Tag Archives: the room

Accepting the Energy: An Interview with Douglas Burke by Kent Hill

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A generous portion of modern day movies are what Macbeth was talking about when he uttered the words, “…full of sound and fury. Signifying nothing.”  But SURFER from Doug Burke is no tale told by an idiot. No sir. For this writer, director, actor, poet, musician is also a physics professor – so about as far from an idiot as you can get.

When I was gifted the opportunity to watch the film and chat with Doug I thought I’d look into it a little first. Through my trawling I came to an article that spoke of Surfer as the next ‘The Room’. And, with lines like, “God made me out of squid and lightning” – let’s just say I was intrigued.

What I came away with after watching Surfer is two things. Firstly, it is not the next ‘The Room’ – that along with its creator, Tommy Wiseau, are a law unto themselves. Secondly, Surfer is more than a piece of self-expression, more than what an audience might label as absurd. What I saw was Hamlet, trapped in the microcosm of a relationship between father and son. A father passing on his legacy, ideology, faith – all to aid in the strengthening, fortifying if you will, of his son’s character – specifically to aid him, in this case to get back into the ocean which he loves, but also for the journey – the long life he is yet to experience and endure.

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This was one of those instances for me where the character and the motivation, indeed the creator of the picture, was just as fascinating as the images on screen. It was a trip to watch the movie (I hope you will seek it out) as it is to present this interview with one of this world’s true originals in the form of Douglas Burke.

You might say, “Hamlet don’t surf!”

Well, this one does . . .

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The Way of the Samurai Cop: An Interview with Matthew Karedas (Hannon) by Kent Hill

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You’re all familiar with the concept “so bad, it’s good” I’m guessing? If you’re not then I’m here to tell you that there is a thriving sub-genre enjoying the hell out of life just beyond the fringes of your current viewing tastes. Now, some might say that these are the lands where bad films go to die – but I say it is not so. You just have to look a little harder, you have to look with better eyes than the ones in your head that only see the mainstream and everything that floats down it. Remember shit rolls down hill too.

And you’ll be told that films like Space Mutiny, Troll 2 and The Room are only enjoyed by small minded juveniles that still think farts are funny. You’ll be told to stick with the cinema of the Golden Age, heck even the Silver Age – but what ever you do – stay away from the counterfeit Peso Age.

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If these are the voices that dictate your viewing pleasure then you best take off. This story ain’t for you. The cinema of Amir Shervan (top) and Gregory Hatanaka (bottom) is beyond your realm of understanding. For these guys play in the sandbox where bad is beautiful and lunacy equals legendary. These are the men who created the Samurai Cop.

In 1991 a ex-Stallone body guard and a trained New York actor strapped on the guns and a bad wig and took their place in cinema history. The film was Shervan’s tribute, some might say, to the American action film. What he made had bad acting, stilted action, a whole lot of tits, ass and Robert Z’Dar, blended with a mighty helping of stupid courage.

Then – just like that – the film vanished, along with its star.

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Cut to 25 years later and a new filmmaker, inspired by the newly uncovered brilliance of Samurai Cop, decides to get the old band back together and make a sequel. Only problem being . . . the Samurai Cop is missing, presumed dead.

But Matthew Karedas (formerly Hannon) was just chillin’. He’d grown tired of jumping through Hollywood’s hoops and so, he got a real job and took the time to raise his young family. It was one of Matt’s daughters that saw the word on the web of her father’s supposed death and told him he should post word – tell the world the Samurai Cop Lives!

So he did, and the rest dear friends is history. Samurai Cop 2 : Deadly Vengeance was released around the world to adoring fans and took its long-awaited seat beside the awesome original. Nearly all the cast returned, along with some new faces. One genius stroke was the casting of fellow “so bad, it’s good” megastar Tommy Wiseau (The Room). The meeting of Karedas (Hannon) and Wiseau on screen being equaled only by the scene from Michael Mann’s Heat, which saw the powerhouses of Pacino and De Niro square off.

So, kick back with me now as we sit down with the Samurai Cop himself to learn about the past, chat about the future, shoot the breeze on the subjects of bad acting and equally bad wigs . . . and of course hear all about rubbing shoulders with Tommy Wiseau. Ladies and Gentlemen I proudly present . . . Matt Hannon (Karedas), The Samurai Cop.