Tag Archives: films

Neil Jordan’s The Company Of Wolves

Hollywood loves it’s dark, R rated takes on classic fairytales and Little Red Riding Hood has gotten the treatment a few times, the latest being an ill advised, awful attempt with Amanda Seyfried and Gary Oldman. To cleanse the pallet of that mess you could check out the gorgeous, creaky, atmospheric hidden gem that is Neil Jordan’s The Company Of Wolves, a lyrical, mesmeric take on the folklore that combines traditional elements with nastier psychological subtext and some terrifying werewolf mythology with effects so gooey they make The Howling look like Balto.

Somewhere in a drafty English countryside manor a young girl (Sarah Patterson) tosses and turns in her sleep as some unknown force beckons her from outside the walls. As we are literally drawn into her subconscious while she slumbers we see her exist in a dream world, living in an enchanted forest with her parents (Steven Rea and Tusse Silberg) and sister. Also with them is her persnickety granny, played with plummy mother-hen fussiness by the great Angela Lansbury. Granny warns her not to venture too far outside the village because werewolves have been sighted, and that the worst kind of wolf a young girl can encounter is one whose fangs are hidden on the inside. This is of course an apparent theme that would fit right in in today’s cultural climate and could teach people a bit about subtlety and restraint when exploring the subject matters. She’s just at that stage between childhood and adolescent that is confusing, alluring and oh so dangerous, and the film uses the fairytale elements to uncover something darker and closer to home lurking beneath. It’s also just a fantastic werewolf flick too, there’s stories within stories told by Lansbury and you can really get lost and swept up in this fantastical world like the dream it ultimately is.

Jordan is a director who clearly cherishes the complexities and challenges of the medium, not one single film he’s released has felt hollow, compromised or candy coated for the masses. This one has absolutely knockout production design, creature effects that will have you covering your eyes (that poor crying toddler when buddy turns into the wolf) and a musical score by George Fenton that’s achingly melodic and threatening in equal doses. As much as all this style is on point though so too are the themes and substance in storytelling, carrying a dense weight that justifies all the visual grandeur. This feels like an important film, albeit absorbed through the scattered prism of a breathless, sweaty nightmare because after all, it is all inside a dream. Until it’s not. One of the best horror films of the 1990’s, nab a Blu Ray if you can but they’re probably scarce. Oh and watch for a diabolical cameo from Terence Stamp too as the Devil himself.

-Nate Hill

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Actor’s Spotlight: Nate’s Top Ten Johnny Depp Performances

Johnny Depp is known as one of the ultimate chameleon actors, and since he got his start in Wes Craven’s A Nightmare On Elm Street he has been entertaining audiences for over two decades with lively, theatrical and off the wall characters. Sometimes it works wonders (our beloved Jack Sparrow), other times comes across as weird (that lame Mad Hatter) and sometimes it’s downright creepy (oh man his misguided attempt at Willy Wonka). He’s also adept at voice work as well as some gritty, brooding, down to earth character roles and whether the particular performance lands nicely or flounders awkwardly, he’s never not fascinating in some way. Here are my top ten favourites of his work!

10. Rango in Gore Verbinski’s Rango

Depp lends his voice to the titular chameleon and hero of this most unconventional, unclassifiable and wholly brilliant animation film. Set in the Mojave desert, it follows Rango as he encounters a town called Dirt, and just about every western archetype you could think of within it. It’s a dazzling sendup of both the western genre and the medium of storytelling itself, speckled with off the wall adult humour and vivid voice work from a huge cast. Johnny brings obvious physicality to the role and embodies the energy, tone and style of this unique piece flawlessly.

9. Ichabod Crane in Tim Burton’s Sleepy Hollow

In bringing this classic Washington Irving character to life Depp uses a hilariously ironic fear of blood and all things morbid that’s constantly at odds with his fascination, intuition and knack for solving grisly murders. Burton’s flat out gorgeous palette, Depp’s nervous yet strong willed performance and a whole pack of epic supporting actors make this one of the best gothic horror flicks out there.

