So another December has come and with it comes another Star Wars movie. The reviews begin. Kevin Smith raves about it, calling it Empire Strikes Back great. In his brief thoughts following the premiere which he attended, Smith makes mention of what are really the highlights. This is an excellent chapter in the Star Wars saga. There are great tie-ins which link this film to those that have come before. Vader is badass in this movie and then there is the ending . . . that ending.
Now, unlike the case of The Force Awakens, this film has not enjoyed a triumphant reception. Those that have distaste for it are talking sooner rather than later. Before seeing the film today, I took note of some of the positive/negative stances. One thing I marked was a comment regarding the resurrection of a certain character from the original trilogy. I will not spoil this for anyone, but the review to which I refer, made the statement that the arrival of this character on screen (with the help of effects, cause he bought the farm a while ago) was something that took them out of the movie. I am going to take arms against this statement (which you may read more about if you wish here: http://geektyrant.com/news/review-disney-and-lucasfilm-play-it-safe-with-rogue-one-a-star-wars-story). Me personally, and I am referring to the pair of instances which the technology is used in the film, I feel this is one of the better examples of this type of effect used thus far in movies and remind the learned gentlemen for the prosecution of the creepy, expressionless faux-young Jeff Bridges in the lamentable Tron sequel as a better example of something that disconnects one from a film.
Still, what about the film itself? Is it Empire Strikes Good? I read Harry Knowles’ review this morning too. He though, has a tendency to gush, going so far as to list the things that he liked best. You need to be wary when film writers take such actions. The reason being? There was stuff they didn’t like in between those things they did.
Rogue One is the story of the story before the Star Wars we all grew up with – and I refer to those of us who grew up before they started using the “Episode” system. It finds the brains behind that moon that is no moon but a space station, living out his life in peace and harmony with his family. Then the empire shows up and ruins everything, as it is their want to do. From this pastoral opening we following our heroine Jyn Erso (Felicity Jones) as she is recruited by the rebels (they are rebels aren’t they?) to track down Forest Whitaker, because rumour has it, that he has received word from Jyn’s dad, Mads Mikkelsen, about a super-weapon the empire is about to unleash.
So the Star Wars story moves along, and at times it is a slow boil. There is a good comradery among the cast, along with levity and heavy-handedness in equal measure. There are also lots of droids and aliens, which are always fun to hang out with in a time of great tyranny. This film paints the best portrait of the galaxy far, far away in the wake of the rise of the empire as we know it. It’s a grimy hit-run-hide type of universe, where heroes are few and all hope seems lost.
But wait, maybe not. Though the rebellion has its own dark undercurrent of distrust and personal agenda, we find out (what those of us who are children of Star Wars already know) there is a weakness to this battle station. It soon falls to the good guys to decide what they are going to do with this intel.
When faced with a planet killer, some guys run and some guys stay. The guys that stay join with our ragtag band of heroes on their veritable suicide mission. Their objective: to retrieve the plans of the Death Star in order to exploit the flaw in its design.
This is when Rogue One finds its wings, and all of a sudden I found myself in a film that felt more like a Star Wars movie than The Force Awakens did.
The final act of the film is bold, brilliant. At one point I think I heard Sam Elliot’s voice from The Big Lebowski in my head saying: “I didn’t like seeing Donnie go.” I was looking for shots from the trailers that I liked, but I found them to be absent from school today. I thought it was a good ending which brought to mind the old chestnut: those who live by the sword shall die by the sword. I also read in those reviews from earlier today, that the characters were thinly drawn. This would imply they are like most characters in modern movies, which is to say you don’t really give a shit whether they live or die. But I cared, not for all concerned, but for some. When things finally went south, I can genuinely say I was moved by their passing.
So, is Vader badass? Yes. That’s all I’m going to say on that score.
The film looks beautiful, though please again be wary, especially when reviewers make mention of this early in their critique. Praise for the photography and locations are often code for: it looked good, but that’s all it did.
The score by Giacchino is sombre and at times melancholic, but it lifts, and there is a nice peppering of Williams which will make you smile as ever.
And thus we come to that ending. Go see it. Go see it. The best thing about the ending is you can go home and watch the story continue, unlike last year’s Star Wars where we’ll have to wait a while yet to find out what Luke is going to say, or not say, or just keep on glaring, or fart , or something like that.
Did this dude in the audience like Rogue One? He did, he did indeed. He will be going again, that is a given. The cast and crew, all involved, have made a good Star Wars movie. It’s not Empire Strikes Good, but filmmaker Mike Mendez (Big Ass Spider, Don’t Kill It), whom I interviewed recently, said it best. During our chat we talked about Spielberg and Mike’s love of Raiders of the Lost Ark. He (Mike) considers this the perfect film. He caught lightning in a bottle, and I’m paraphrasing Mike here, but Mike went on to say that as talented as Spielberg is, he doubts he could ever duplicate something like Raiders. The same could be said of this, the third coming of Star Wars. I watched it begin in the 70’s, I was there for explosive hype of The Phantom Menace. I was there last year when the force decided to wake up again.
My point is this. The lightning has already been caught. It was captured a long time ago in a galaxy far, far away. They will never be able to recapture that lightning, but so far the Star Wars we are getting is calling down the thunder and Rogue One roars across the sky. It reminds us, yet again, of that brilliant lightning that brightened our world a long time ago…
GO SEE IT!