All posts by Frank Mengarelli

Everybody relax, Frank's here. After going to film school at Columbia College Chicago, Frank decided to underachieve with his vast knowledge of film into a career in civil service. Frank had a brief stint as a film blogger, and then he met the heterosexual love of his life, Nick Clement. The two instantly bonded over their love from everything to Terence Malick to THE EXPENDABLES films. Some of Frank's favorite filmmakers are Terence Malick, Martin Scorsese, Quentin Tarantino, Sylvester Stallone, Oliver Stone and Spike Lee. Some of his favorite films are THE TREE OF LIFE, STAR WARS (all of them), BAD LIEUTENANT, THE THING and ALL THAT JAZZ. Frank spends his free time with his dog Roger, collecting any Star Wars collectible he can find and trying to finish his pretentious, first person narrative novel(la), LARGE MEN IN SMALL CARS..

33rd Santa Barbara International Film Festival Podcast

SBIFF 2018

It’s time again for our annual Santa Barbara International Film Festival podcast! Frank and Tim recap Frank’s journey this year at the festival, including seeing Emilio Estevez’s new film, ‘the public’ and Susan Kucera’s LIVING IN FUTURE PAST which was presented and narrated by Santa Barbara’s own Jeff Bridges. This year, Frank’s red carpet interviews included on this podcast are with Executive Director of the festival Roger Durling, Gary Oldman, producer Doug Urbanski, Willem Dafoe, Emilio Estevez, Martin Sheen, Leonard Maltin, Academy Award-nominated editor of I, TONYA Tatiana Riegel, Academy Award-nominated VFX supervisor of BLADE RUNNER 2049 John Nelson, Academy Award-nominated sound editor of THE LAST JEDI Matthew Wood, GET OUT’s Daniel Kaluuya, Jordan Peele, Guillermo del Toro, and lastly Frank talking to Ben Mendelsohn about Podcasting Them Softly’s namesake, KILLING THEM SOFTLY.

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SBIFF Maltin Modern Master Awards Gary Oldman

Gary Oldman is charming. He’s effortless and he’s incredibly affable, which is a stark contrast to many of the prickly characters he’s most well known for playing. He spoke with Leonard Maltin for a little under two hours before the dapper and coarse Ben Mendelsohn presented him with the Maltin Modern Master Award.

Oldman said it was seeing Malcom McDowell in THE RAGING MOON that lit the burning desire for him to pursue a career in acting, which led to Oldman being turned down by a premiere drama school in England where a lot of the greats had studied, including Peter O’Toole.

Oldman spoke about how he fanboy gushed over John Hurt while working with him on TINKER TAILOR SOLDIER SPY, Anthony Hopkins during the filming of DRACULA, and over Denzel Washington while working with him on the set of THE BOOK OF ELI.

A very charming moment in the show was when Maltin showed a clip from a Harry Potter film, and Oldman went on to speak about his fondness for the young co-stars he worked with and how they were like a family, and he watched them grow up over the course of ten years. It was a very special period of his career for him, stating that his fanbase went from forty year olds to ten year olds overnight.

During the filming of BATMAN BEGINS, Oldman attributed James Gordon’s world weariness to jetlag, due to the fact that he was flying from LA to England a day or two at a time to film his scenes, not staying on set due to the fact of being a single dad and raising his two young sons.

Maltin asked Oldman about his character of George Smiley, and asked if he would be playing him again. He responded with an almost certain yes, telling Maltin that he really loved playing Smiley, and missed that character dearly. Asked about his preparation for Smiley, Oldman said that he was overly particular on the glasses his character would be wearing, and that he tried on at least one hundred pairs before settling on the pair that was used in the film.

When asked about his many accents he’s used, from Dracula to Churchill, Oldman said he uses not a voice coach, but an opera singer to condition his voice to drop or gain octivs, and once he is done filming said character he essentially unlearns how to speak that way, saying it’s like a muscle and that he can no longer recreate the Dracula voice or his Churchill voice on command.

Ben Mendelsohn was there to present Oldman with the Maltin Modern Master Award once the Q&A was finished. Mendelsohn gave a speech only he could give with his token outback roughness and lewd wit, speaking of Oldman’s many masterpiece performances and how he is one of his idols.

Gary Oldman is a cinematic treasure. He has crisscrossed many aspect of film from hard independent pictures, genre films, as well megabudget franchises. His latest turn as Winston Churchill in Joe Wright’s DARKEST HOUR will surely award him the Best Actor Oscar, which for a performer like Oldman an Academy Award is long overdue.

33rd Santa Barbara International Film Festival: Willem Dafoe Honored with Cinema Vanguard Award

Willem Dafoe is an actor. He’s not a celebrity, he’s not a movie star, he’s an actor. An actor’s actor like Robert Mitchum or Lee Marvin. He arrived early in Santa Barbara where he was receiving the Cinema Vanguard Award with an hour and a half long Q&A moderated by Deadline’s Peter Hammond. Dafoe took his time with his fans lined up; taking photographs and signing autographs and then spending an ample amount of time speaking to the press.