8. Frederick Abberline in the Hughes Brother’s From Hell

An opium addled Scotland Yard inspector with some serious demons in his closet, Depp’s keen but damaged cop investigates the Jack The Ripper slayings in Victorian London and uncovers more than he wished. This is a sumptuous, gloriously stylized Alan Moore adaption that captures the horror and grim malice of this period of history. His performance finds the haunted notes of the character while still retaining a lucid intellect and trusty intuition, displaying terrific chemistry with Heather Graham as a prostitute he falls in love with and Robbie Coltrane as his salty captain.

7. Raoul Duke in Terry Gilliam’s Fear & Loathing In Las Vegas

Depp was close friends with author Hunter S. Thompson and it’s apparent in his balls out, maniacally dedicated performance as a junkie journalist on a madcap bender through sin city with his trusty and equally deranged sidekick (Benicio Del Toro). This is a love it or hate it experience of mind blowing insanity, but there’s no denying his headlong commitment to character and willingness to go the extra mile and then some.

6. Tonto in Gore Verbinski’s The Lone Ranger

This film inexplicably bombed and got a bad rep, but it’s one of my favourites and Depp’s loony, off kilter turn as Tonto is something to be seen. He’s a nut job with a crow on his head that spouts enough mumbo jumbo to confuse anyone and yet there’s something sad, forlorn and lonely about the work here, which becomes even more apparent as his character arc comes full circle.

5. Mort Rainey in David Koepp’s Secret Window

Channeling his inner wacko, Depp brings a deranged Stephen King character vividly to life in this tale of a depressed writer holed up in a cabin on the lake until he gets an unwanted visitor and things get spooky. He’s always had a great loony side to his work but here he really gets to explore a character who, bit by bit, is completely losing his marbles. Featuring scary supporting work from John Turturro as a bumpkin who comes wandering out of the woods looking for trouble, this is a deliriously fun and very atmospheric thriller, one of the best page to screen King translations.

4. Ed Wood in Tim Burton’s Ed Wood

Ed Wood was considered the worst director of all time, but that’s just an aside to Burton and Depp, who choose to make their film ultimately about a man so in love with filmmaking that he overlooks every flaw in the process, finding beauty in blunder. Wood was a guy who essentially made Z grade junk for less than dimes and soldiered on through rejection and infamy. Depp plays him as a warm and very passionate guy who wants to give everyone a shot, including now washed up and drug addicted Bela Lugosi, played brilliantly here by Martin Landau. Whether perceived as jokester hack artist or dedicated exploitation pirate, there’s no denying that Depp finds all the perfect notes, sad nuances and beautiful aspects of Wood’s life and legacy in a performance that practically comes to life in crisp, gorgeous black and white.

3. Jeffrey Sands in Robert Rodriguez’s Once Upon A Time In Mexico

Sands is a rogue CIA operative who is so spectacularly corrupt that the agency doesn’t know what else to do but station him way down in Mexico where he can’t cause trouble but somehow manages to anyway. He’s is just so hilariously eccentric in the role, whether he’s wearing a prosthetic arm to hide a firearm, murdering a chef because his slow cooked pork was *too good*, deviously instigating an explosive coup that tears Mexico City apart or reading a biography of Judy Garland in between double crossings and back stabbings, he’s too much fun and steals a film that already stars people like Willem Defoe, Mickey Rourke Danny Trejo, which is no easy accomplishment. He also gets arguably the most badass shootout of the film in a sequence that’s beautifully reminiscent of Sergio Leone in all the coolest ways.

2. William Blake in Jim Jarmusch’s Dead Man

This haunting, unconventional art house western sees him as a meek accountant from Cleveland who travels out to the Wild West for work and instead finds himself becoming an outlaw, murderer and eventually arriving at his own death, but not in the way you might think. This is one of my all time favourite films, it’s a meditative work of brilliant art with stunning black and white photography, a wonderfully eclectic star studded cast and a hypnotic guitar score by Neil Young. Johnny anchors it with a performance that travels an incredible arc from mild mannered city boy to archetypal phantom of the frontier.

