Cary Jo Fukunaga’s Maniac

Cary Jo Fukunaga’s Netflix show Maniac is to date the only one I’ve ever binged in one sitting. It’s fucking magic. I slept in and got to work late today because I just had to finish the thing last night. The one word that comes to mind with this is unique. It’s a science fiction comedy drama stroke of cosmic brilliance that draws on everything from Kafka to Michel Gondry to Cloud Atlas to Inception to Kubrick and many others, but not for one moment does it feel derivative, and there is, and I mean this, nothing out there quite like this. If you’ve seen a trailer or read a blurb, you’ll know it stars Emma Stone and Jonah Hill as two participants in a mysterious pharmaceutical drug trial, and indeed that is the launching pad for this strange, wonderful story infused with cassette futurism and dream logic, but oh just wait and see how deep, how multilayered and complex it becomes with each passing minute. After two opening episodes that burn sort of slow but are very important for developing character and establishing tone and setting, this hallucinatory, multi dimensional odyssey of self discovery and awakening constantly surprises the viewer by shirking narrative standards, constructing a script that feels fresh and untrodden, like a dimly lit path where anything could jump out at any second and all the well travelled beats have been cast away. Hill and Stone are unparalleled here, each playing a score of different characters throughout time and space and doing things with their work that I’ve never seem come from them before. Despite this being a fantastical show that traverses many internal worlds and has a whole host of dazzling special effects to showcase, above all it is an extremely thoughtful, often very dark psychological exploration of these two beings, the technology around them and how it may be used to map the human mind. Justin Theroux brings humour and eccentric humility as the neuro-chemist who is running the drug trial, Sonoya Mozuno is brilliant as his intuitive, chain smoking second in command and the cast is fleshed out by the likes of Hank Azaria, Josh Pais, Julia Garner, Geoffrey Cantor, Rome Kanda, Billy Magnusson, Glenn Fleshler, Joseph Sikora and more. Joining them are also veteran actors Sally Field and Gabriel Byrne in key roles, both of whom I love and haven’t seen in anything substantial for quite some time, they really shine here. I’m aware that this is loosely based on a Norwegian series of the same name, but honestly Fukunaga has used that as a drawing board and universally expanded the premise into something really special, original and magnificent. The central realms of the drug trial that Hill and Stone experience are the main show and the template used to plumb depths of the human condition, but just as vital is the story unfolding in the lab with Theroux, Mizuno and Sally Field, a slightly satirical look at how technology has started to approach the borders of the human soul, and even blur some lines there. I hope this gets traction, exposure and the high praise it deserves in the community. This is the best thing in any medium I’ve seen so far this year, and I can’t wait for countless revisits.

-Nate Hill

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