Tag Archives: violence

The Taming of the Killer Shrews by Kent Hill

It was weird sitting down and watching Return of the Killer Shrews. My wife and I were not far in when I paused the movie and said, “Hang on, I’ve seen this before.” I jumped up from the chair and went to the library. Removing row upon row of DVDs, I soon came across it. I took out the disc, popped it in the player and “yes”, right I was – I had seen the movie before – under the guise of a re-titled release called MEGA RATS.

But I kept on. In part because I love the flick and the genre it is a part of. Also because I have such fond memories of watching the 1959 original on a rainy day with my grandmother on her big plushy green couch, with a huge bowl of warm, buttery popcorn and the open fire’s glow dancing against our faces. Truth is she loved monster flicks. THEM, JAWS, DARK AGE, ANACONDA, even BIG ASS SPIDER was one of the last she saw and enjoyed.

Me personally, it hits the right notes just like pictures of its ilk like PRIMAL FORCE, PIRANHACONDA, HOUSE OF THE DEAD (because yeah, I’m a stickler for Dr. Boll alright – I get a giggle out of it), and SCREAMERS (not to be confused with the Christian Duguay film, but the Sergio Martino film also known as Island of the Fishmen).

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Steve Latshaw directs James Best, returning after 53 years to take on those nasty, blood-ravenous shrews with a little help from a couple of the Dukes of Hazard. A reality TV crew, in the midst of an island paradise, soon find they are no match for the four-legged terrors that are stalking them at the behest, it would seem, of the deliciously villainous Bruce Davison (who is clearly relishing his part). ROTKS is as delightful, endearing and just as loaded with double, B-movie-cheesy-goodness as the original. It’s streaming NOW, so jump on the couch and grab a bite and thrill at those killer shrews, while enjoying that buttery popcorn you’ll chew.

My guests are a couple of the men behind the shrews. Director/screenwriter extraordinaire, Steve Latshaw, and special effects maestro, Jeff Farley.  Have a listen and gain some insights on the careers this pair of amazing cinematic artists and how they came together to try and tame those killer shrews…

STEVE LATSHAW

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Born in Decatur, Illinois, Steve began his film career in a distinctly Corman-esque style, directing a string of successful B movies in Florida in the early 90s. These included the home video/cable hits Dark Universe (1993) and Jack-O (1995), as well as the cult classic Vampire Trailer Park (1991). Relocating to Los Angeles, Steve continued his career as both writer and director, though on markedly larger budgeted projects. With a filmography well into the double digits, Steve’s recent screenwriting credits have included the family adventure _American Black Beauty (2005), starring Dean Stockwell and the upcoming Sci Fi Channel superhero adventure, _Stan Lee’s Lightspeed (2006).

JEFF FARLEY

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Jeffrey S. Farley was born on August 21, 1962 in Glendale, California, USA. He is known for his work on Demolition Man (1993), The Blob (1988) and Pet Sematary (1989).

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BRACE FOR IMPACT!: An Interview with Alexander Nevsky by Kent Hill

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Moy Priyatel’ Superzvezdy (My Superstar Buddy) Alex Nevsky is back. Fresh off his Showdown in Manila, and now with his biggest production to date – MAXIMUM IMPACT.

Andrzej Bartkowiak (DOOM, EXIT WOUNDS) directs a Ross LaManna (the RUSH HOUR movies) script that is fast, fun, furious and keeps delivering all the way to the closing credits. It’s the story of the battle against terrorism being fought on all fronts. Alex and his Russian security team join forces with Kelly Hu, Tom Arnold and the US company men to track down and stop a major international incident from exploding. When Eric Roberts’ US Secretary of State’s rebellious daughter goes rogue to be with her Russian boyfriend, she is at first feared kidnapped by the surprisingly comedic duo of Matthias Hues and Mark Dacascos, a failed television who has become the bag man for William Baldwin’s Man in the Shadows (as he is credited). What ensues is a race, not only to save the girl, but to stop all hell from breaking loose.

The action is top shelf, which is to be expected from a seasoned pro like Bartkowiak – this blends in well with the pen of LaManna who brings his Tucker/Chan chops to the forefront and lets the laughs ring out with grand timing. The big surprise other than the funny frolicking shared by Hues and Dacascos, is Nevsky. Alex does hard-hitting, action hero stuff in his sleep – but as he exhibited in Showdown (teaming with Casper Van Dien) – he is developing all the time as a versatile performer, and now displaying comedic freedom which this writer can see him parading in the future with roles, not unlike his idol Arnold Schwarzenegger, in Kindergarten Cop/Twins type territory.