1. Captain Jack Sparrow in Gore Verbinski’s Pirates Of The Caribbean

What can I say, this is the flagship Depp performance, the most inspired piece of acting he’s done and one of the most lovable, roguish, hilarious and perpetually tipsy characters to ever be born of cinema. With roots in Keith Richards’s essence he made specific costume, mannerism and vocal choices in bringing Jack alive, he’s the heart, soul and dreadlocked hair of the Pirates franchise and pretty much a pop culture icon too.

Thanks for reading! Tune in for more content and let me know if you have any requests!

-Nate Hill

Bank Vaults & Bullion: Nate’s Top Ten Heist Films

Why are Heist flicks so much fun? Is it the brotherly camaraderie between a pack of thieves out to pull a job? The elaborate ruses and ditch efforts employed to deceive and elude authorities? Gunfights n’ car chases? Safe cracking? Priceless art? For me it’s all of the above and more, this is a rip roaring sub genre ripe with possibilities, packed with twist laden narratives and filled with pure escapism at every turn. Here are my top ten personal favourites!

10. Mimi Leder’s The Code aka Thick As Thieves

This is admittedly kind of a middle of the road, not so amazing film but I really dig it anyways. So basically a veteran jewel thief (Morgan Freeman) hires a skilled rookie (Antonio Banderas) to pull off an apparently impossible diamond heist in order to pay back a dangerous Russian mobster (Rade Servedzija) he owes for another job. Meanwhile an obsessed detective (Robert Forster) watches their every move and waits to pounce while a slinky mystery woman (Radha Mitchell) gets in the way and manipulates everyone. It’s low key and nothing super groundbreaking but as passable entertainment with a terrific cast and some genuinely clever twists it does the job. Oh and a young Tom Hardy shows up too, which is a nice bonus.

9. Spike Lee’s Inside Man

My favourite Spike Lee joint sees super thief Clive Owen break into a high profile NYC bank and streetwise cop Denzel Washington try to figure out what he’s after, a task that doesn’t prove so easy. This is a whip smart, caffeinated and oh so slightly self aware crime thriller that is so watchable even the actors seem to have a small smirk just getting to be a part of it. The narrative does some delicious roper dopes, pinwheels and double turns and by the end of it you’ll find yourself thinking back to the start just to see how it all ended up the way it does.

8. Scott Frank’s The Lookout

Psychological drama combines deftly with criminal intrigue in this tale of a brain damaged ex hockey player (Joseph Gordon Levitt) who gets roped into a rural bank robbery. This is a dark, idiosyncratic story with vivid performances from all including Matthew Goode as the guy who organizes the job and Jeff Daniels as Levitt’s blind roommate.

7. Jonathan Glazer’s Sexy Beast

Ben Kingsley basically grabs this film from the get go and tears it to shreds with a mad dog performance, but in and around his shenanigans is a brilliant London set narrative that sees retired expert Gal (Ray Winstone) jetting back for one last job. With a sharp, acidic script, jet black humour and eccentric performances across the board, this becomes a terrific heist film with a dash of many other things sprinkled in.

6. Jonathan Sobol’s The Art Of The Steal

This one flew right under the radar despite a fresh, funny story and a stacked cast. Ex art thief turned motorcycle daredevil Kurt Russell is lured out of semi retirement by his terminally untrustworthy brother (Matt Dillon) to steal a priceless work along with a highly dysfunctional crew of would be professionals. The story is brilliantly told and leaves plenty of room for actors to improvise and inject their own personality. This deserved way more acclaim that it got and I’ve always wondered why such a slick flick with Kurt Russell in the lead never even got a theatrical release. You also get the legendary Terence Stamp stealing scenes as the world’s grumpiest art thievery guru turned federal informant too.

5. Michael Mann’s Thief

Rain slicked streets, restless urban nocturnes and expert thieves taking down big scores. Mann first distilled his crime aesthetic here in the tale of one master thief (James Caan) looking for one last big job that will allow him to retire with his wife (Tuesday Weld) and kid. Featuring vivid performances from Willie Nelson, Jim Belushi, Dennis Farina and Robert Prosky, a gorgeous synth score by Tangerine Dream and visuals that dazzle with colour, shiny steel and iridescent nightscapes, this a crime classic that set the bar for many to come after.

