DAVID O. RUSSELL’S THE FIGHTER — A REVIEW BY NICK CLEMENT

the fighter

The Fighter is an inherently compelling piece of entertainment. Christian Bale, as a crack-addicted boxing coach, stole the entire show, but Mark Wahlberg, starring as real life boxer Micky Ward, was low-key terrific and was somewhat overshadowed by the hype that accompanied Bale’s transformative performance. Wahlberg clearly excels while working with director David O. Russell (they previously teamed on the masterwork Three Kings and the criminally underrated I Heart Huckabees) and it’s clear from frame one that this was Wahlberg’s passion project. It’s probably the least idiosyncratic movie that Russell has ever directed, but switching it up a bit thematically and stylistically was probably a good move for him at the time, as he definitely showed that he’s got solid commercial instincts and that he can stay focused with a concise story. The film also has some huge and unexpected doses of humor (mostly at the expense of the broadly drawn characterizations that comprise Ward’s white-trashy sisters) that really bring the laughs.

You might not like the brutality of boxing, you might not want to have your face rubbed in the low-class Lowell-grit-‘n-slime for two hours, and sure, most of the beats in the script are predictable, but it’s got such a rousing finish and the story is so quintessentially American (who doesn’t love a second, sometimes third chance in life?), that it’s hard not to find the film inspiring to a certain degree. The acting across the board was so strong and enjoyable that in tandem with the sharp and believable dialogue, the obviousness of some of the story recedes into the back of my mind. The Fighter has a somewhat traditional boxing movie narrative, but everything is spiced up by the gritty, lived-in atmosphere and by the rough and tumble dynamics of the Ward family. Amy Adams and Melissa Leo were both terrific, and again, it needs to be said, without Wahlberg’s sensitive and quietly observed performance, the film would be without its steady anchor. It’s his best overall performance since Boogie Nights and it’s something that he should be very proud of.

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