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This is a major step up for Nevsky and, although this is the kind of film Hollywood doesn’t make any more (that medium-range budget action movie),  it great to see that it can still be put together independently with top-of-the-line talent in a beautifully slick and professional package that – just as Showdown was a kind of 80’s action movie homage – so now Impact is a look back to the 90’s style action/comedy.

Aside from all that chatter, it is simply a fun movie which I was anticipating and was not at all disappointed with. Alex is a top bloke and I hope you’ll have a listen to our chat and check out MAXIMUM IMPACT when it hits Blu-ray soon…

 

RETURN OF THE FURY: An Interview with Jino Kang by Kent Hill

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Jino Kang, that electrifying action man of many talents is BACK!!!

Since we last spoke his continued success has grown, and now he returns with the next installment of his superb, action-packed KID FURY series – KID FURY: THE PHANTOM WITCH.

Jino is the man not even the Devil himself could keep down – because he was just too good-looking. In The Phantom Witch, a Kid (Timothy Mah) is sent on a mission to recover his stolen mysterious box by a nefarious gangster boss (Jino Kang), who happens to be his estranged father. The Kid must retrieve the box from “The Phantom Witch”, who possesses magical powers which may prove difficult, if not impossible.

The showdown is a heart-stopping encounter with incredible action and martial arts choreography. KID FURY was written and directed by Jino, and produced and photographed by Dave Fong. Timothy Mah is a 3rd degree black belt student and a musician by trade – some of his music graces the film’s heavy metal score.

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It was a joy catching up with the acclaimed and award-winning action man who is Jino Kang. After the furious excellence of Blade Warrior, Fist 2 Fist and Weapon of Choice (combined with the KID FURY series), the future is golden for this incredible gentleman, this awesome action star and all-round talented artist.

I look forward as ever to catching up with Jino as his Kid Fury saga continues and his feature film projects make their way to glorious reality – setting the silver screen on fire…

Ladies and Gentlemen . . . Martial Arts Legend . . . Jino Kang!

ALL COP: A Fan’s Journey by Kent Hill

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How important are fans to the longevity of a movie? The truth is – extremely important. Fans are the reason films have survived long past their initial release life. Coming from the age of VHS, we were the generation of watchers that gave cult status to films that would have faded if not for the popularity of this new medium. Films that died even before their brief, bottled-rocket moment in theaters fell to the ground cold and lifeless under the weight of audience disinterest.

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A devoted fan is worth their weight in gold. They will stick with a film, a franchise, even through the worst of times. RoboCop is an undeniable classic. But, and it is just this man’s opinion, the continuing saga has suffered from the same strength that made the first film the glorious specimen it remains. Two wasn’t bad. Three, was stretching. I dug the animated series, even the live-action TV show. Then there was the recent reboot. I think the less said is the easiest mended and stand with many on this thinking – that the idea of remaking classic films is a colossal mistake. There was really nothing in this tepid attempt to re-invoke the wonders of past glory that are worthy of even the title.

Like Eva Rojano I saw RoboCop on video back in the day and was equally as awed by it. The fascinating thing though about Eva’s fandom is the empowering nature, the passion and exuberance she draws from the picture, and how it has helped shape her life and permeate her dreams and ambitions.

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Eva with Nancy Allen

Eva was so taken with the power of the character, and the story arc of Anne Lewis, portrayed by the wonderful Nancy Allen, that she eventually started corresponding with her idol, and finally, was able to meet her in person and further solidify the friendship.

The joyful nature of being utterly and completely taken by the subject and the morals amplified by popular and classic movies, is that it allows the fan to live vicariously through the characters they identify with and thus, giving one’s imagination fertile soil in which to plant the seeds for a harvest of success in whichever field of expertise one chooses  to explore in life.

