Tag Archives: Ian Fleming

Irvin Kershner’s NEVER SAY NEVER AGAIN

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Artwork by Jeffrey Marshall

Frank and Tom are joined with special guest Dave Chantry, to discuss the renegade James Bond film, NEVER SAY NEVER AGAIN featuring Sean Connery’s return as James Bond, 007. This is a very lively discussion about the often forgotten and criticized Bond film, that features a stellar cast, amazing production, and behind the scenes talent that is some of the finest of the series.

For your reference: The Battle of the Bonds

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For Your Ears Only: John Glen’s OCTOPUSSY

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Artwork courtesy of Jeffrey Marshall.

Join Frank and Tom with special guest Mac McSharry as they discuss John Glen’s OCTOPUSSY in all its glory. They discuss Moore’s turn, Maud Adams’ return to the series, and Louis Jordan as well as the behind the scenes production as well as the original source material written by Fleming. Join us next time as they cover Sean Connery’s return as James Bond in NEVER SAY NEVER AGAIN.

Martin Campbell’s Casino Royale

So what did Martin Campbell’s Casino Royale do for the Bond franchise? Well, I’m not a huge aficionado or scholar of these films like some so I tend to look at each one on its own as an action adventure piece rather than observe how it fits into the jigsaw legacy of this mammoth series, but there’s no denying that this one kind of broke several moulds before it. After the garish 90’s heyday of Pierce Brosnan (I *love* all four of those films to bits) I feel like they just wanted to bring Bond down to earth a bit, distill the aesthetic into something that cleanses too many gadgets and what have you, cast someone darker and more dangerous and blast out a new trajectory for the character. Good plan.

Casino Royale is not only a splendidly exciting film on its own but the best, most impactful and unique 007 film since 1989’s ruthless and underrated License To Kill. Daniel Craig’s James Bond is an angry warrior who fucks up just like the rest of us and is fallible, not some invincible deity in a tux that can’t get hurt, deceived, betrayed or killed without tangible consequences. An early mission sees him tasked by Judi Dench’s then immortal M to infiltrate a high stakes poker game in some swanky French locale and gain information on dangerous arms dealer and terrorist Le Chiffre, played by vicious, predatory Mads Mikkelsen in one of my favourite Bond baddie portrayals. As if he isn’t in enough over his head, he meets the beautiful but equally dangerous Vesper Lynd (Eva Green), the most unique Bond girl since… who knows when. I love that she’s a self aware human being who has her reasons for falling into bed with him instead of just being a pair of tits with a voice as seen in countless entries before. Green has sex appeal for days but what makes her special is that way her eyes smoulder with a fierce independence and unpredictability, making her one of the most fascinating characters the whole franchise has to offer. Also supporting them is the great Giancarlo Giannini as a mentor of sorts for Bond, Jeffrey Wright as CIA operative Felix, Catarina Murino, Isaach De Bankolé, Jesper Christensen, Sebastian Foucan, Tobias Menzies, Richard Sammel, Tyrone the silly fat bastard from Snatch, Russian character actress Ivana Milicevic and Virgin Atlantic CEO Richard Branson of all people, if you look real close.

In terms of scope and staging, this is a kind of unique 007 film because it shirks the standards and ducks expectations. It opens with a spectacular chase like any other in the franchise, which is a monumental sequence in terms of stunt work. But much of the film is spent in the ornate casinos of France and a lot of the action is the casual intimidation and cerebral mind games that go alongside the poker match. There’s nothing quite like Craig and Mikkelsen sat opposite one another in tuxes, Mads bleeding out of his sinister looking dead eye and Daniel smirking at him like he wants to rip his head off, while Green looks on and let’s her ulterior motives simmer on the back burner for later. Cinematographer Phil Meheux takes full advantage of these rich, lushly production designed interior shots as well as the gorgeous outdoor rim of the Mediterranean that we get to see quite a bit of. My only real complaint is a third act that feels like it barrels in from another film; that’s not to say it’s bad or doesn’t work, it’s just a tad unwieldy with the landing and threw me off in terms of tone or climax but I suppose that could have been the intention. I’ll just say that this thing ends in the last possible way you’d expect from a 007, feeling fresh, raw and off the rails in a beautiful fashion that doesn’t tread the beaten path of so many before, but blazes out its own tragic, violent conclusion that will claim a piece of Bond’s soul but add much needed spirit to this series as a whole. Great film, and my second favourite Bond of all time after Skyfall.

-Nate Hill

For Your Ears Only: Lewis Gilbert’s MOONRAKER

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Artwork by Jeff Marshall

After a brief hiatus, Frank and Tom are back with Podcasting Them Softly’s James Bond series, For Your Ears Only. They discuss at length the 1979 film that cascades into James Bond fighting in space, arguably the franchises answer to STAR WARS. They also briefly discuss BOND 25, but this recording predates the recent casting announcement and new theories surrounding the film. Frank and Tom will return with FOR YOUR EYES ONLY and as well as a BOND 25 update.

Artwork was supplied to us by the very talented Jeff Marshall. Please visit his website here to view his other works.

For Your Ears Only: THE SPY WHO LOVED ME

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Tom and Frank out back with PTS’ first podcast of 2019. We discuss Lewis Gilbert’s second to last entry into the Bond franchise, THE SPY WHO LOVED ME. We speak about Roger Moore’s continuation of Bond, the wonderful Barbara Bach, and Stanley Kubrick’s involvement.

For Your Ears Only: Guy Hamilton’s THE MAN WITH THE GOLDEN GUN

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Tom and Frank are honored to be joined with filmmaker Wayne Kramer (THE COOLER, RUNNING SCARED, PAWNSHOP CHRONICLES) to discuss Guy Hamilton’s final directorial effort, The Man with the Golden Gun.

For Your Ears Only: Guy Hamilton’s LIVE AND LET DIE

Join us as we speak about Roger Moore’s first outing as 007 in Guy Hamilton’s Live and Let Die. We also cover the recent news that Danny Boyle has left the production of Bond 25, and we discuss the rumors and rationale behind it and also discuss who we would like to see take over as director. We also speak of the recent casting resurgence of Idris Elba as James Bond and where the franchise may go after Bond 25.