg’s exquisitely produced film version of the classic Thomas Hardy novel Far From the Madding Crowd. Christensen is a camera artist that I’ve previously not been aware of, but now my attention is on full alert. Her work here is the definition of painterly and sumptuous, with one shot after another that feels museum worthy, utilizing lush color, a terrific sense of composition, and more than a few instances of natural light that felt like the actors and crew were filming at some very extreme or odd hours in an effort to capture the organic beauty of the landscape. I’m always ready to get swept up by intoxicating cinematic imagery, so I have to say, this one immediately grabbed me from that perspective. The film itself is a solid soap opera, anchored by the radiant Carey Mulligan, playing an interesting if emotionally prickly character that makes a bunch of mistakes along the way to potential happiness. The trio of suitors who all come calling for her are played by Michael Sheen (perfectly square), Jim Sturgess (perfectly sleazy), and Matthias Schoenaerts (perfectly hunky). All three men get some quality moments, and the script changes perspective a few times which I found clever, but this is certainly Mulligan’s story, and she, rather expectedly, handles it all with class and charm. There are some WTF? moments of character motivation and there’s a haphazardly directed scene involving Juno Temple missing her wedding (I know these were the days before texting but c’mon!), but overall, this is an enjoyable, comforting piece of costume drama, splendid in all area of production value (the costumes and set decoration are divine), but really bolstered by the magnificent eye of a cinematographer who took full advantage of the pristine landscapes, over-cast British skies, and lots and lots of sheep. Did I mention there’s tons of sheep in this film? Be still my heart.

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