Eva has taken the inspiration she receives from the likes of the empowered character of Anne Lewis and has turned all of her creativity and dedication to spreading and bringing together the talents and appreciation of RoboCop fandom world-wide. And, in the wake of the recent news of yet another cinematic entry into the RoboCop franchise, as well as, the fact that the talented Miss Allen has not, unlike the other member of her integral duo aka Peter Weller, been approached to be a part of this re-invigoration of such a beloved series; Eva has taken to the fandom at large and has created a petition to motivate the powers that be with the hopes of bringing back her treasured Officer Lewis.

Eva’s is a fascinating and passion-filled tale that I trust will inspire and delight. Please do, all you Robo-Fans, jump on the bandwagon and sign the petition (https://www.change.org/p/mgm-studios-inc-we-want-nancy-allen-to-play-a-role-in-robocop-returns) to get Nancy, along with Peter, back into the Robo-verse where together they belong. And also to, please follow the links below and experience the wonderful work Eva is doing – all to honor the movie she loves most dearly.

https://enhanced-reality.wixsite.com/robocoplewis

https://www.facebook.com/RoboCopLewis/

MORE ROBO-COLLABORATORS

Ed Neumeier

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She’s a little bit DANGEROUS! : The DANGER DIVA Interviews with Kent Hill

It was the night before I was given the opportunity to experience Danger Diva that I just happened to be watching Rock & Rule. Little did I know, nor did I expect, certain similarities to interlink in my consciousness as directly following  Clive A. Smith’s cult animated classic, I would be treated to a viewing of Shredder Orpheus’ all but vanished auteurs’ latest picture.

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I still have a copy of Robert McGinley’s 90’s skateboarding, rock ‘n’ roll, ancient mythological homage on VHS. Along with films like Slava Tsukeman’s Liquid Sky and James Fargo’s Voyage of the Rock Aliens, it remains an alternative delight. And, now, Robert  makes an alley-like but most welcome return to the director’s chair.

He brings with him what star Tim Gouran perfectly summed up as a bad-ass, rock ‘n’ roll, sci-fi movie in the form of DANGER DIVA. Set against the backdrop of a very William Gibson stylized future where the elite seek to further manipulate and control the masses. All the powers that be need is a symbol – a voice.

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Diva is a film rich and enthralling in spite of its low budget constraints. McGinley once more brings his unique storytelling, his passion for mythology, his love of classic science fiction, his rock ‘n’ roll sensibilities all to play in this dynamic and thought-provoking movie which, as I think good films should, lingers with you long after the credits roll.

As to my comparisons to Rock & Rule – well fellow fans of that film, I think, will automatically understand where I’m coming from. Of course if you’ve not seen it, then you should – but not before you’ve had a listen to the lads, as it was a privilege to chat with both director and star as it is to bring to your attention this incredible picture which I urge you to seek out and experience for yourself.

VISIT: https://dangerdiva.com/

ROCK ON!

ROBERT McGINLEY

{Courtesy of: https://www.robertmcginleyfilms.com/films-about/}

Robert R McGinley is the writer-director of the feature films JIMMY ZIP and SHREDDER ORPHEUS. JIMMY ZIP, starring Brendan Fletcher, Chris Mulkey, Adrienne Frantz and Robert Gossett won the Best Dramatic Feature award at the Hollywood Film Festival and SHREDDER ORPHEUS is a Seattle cult classic featuring the late great poet, Jesse Bernstein. Both films underscore Robert McGinley’s ongoing interest in rites of passage stories that highlight “the hero’s journey.” Projects in development include the action drama BLOOD RUNS THICKER and the music driven cyber-punk thriller, DANGER DIVA.

Prior to his immersion in film-making, McGinley was the founding artistic director for the internationally acclaimed Seattle theater, On the Boards; a producer and presenter of contemporary dance, theater and music from around the world. In addition to his work as a filmmaker and theater producer, McGinley writes and performs poetry embellished by music and various incendiary arts.

TIM GOURAN

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Tim Gouran is known for his outstanding performances in numerous plays, including Of Mice and Men and ACT’s immense Ramayana production – not to mention his great works in filmography: Love my Guts, Gory Gory Hallelujah, Worst Laid Plans, Better than Love, Two Pictures and of course, Danger Diva

 

“Do we really suck, or is this guy really that good?” : An Interview with Michael Davis by Kent Hill (PART 3)

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I really love this gig. I really do. I’ve had the distinction of being able to converse with many a hero and much admired artist over my time at PTS. There have though, been a few surprises along the way – and this was one of them.

