MARTIN SCORSESE’S RAGING BULL — A REVIEW BY NICK CLEMENT

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Raging Bull features one of the greatest performances that the screen has ever contained. It also happens to be a definitive American masterpiece, the sort of film that is unimpeachable in terms of overall quality and its standing in the pantheon of great cinema. This is a pulverizing film – emotionally, aesthetically, and narratively – and it leaves bruises, intentionally, while frequently stirring the soul. Martin Scorsese’s showy, studied, and totally commanding direction is a text book example of cinematic showmanship.  Paul Schrader and Mardik Martin’s intimate screenplay allowed for any number of moments – both big and small – to become immediate cinematic touchstones. Robert De Niro’s work as Jake La Motta will be rightfully revered until the final days of this planet; it’s a force of nature piece of acting in a film that makes the ground under your feet feel as if it’s moving. The stellar ensemble cast all gracefully dance around the edges of this tremendous motion picture, with Joe Pesci and Cathy Moriarty providing blistering support, with a stacked roster of faces and character actors coming and going, providing the film with a terrific sense of place and atmosphere. The combination of Michael Chapman’s electrifying black and white cinematography, which was stylistically heightened to suggest the intense speed and ferocity of the bouts in the ring, and Thelma Schoonmaker’s dynamic and propulsive editing, went a long way in providing the movie with such an urgent sense of violence, both during the numerous bloody bouts and the verbally explosive fights between La Motta and all of the people within his personal orbit. What more, at this point, can be said about Raging Bull that hasn’t been said? It’s one of those timeless classics that ages like a fine wine, and a true reminder of the galvanic force that De Niro possessed during his remarkable run in the vintage years.

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2 thoughts on “MARTIN SCORSESE’S RAGING BULL — A REVIEW BY NICK CLEMENT”

    1. Probably should have said more – it’s a perfectly modulated performance. She’s stuck, she knows it, she’s too weak to take control of her life for so long, but when she does, we all breathe a collective sigh of relief. Sexy, considerate, and finally, a warrior, just like La Motta.

      Liked by 1 person

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