Dafoe is currently on his third Academy Award nomination for best supporting actor. He was first nominated for Oliver Stone’s PLATOON, then SHADOW OF THE VAMPIRE, and now for Sean Baker’s THE FLORIDA PROJECT where Dafoe plays a motel manager and surrogate grand father to a six year old daughter of an unruly tenant.

Inside the Arlington Theare, a highlight reel started and showed everything from STREETS OF RAGE to PLATOON to THE LAST TEMPTATION OF CHRIST to SPIDER-MAN and THE GRAND BUDAPEST HOTEL. Noticeably missing from Dafoe’s greatest hits and Hammond’s Q&A were the four (soon to be five) collaborations with Abel Ferrara and his three films with Lars von Trier. To be fair any one of Dafoe’s performances from any one of his films would be worthy of being in the reel; yet those seven films are incredibly seminal to the Dafoe canon.

He spoke about being fired from his first feature film, Michael Cimino’s HEAVEN’S GATE for laughing out loud at a joke during a set break. He then went on to speak about how he was asked by Cimino to narrate a feature length documentary about the making (and unmaking) of HEAVEN’S GATE.

Dafoe spoke freely about his rich filmography. He stated the most physically demanding performance of his career had been when he played Jesus for Martin Scrosese. He talked about how taxing the crucifixion scene was, and how he could only stay in that pose for a maximum of twenty minutes before his body would start to give out.

Regarding MISSISSIPPI BURNING, Gene Hackman actually did hit him, they really smoked marijuana during the party scene in PLATOON, and how he was on three foot stilts doing motion capture work for JOHN CARTER ON MARS.

Dafoe is overly deserving for an Academy Award. Both on the account of his performance as Bobby Hicks in THE FLORIDA PROJECT and for one of those “lifetime achievement/we owe you one” Oscars. As Bobby Hicks, Dafoe is playing the guy, and for a career of playing that guy, he finally gets to shine and give one of his best performances as the guy.

33rd Santa Barbara International Film Festival Opening Night: Emilio Estevez’s ‘the public’

Opening the 33rd Santa Barbara International Film Festival was Emilio Estevez’s new film, ‘the public’ which is set in a library deep in the harsh Midwest winter in the heart of Cincinnati where the local homeless population seeks refuge during the day, stages a sit-in to spend the night after all the local shelters reach their maximum capacity and numerous others had frozen to death.

Estevez, Jena Malone, Alec Baldwin, and Michael K. Williams were among the stars of the film that took to the red carpet along with Martin Sheen who did not appear in the film, but was there to show support for his son.

Introducing the film with an elegant and impassioned speech was dashing Executive Director of the festival, Roger Durling, who spoke about the recent catastrophic mudslides that deeply affected the community.

‘the public’ is a gripping, topical film that is a reflection of the many humanitarian crisis in America, and particularly one; the homeless population. The film is incredibly cunning. The focal point isn’t solely aimed at the social and economic injustice of America’s homeless population, but also the opioid epidemic as well as mental illness and how it is currently viewed by the poisonous symbiotic relationship between window dressing politicians and manufactured news and how that information is then fed to the populous of America.

This film is a lot to absorb.

Estevez wrote, produced, directed, and starred in this feature and he assembled a remarkable cast from those who walked the red carpet premiere to those who did not including Jeffery Wright, Gabrielle Union, Christian Slater, and Taylor Schilling in a film that is a subtle recognition of one of Estevez’s most seminal films, John Hughes’ The Breakfast Club.

‘the public’ asks a plethora of serious and substantial questions whilst also pulling a strong emotional response from its audience. It is a great film that not only reflects present day America, but also exposing a problem that no one is seriously addressing in mainstream America.

Best of 2017 Megacast!

BeFunky Collage

Frank, Tim, and Nate gather together to discuss this year’s Oscar nominations and then get into what they thought should have been nominated, running down their own top ten best pictures, and also giving their top five in each category. We will taking a week off and then we’ll be back with a vengeance with our annual Santa Barbara International Film Festival podcast!

The Abel Ferrara Auteur Podcast Series: DRILLER KILLER

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Frank and Patrick embark on a new series for Podcasting Them Softly: The Abel Ferrara Auteur series. They start by discussing Ferrara’s feature debut, DRILLER KILLER and both watched the film via Arrow’s release. You can pick up your copy of Arrow’s DRILLER KILLER here

Cult Rewind: Leviathan 1989

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Frank and Kyle join teams to talk about one of their favorite, and underappreciated films from the 80s, George P. Cosmatos’ LEVIATHAN starring Peter Weller, Richard Crenna, Ernie Hudson, Daniel Stern, and Meg Foster. While this film does borrow heavily from THE THING and ALIEN, it’s much more than just a rip-off hybrid that stands on its own with strong performances, excellent production design, and value, and remarkable creature effects and a brooding score.

Pick up the Shout Factory blu ray here.