I have long wanted to chat with Michael Davis. Part of it, and I’m sure you’ll agree having seen his films, that here is a man who went from making 100 Women to writing and directing the most-excellent, ballet of bullets that is Shoot ‘em Up. And you just need a few minutes of talking with Michael to understand how this was possible.

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They say Scorsese has a machine-gun-mouth. Well listening to Michael is like standing next to Jesse Ventura firing Ol’ Painless. And – WOW – what a delight, the frenetic and passionate electricity that this man generates in infectious. Michael’s initial overview of the birth of his career is one of the most entertaining I’ve ever heard. From his beginnings as a storyboard artist, to various writing assignments (don’t say Double Dragon out loud), to his eventual directorial debut; it’s a madcap movie marathon coming at you – at high speed!

Our conversation was so enthralling, so engaging, that I would be doing my guest a severe injustice to cut even a moment of it. So I shall be presenting it to you as a trilogy. Each section I promise is as entertaining as the last. So, don’t touch that dial, and prepare yourself to experience the film-making personification of the perfect storm that is . . . Michael Davis . . . . . . PART 3.

FOR THOSE WHO CAME IN LATE :

https://podcastingthemsoftly.com/2018/04/25/do-we-really-suck-or-is-this-guy-really-that-good-an-interview-with-michael-davis-by-kent-hill-part-2/

https://podcastingthemsoftly.com/2018/03/25/do-we-really-suck-or-is-this-guy-really-that-good-an-interview-with-michael-davis-by-kent-hill-part-1/

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THE ‘HIT’ MAN: An Interview with Dominik Starck by Kent Hill

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Dominik Starck is a cool guy who loves and makes movies. That’s a man I’m down for spending some time with – so I did. His new movie, The Hitman Agency, is a complex nest of intrigue, danger, action and redemption. Throw those altogether and you have a great blend that tastes a little like something we’ve had before – yet it’s flavored by Mr. Starck’s unashamed passion for his many cinematic influences as well as the sheer joy he has being a filmmaker.

Most of us, at one time or another, who make fatal decision to go off and pursue a career as an artist, are met with the inevitable speech for our parents which carries the immortal lines like, “You’ll never make any money,” or “Why don’t you get a real job.”

Now Dominik tried that – he tried to deny the fire inside, the voice telling him he wasn’t doing what he was meant to be doing. He wasn’t, as the Bard would say, to thy own self being true.  So he started doing what he had to do, and, for my money, what he does well – he started making movies.

“Making an indie film is close to being a hitman; choose your goal, aim and go after it no matter the obstacles. And like assassinations, it’s a hit and miss with movies. I consider our movie the latter but it’s up to the target audience to decide if that’s the truth or not,” says Starck, the writer/director. While the German independent production by Starck Entertainment and R.J. Nier Films is represented by distributor Generation X Group GmbH at the film market in Cannes (May 8th to 17th) for international sales, the US audience is the first to be able to watch THE HITMAN AGENCY on Amazon.com where it’s available for rent and buy.

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This movie is the directorial debut of writer/producer Dominik Starck who previously worked on the award winning mercenary action film ATOMIC EDEN, starring Blaxploitation legend Fred ‘The Hammer’ Williamson and Lorenzo Lamas (RENEGADE). While being a deliberately different type of movie, THE HITMAN AGENCY features a special appearance by 11 time kickboxing champion Don ‘The Dragon’ Wilson from BLOODFIST-fame. Starring American-born Erik Hansen (THE COUNTESS) and LA-based Everett Ray Aponte (ATOMIC EDEN) as competing hitmen from different ends of their assassin-careers, THE HITMAN AGENCY is a character-driven conspiracy-thriller with twists and turns, spiced with some martial arts outbreaks and assassinations. Shot on locations in Germany in English with more blood, sweat, and tears than a real budget, this underdog movie is proof to the phrase that nothing can stop you from making a movie when you really want it. Not even in Germany where there’s no platform for genre films at all.

Like I said at the top, Dominik is a cool guy and a cool filmmaker. He was worried about his English before we spoke but I tell you now as I told him then – “his English is as beautiful as his film-making.” Seek out THE HITMAN AGENCY… (follow the link below)

https://www.amazon.com/Hitman-Agency-Everett-Ray-Aponte/dp/B07BY5Y1XL