4. John Frankenheimer’s Ronin

This film is a lot of things; car chase flick, Cold War spy game, battlefield allegory, Agatha Christie style whodunit and yes, a heist flick too although the job itself is kind of just a McGuffin that initiates a deliriously fun Europe trotting action film that sees a rogues gallery of mercenaries for hire make their way from London to Nice in search of a suitcase whose contents are never revealed. Robert DeNiro, Stellan Skarsgard, Jonathan Pryce, Sean Bean, Jean Reno and Natascha McElhone are all on fire as dodgy rapscallions whose moral compasses, or lack thereof, are slowly revealed with each new turn of events.

3. Danny Boyle’s Trance

This film begins with a London art heist that is straightforward and takes place in our physical world and then delves into another one that takes place decidedly within in the mind to steal hidden information. Boyle’s best film kind of blindsides you as it progresses, exploring concepts of hypnotism, morality, psychological conditions and eventually even relationships, all existing around the theft of a painting whose whereabouts remain a tantalizing mystery. This is mature, unexpected, affecting, dynamic, trippy and altogether unique storytelling and is one of my favourite films of the past decade.

2. Steven Soderbergh’s Ocean’s Eleven

The rat pack got an update in this impossibly cool ensemble piece revolving around the complex, brazen and often hilarious heist of three Vegas casinos by veteran thief Danny Ocean (George Clooney) and his motley crew. The easygoing, laidback hum of Vegas is a relaxing atmosphere for Soderbergh & Co to make this breezy, brisk caper come alive and never outstay it’s welcome nor pass too fleetingly. The character work is sublime too, from Brad Pitt shovelling junk food in to his mouth in every scene to Bernie Mac causing HR drama to Carl Reiner masquerading as a middle eastern businessman and, my personal favourite, Elliott Gould as a fussy Jewish teddy bear of a casino kingpin.

1. Michael Mann’s Heat

Score two for Mann! This masterful LA crime saga is pretty much the granddaddy of heist flicks as bird of prey super-cop Al Pacino hunts down elusive master burglar Robert DeNiro in an expansive showdown that moves all over the city and has many players and moving parts. There’s a near mythological grandiosity to this film, as well as meticulous detail employed in all the ballsy scores taken on by DeNiro and in Pacino’s ruthless efforts to bring him down. From an explosive armoured car hijacking on the tangled LA overpass to one of the most spectacular bank robbery turned firefights and a moody, mournful final showdown this thing soars of wings of pure craftsmanship and aesthetic mastery.

Thanks for reading and stay tuned for more!

-Nate Hill

Actor’s Spotlight: Nate’s Top Ten Dennis Quaid Performances

What’s the first thing you think of when Dennis Quaid is mentioned? Western? Action film? High concept SciFi? Disney flick? For a guy with hero good looks and a winning smile he has deftly managed to avoid being totally typecast in his career and although very frequently nails the romantic lead, also shows up in unconventional, challenging roles that test and allow him to grow as an actor. He’s got charm through the roof but there’s also a darkness brooding in his persona that I always enjoy seeing brought forth in the work, as well as a talent for quick paced deadpan humour. Here are my top ten favourite performances:

10. Vaughn Ely in Martin Guigui’s Beneath The Darkness

Villain roles are a rare breed for him to be found in, but there is the odd one out there. This is a low budget ‘serial killer next door’ type horror flick in which a group of teenagers try to prove that their upstanding, affable neighbour (Dennis) is in fact a mass murdering maniac. Sounds fun, right? It is but only thanks to Quaid’s certifiably fruit-loopy performance that steals the whole thing. It’s new ground for the actor but he seems right at home in dark, tongue in cheek character work and plays the pants off of this unhinged suburban maniac.

