Independent film making is a minefield.
I recall Tarantino being asked for his advice on how to break into the film business. In his response he compared films to waves breaking against the shore. One after another, after another. I’m paraphrasing here, but at the end of his answer he said if you really want people to stand up and take notice, then you have to put a killer shark on one of those waves.
Kurando Mitsutake has been climbing the mountain towards success in the industry for a while now. Burdened by low budgets and tight schedules, he has refused to surrender to defeat by virtue of his tenacity and creativity. Thus he has gone on to produce a collection of eclectic, action-packed explosions that not only homage but summon the spirit of the heady days of that glorious age that saw the rise of exploitation cinema.
Beginning with his audacious debut Samurai Avenger: The Blind Wolf, Mitsutake brought to my mind memories of Jodorowsky’s El Topo as he would himself write, direct, produce and even star in the ultra-violent extravaganza that carried all the delightful hallmarks of a revenge western, along with shades of Kenji Misumi’s Lone Wolf and Cub series.
Success lies at the ends of roads that present everything from gentle rises to precipitous falls. Kurando has known both and has managed to endure. His ability to deliver furious and engaging movies on a shoestring has preempted his rise, and rise again. He is a filmmaker on the verge of greatness, and what he may he yet achieve with a healthier budget or, dare I say it, studio backing will be (I have no doubt) a film the likes of which the world has not yet experienced.
He was an absolute delight to talk to and I say to you now, mark well and remember – Kurando Mitsutake has only just begun. His journey will captivate, his cinema will excite.
I give now, The Blind Wolf himself . . . . Kurando Mitsutake.