A generous portion of modern day movies are what Macbeth was talking about when he uttered the words, “…full of sound and fury. Signifying nothing.” But SURFER from Doug Burke is no tale told by an idiot. No sir. For this writer, director, actor, poet, musician is also a physics professor – so about as far from an idiot as you can get.
When I was gifted the opportunity to watch the film and chat with Doug I thought I’d look into it a little first. Through my trawling I came to an article that spoke of Surfer as the next ‘The Room’. And, with lines like, “God made me out of squid and lightning” – let’s just say I was intrigued.
What I came away with after watching Surfer is two things. Firstly, it is not the next ‘The Room’ – that along with its creator, Tommy Wiseau, are a law unto themselves. Secondly, Surfer is more than a piece of self-expression, more than what an audience might label as absurd. What I saw was Hamlet, trapped in the microcosm of a relationship between father and son. A father passing on his legacy, ideology, faith – all to aid in the strengthening, fortifying if you will, of his son’s character – specifically to aid him, in this case to get back into the ocean which he loves, but also for the journey – the long life he is yet to experience and endure.
This was one of those instances for me where the character and the motivation, indeed the creator of the picture, was just as fascinating as the images on screen. It was a trip to watch the movie (I hope you will seek it out) as it is to present this interview with one of this world’s true originals in the form of Douglas Burke.
Podcasting Them Softly is thrilled to present a chat with screenwriter and director PeterIliff, a name many movie fans will likely recognize, as he’s the guy responsible for writing one of the greatest action films of all time, POINT BREAK. The film has become a massive audience favorite over the years, and it’s one of those movies that Nick and Frank have seen so many times they’ve probably got most of it committed to memory! Peter‘s other screenwriting credits include the Jack Ryan adventure PATRIOT GAMES, the teen classic VARSITY BLUES, and the underrated and stylish Stephen Hopkins thriller UNDER SUSPICION. His directorial debut arrived in 2012 with the horror thriller RITES OF PASSAGE, and he’s got a number of exciting projects on the horizon which are detailed during this exciting discussion! Nick and Frank are both big fans of action movies in general, so this was a real treat to be joined by the creator of one of our absolute favorite flicks in POINT BREAK — We hope you enjoy our latest episode!
A thrilling sense of kinetic filmmaking has guided the work of Kathryn Bigelow over the last 25 years, and Point Break is just a go-for-broke action picture, complete with moments of total absurdity, fantastic and unexpected humor, and dead serious thrills. Bigelow’s film, from a clever and exceedingly entertaining screenplay by W. Peter Iliff (Rick King received a story credit), is an incredible piece of vigorous action filmmaking — a heist picture, an undercover policier, a romance, an extreme sports movie that feels ahead of its time in retrospect — the creative team threw a little bit of everything into this film and it’s no surprise that the movie has taken on a massive cult following after a solid but not break-out box office performance. Donald Peterman’s dynamic and muscular cinematography is always bracing and exciting, while Mark Isham’s awesome score swells and builds to some great peaks. Ultimate Patrick Swayze POWER here, Gary Busey steals the entire film, and it goes without saying, Keanu Reeves was just all live-wire terrific here, letting his inner Surfer Dude attitude shine through but also getting a chance to kick some ass when called upon; call it a warm up for his heroics a few years later in the blockbuster action pic Speed. Howard Smith’s editing is fluid and keeps the pace at a fast clip (that backyard chase!) and Bigelow really shined with the action sequences, which have been cribbed from repeatedly throughout the years by various filmmakers. The film was a solid success in the theaters, doing $80 million worldwide on a 50/50 split, but the movie would really cement Bigelow’s action chops, after early efforts like Blue Steel and Near Dark announced a new, distinctive voice, and setting up more ambitious future endeavors like Strange Days, K19: The Widowmaker, and the one-two punch of The Hurt Locker and Zero Dark Thirty. Hell – I’ll even go to bat for The Weight of Water! And it must be said: Jumping out of airplanes with no parachute POWER!