9. Jack McGurn in Alan Parker’s Come See The Paradise

This is an important, heartfelt performance and one of the only ones where he doesn’t use that winning smile or roguish charm. Set in the US following the attacks on Pearl Harbour, he plays a family man married to a Japanese woman who, along with their young daughter and entire family, are imprisoned in internment camps during a period of history that is shamefully not discussed very often. It’s a terrible situation to find you and your loved ones in and his performance, which spans over a decade, reflects the hardships and turmoil of that time while retaining a fierce love for family and country.

8. Davidge in Wolfgang Petersen’s Enemy Mine

An intergalactic survival story sees military pilot Quaid and an extraterrestrial (Louis Gossett Jr.) marooned on a strange planet together. Fighting as mortal enemies in a war, they are forced to reconcile hatred and rely on each other for survival. A bond like no other is formed and both actors handle the mutual character development beautifully, making this much more than just a SciFi adventure story.

7. Doc Holliday in Lawrence Kasdan’s Wyatt Earp

This is frequently known as ‘that other Wyatt Earp’ film because in most circles it is eclipsed by the admittedly superior Tombstone. Easy to see why as it’s moody, emotional and dour where it’s counterpart is essentially a cheerful swashbuckler. Val Kilmer’s pitch perfect take on Doc gets all the raves and rightly so but I find Dennis’s rendition to be equally as compelling, a snarky, fatalistic loudmouth who blindsides in certain scenes by laying down lucid emotional truths and providing sad yet profound insights.

6. Jimmy Morris in John Lee Hancock’s The Rookie

I’m not usually huge on sports films but this one is such a great underdog story, father son drama on two levels and just an all round feel good piece. Quaid plays a prodigy pitcher who never got his shot at the major leagues as a kid but now, in his mid forties, he’s thrown another chance when most of the guys around him trying out are half his age. You just find yourself rooting for this guy so willingly when you see the shine in the eyes of his kid (Angus T. Jones) and the blooming admiration his own father (Brian Cox, excellent as always) shows when he succeeds. Quaid plays it stoic, achingly modest and unsure of himself until that magic pitching arm gets to come into play and he becomes youthful again in the blink of an eye with a remarkable piece of acting.

5. Remy Mcswain in Jim McBride’s The Big Easy

About the cockiest hotshot vice cop you could find on the streets of New Orleans, Quaid’s Remy is womanizing, fast talking, fun loving, well meaning and just a tad corrupt, which spurs on the conflict of the film. He clashes royally with uptight DA Ellen Barkin until sparks inevitably fly and we are treated to some of the hottest, most adorable romantic chemistry I’ve seen in cinema. Quaid is easygoing and lighthearted in the role but never too goofy or self parodying, and there’s several scenes of sobering gravity that show his range even in a role as walk-on-the-clouds effervescent as this. We also get to see one of the most mature, realistic and down to earth sex scenes in film history, which is all too rare in Hollywood.

4. Arlis Sweeney in Steve Kloves’s Flesh & Bone

A dark, chilling tale sees Quaid play the son of a ruthless killer (James Caan) who falls in love with a drifter (Meg Ryan) that has some connections to their collective past. This is a stormy, doom laden psychological family drama that didn’t see half the exposure it deserves. Quaid plays the role introverted, a man haunted and confused by events he is still trying to reconcile, pitted against his demon of a dad and on a path to a violent, destructive conclusion.

3. Frank Sullivan in Gregory Hoblit’s Frequency

Trust Quaid and costar Jim Caviesel to make such an ‘out there’ premise feel so down to earth. As father and son they are able to communicate across a thirty year gulf of time and transcend the barrier of death itself via a very special HAM radio. Quaid makes comforting magic out of the Everyman/dad/firefighter/baseball fan archetype. There’s a warmth and genuine love he has for his family that jumps off the screen as grounds the film in human emotion.

