A thrilling sense of kinetic filmmaking has guided the work of Kathryn Bigelow over the last 25 years, and Point Break is just a go-for-broke action picture, complete with moments of total absurdity, fantastic and unexpected humor, and dead serious thrills. Bigelow’s film, from a clever and exceedingly entertaining screenplay by W. Peter Iliff (Rick King received a story credit), is an incredible piece of vigorous action filmmaking — a heist picture, an undercover policier, a romance, an extreme sports movie that feels ahead of its time in retrospect — the creative team threw a little bit of everything into this film and it’s no surprise that the movie has taken on a massive cult following after a solid but not break-out box office performance. Donald Peterman’s dynamic and muscular cinematography is always bracing and exciting, while Mark Isham’s awesome score swells and builds to some great peaks. Ultimate Patrick Swayze POWER here, Gary Busey steals the entire film, and it goes without saying, Keanu Reeves was just all live-wire terrific here, letting his inner Surfer Dude attitude shine through but also getting a chance to kick some ass when called upon; call it a warm up for his heroics a few years later in the blockbuster action pic Speed. Howard Smith’s editing is fluid and keeps the pace at a fast clip (that backyard chase!) and Bigelow really shined with the action sequences, which have been cribbed from repeatedly throughout the years by various filmmakers. The film was a solid success in the theaters, doing $80 million worldwide on a 50/50 split, but the movie would really cement Bigelow’s action chops, after early efforts like Blue Steel and Near Dark announced a new, distinctive voice, and setting up more ambitious future endeavors like Strange Days, K19: The Widowmaker, and the one-two punch of The Hurt Locker and Zero Dark Thirty. Hell – I’ll even go to bat for The Weight of Water! And it must be said: Jumping out of airplanes with no parachute POWER!