Lethal, cold, smart, and totally gripping, Sydney Pollack’s classic spy film Three Days of the Condor is a top-class genre entry, benefitting from its post-Watergate, paranoia induced atmosphere, with a charismatic star turn by Robert Redford as CIA codebreaker Joe Turner, an unassuming worker-bee who comes to the office one morning and finds all of his co-workers executed. Totally alarmed by the situation, Turner flees the scene, and reports the incident to his duplicitous bosses, who then set a menacing hitman, played by the legendary Max von Sydow in a silently ruthless bit of acting, to dispatch of him. Who, if anyone, can Turner trust, and will it be possible to escape the nefarious clutches of crooked government agents? Lorenzo Semple Jr. and David Rayfiel’s lean and graceful screenplay cut away any sense of narrative fat in favor of forward moving plotting with credible dialogue and exciting bursts of violent action. The supporting cast, including a gorgeous Faye Dunaway, Cliff Robertson, Addison Powell, and John Houseman, all provided excellent counterpoints to Redford’s leading-man heroics, which never end up going over the top, which keeps the film relatively grounded for the genre. Dave Grusin’s moody score provided an ominous tone right from the start, and as usual, Owen Roizman’s crisp and clean cinematography exerted a clarity and visceral force that kept everything in the moment and tension-filled, while Don Guidice’s expert editing made terrific use of jump-cutting, while also demonstrating a clear understanding of how long to keep any given scene going; this film feels needle-point precise. This is a film that has aged like a fine wine, and one that’s always worth a revisit.