2. Guy/Joshua Rose in Predrag Antonejevic’s Saviour

A little seen or heard of film, this one is brutal to sit through but worth it every second. A French foreign legion soldier with a tragic, bloody past, Quaid’s rough hewn mercenary finds himself awash in the Serbian/Bosnian war with no discernible side to fight on, genocide abound at every turn and a stunning lack of humanity poisoning the region. He finds a modicum of redemption in caring for a woman (Natasha Ninkovic) and her baby that is the product of rape by muslims, something her whole village has now shunned her for. This is dark, grim stuff we witness along with Guy, but his actions and eventual turnaround of soul are something wonderful to see. Quaid plays him streamlined of any heroic sensibilities or obvious moral fabric, just a man of few words with a tortured spirit trying to navigate a region tearing itself apart with evil.

1. Nick Parker in Disney’s The Parent Trap

This is a very personal choice for me, it’s one of the first films I ever saw as a kid, and was my introduction to Dennis’s work as an actor. There’s something cosmically perfect and warm about his performance here and to me no other film or series has captured his essence quite like this. Just a laidback Napa valley winemaker, a loving father and husband who finds himself in the wackiest of situations. His father daughter chemistry with both versions of Lindsay Lohan as well as Natasha Richardson just works so well and their whole unconventional, very sweet family dynamic carries the film to memorable heights.

Thanks for reading!! Please feel free to share your own favourite performances from Quaid and as always stay tuned for more content!

-Nate Hill

“Get off my server!”: Richard Loncraine’s Firewall

Harrison Ford does his best to carry a few duds throughout his career, and while Firewall is definitely on the mediocre end of his output, his presence plus a game supporting cast saves it from being a total misfire. He plays a hotshot security expert who designs a foolproof automated protection system for Big Bank, which icy evil mega criminal Paul Bettany and his team of assholes plan to rob the shit out of. Of course Ford didn’t put a feature in that deals with kidnapping, extortion and murder, but no one can see everything coming. Bettany & Co. hold his family (Virginia Madsen, Jimmy Bennett and Carly Schroder) hostage while forcing him to work his magic, break into the servers he designed and leave the proverbial back doors. Naturally, he covertly tries to subvert every tactic they use, doing everything from embedding secret code in the firewall to full on physically attacking them when no one is looking. It’s a pretty routine thriller that serves well as popcorn entertainment without breaking too much new ground. Ford is appropriately all scowls and snarls as he fights tooth and nail for his family, but there should be a clause in his contract that he gets to use the line “get off my airplane” in every film, but just slightly tweaked for circumstances. “Get off my server” it would read here, and somehow his grave delivery would sell it. Bettany is especially nasty in that soft spoken, clear eyed way that he’s patented, finding unique ways to torment this family involving peanut allergies and.. you can guess. The supporting cast is nicely stacked with people like Robert Forster, Alan Arkin and Robert Patrick as suspicious colleagues of Ford who don’t necessarily get to do too much performance wise but their presence always carries a weight in anything. Mary Lynn Rajskub aka Chloe O’Brien of 24 shows up as Ford’s trusty computer expert and hilariously just does exactly what Chloe does, parked in front of a computer hacking into shit, just in another film. Oh yeah Jaime Lannister also randomly drops by as one of the bad guys and gets possibly the best line of the film as Ford’s daughter laments “why do you hate us so much?!”, to which he almost sympathetically replies “I don’t hate you Sarah, I just don’t care about you.” It’s nice little touches like that that save this from being an entirely stale cracker.

-Nate Hill

Sofia Coppola’s Lost In Translation

Ever been alone in a foreign hotel, city or entire country? There’s a mournful feeling of simultaneously being saturated in another culture and also being terminally disconnected from your surroundings, it’s a curious sensation. In Sofia Coppola’s brilliant Lost In Translation the two main characters find themselves awash in nocturnal Tokyo and marooned in a sea of aching unfamiliarity. Add to that the fact that both of them are at a place where they feel sort of stalled on the freeway of their lives and you have a sadly hued romantic drama that feels like no other.

Bob Harris (Bill Murray) is a washed up movie star who’s in town to endorse a Japanese whiskey label, constantly harried by superfluous phone calls from his wife (Nancy Steiner) who he’s clearly growing apart from. Charlotte (Scarlett Johansson) is a newly married girl whose husband (Giovanni Ribisi) neglects and almost seems to resent her, tied up in his own work while she wanders aimlessly from her hotel room to the bar and back each night. It’s there that these two find each other, find companionship, conversation and yes, romantic chemistry but that is something that Coppola handles in an infinitely more realistic and mature fashion that one usually gets with Hollywood scripts.

Last night was my first ever viewing of this film so I’m a bit late to the party and still basking in the warm glow of the initial first impression but I can already tell I’m in love with and will revisit many more times. Translation is definitely the key word here; Bob and Charlotte speak very little Japanese and as such must find other ways to converse with those around them, be it body language, a laugh or other. But they also kind of need to get used to their own personal vernacular and how it relates to the other. There’s a fairly sizeable age gap between them and they come from different backgrounds so they must adapt to each other, and watching these two actors do so is a joy. Murray is quiet, soft spoken and his comedic edge is almost reined in of his own volition, like he wants to be funny but he’s just too sad to pull it off other than the occasional ironic flourish. Johansson is quiet, contemplative but blessed with a keen intellect and intuition, it’s the perfect role for the actress who, lets face it, sometimes gets cast on her looks and we forget what beautiful charisma she has as well. Coppola lets the friendship between them happen as it probably would in real life: awkwardly at first until they’re comfortable with each other, then with easy and enthusiastic abandon. My favourite scene of the film is where they attend a karaoke party and we get to see them at their happiest and lowest of inhibitions. They sing their hearts out, laugh, steal glances at each other and live in the moment. It’s the most romantic scene of the film and they don’t even touch each other, but the energy is there, carefully guided by their performances and Coppola’s direction. Few mainstream films get the complexities and ethereal realism of this type of situation right, but this one nails it for a dreamy, hypnotic, bittersweet story that you don’t want to end, until it does on a questioning note that we as the audience were never meant to know the answer to. Amazing film.

-Nate Hill

Actor’s Spotlight: Nate’s Top Ten Jennifer Lopez Performances

Jennifer Lopez has long been a powerhouse across many different genres, mediums and forms of artistic expression. Her gritty urban vibe laced with an angelic tenderness always rules the screen whenever she shows up in cinema, as well as a heaven sent singing voice, unbelievable dance skills and charisma for days. I’m not altogether familiar with her music career but I’ve greatly enjoyed her work in film for decades, she’s intense, varied, heartfelt and always completely focused. Here are my personal top ten performances:

10. Gabriela in Bob Rafaelson’s Blood & Wine

Essentially a thankless side chick role, she expertly plays demanding mistress to Jack Nicholson’s narcissistic petty thief in this pitch black crime drama that’s filled to the brim with contemptible characters. She makes the most out of an early career turn here and makes as vivid an impression as the rest of the prolific cast, almost all of which are cast against type.

9. Grace Santiago in Joseph Ruben’s Money Train

This is a terrific buddy action flick that sailed right under everyone’s radar and these days remains overlooked. Wesley Snipes and Woody Harrelson are the two cops, also adoptive brothers and Jennifer is the fellow officer caught between them. It’s interesting because both the script and her performance shirk the usual love triangle tropes and although there is romantic interest, she serves a much more functional part in the story than just that and ends up being smarter and tougher than both of them.

8. Harlee Santos in NBC’s Shades Of Blue

Many of the cop shows these days blur together, don’t last long or just aren’t all that memorable but this was something special due in part to Lopez and costar Ray Liotta, whose chemistry is incredible. She plays a big city cop who gets deep into corruption almost by accident with her trouble prone, hotheaded boss, friend and mentor (Liotta). It’s a tricky wade through urban quagmires of moral distress and bad decisions, she anchors it beautifully with a performance that elicits sympathy despite the crimes committed and has you feeling like you’re right there beside her.

7. Teri Flores in Luis Llosa’s Anaconda

Ahh, one of the ultimate 90’s nostalgic B movies. JLo plays it sexy and dangerous here in high adventure mode, holding her own against tough guy Ice Cube and creepy poacher Jon Voight. There’s been so many horrendous TV movie creature features in the last ten years (Pirahnaconda comes to mind as some bastard offspring of this) that people forget how legitimately fun this one is. J makes it so too in a performance that’s never too campy and never to straight faced.

6. Slim Hiller in Michael Apted’s Enough

A royally abusive, psychotic husband (Billy Campbell) gets an epic beatdown from Lopez’s Slim, the battered housewife and mother who has had, you guessed it, Enough. This film gets a bad rep but fuck the people, it’s a terrific star vehicle, effective thriller, stunt showcase and cathartic revenge story that is engaging, affecting and re-watchable. Jen makes a dynamic, sympathetic lead and you really feel every punch and kick when she fights back. Supported by an eclectic cast including Juliette Lewis, Jeff Kober, Noah Wyle, Dan Futterman, Bill Cobbs and Fred Ward, this has always been one of my favourites and stands as an example of how good Lopez is in a starring role.

5. Jean Gylkyson in Lasse Hallström’s An Unfinished Life

Maybe the most complex performance on this list sees her yet again play a victim of abuse, on the run from her nasty ex husband (Damien Lewis). She takes refuge on the ranch owned by her estranged father (Robert Redford) and their complex, stormy past relationship is explored meditatively by both as well as director Hallström who always has a way with challenging dramas. Jen really shows the deeply etched hurt and regret in her work here, one gets the sense that she maybe blames herself for certain things, the fascination is in seeing a slow but steady recovery and reconciliation for her as well as Redford.

4. Selena Quintanilla in Gregory Nava’s Selena

She brings light, warmth and beauty to an inspirational yet heartbreakingly tragic true life story that earned her a Golden Globe nomination and established her as a force to be reckoned with as both an actress and singer. The real life Selena rose to chart topping levels almost overnight and delivered a knockout solo performance at the Houston Astrodome, and here JLo paints a breathtaking picture of these events and embodies the artist with grace and charisma to spare.

3. Grace McKenna in Oliver Stone’s U Turn

Here she plays the only First Nations femme fatale on record (or at least the only one that comes to mind) in Stone’s wild, edgy and ultra violent sun soaked neo-noir. It’s the tale of one one wayward man (Sean Penn) who comes to town and wishes he hadn’t as it seems every local, yokel and their mothers all have it in for him. Grace is a manipulating, slutty, sociopathic, dangerous little brat who plays him and her tyrannical husband/stepfather (Nick Nolte at his slimiest) against each other to deliberately cause chaos for everyone. There’s a wounded bird vulnerability she displays as a lure that switches into conniving mind games before her targets can even react, it’s a deadly piece of work from Lopez that nails both the past trauma in this damaged girl’s psyche and the hard, amoral edge that it has cultivated in her.

2. Karen Sisco in Steven Soderbergh’s Out Of Sight

She rocks the Elmore Leonard dialogue like no other as smart, sexy and uncompromising federal marshal Sisco, who becomes conflicted when her feelings for slick ex-con Jack (George Clooney) threaten to derail her job. This is another performance that shows off her toughness and vulnerability, sometimes in the same scene. There’s one part where she’s sitting quietly having a drink in an airport bar, minding her own business. A couple hapless businessmen take turns trying to pick her up with increasingly pathetic tactics, and it’s a joy to see her firmly shut each one down with equal parts class, stealth and just plain magnetism. Don’t even get me started on the multitude of scenes between her and Clooney, they’re pure magic.

1. Catherine Deane in Tarsem Singh’s The Cell

A child psychologist who enters people’s dreams to learn about their mental state and help them, she’s forced to navigate the subconscious of a comatose serial killer (Vincent D’Onofrio) and find hidden truths in his threatening world. Jen finds the complexity and compassion in this character, it’s her innate empathy with the human beings around her that drives the work she does, and she radiates light and resilience. As the cops around her express judgment when she adopts the killer’s dog when all is said and done, you can feel that a combination of seeing people’s private worlds inside their minds and her intuitive nature has made her this way, and the performance from Jen to back that up is remarkable.

Thanks for reading!

-Nate Hill