Tag Archives: Superman

The Man who would be Cage: An Interview with Marco Kyris by Kent Hill

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I feel like I’m somehow getting closer to Nicolas Cage. I’ve spoken to a man who has directed him – a man who has “Nic-polished” his scripts. So, you can image my delight when Marco Kyris, Cage’s stand-in from 1994 till 2005, agreed to not only have a chat, but also to give me a preview of his new documentary, UNCAGED : A Stand-in Story.

People ask me, “What’s with this Cage obsession?”

My answer is always…I think he’s a genuinely smart actor, with eclectic tastes and a wide repertoire which has seen him enjoy Oscar glory, big box office success and become a champion of independent film.

The son of August Coppola (nephew of Francis Ford), but with a name lifted from the pages of his comic book heroes, Cage is at once both an actor and a movie star. With a legion of devoted fans worldwide and, heck, even a festival that bears his name – celebrating the wild, the weird, and the wonderful of the cinema of Nicolas Cage. From the genius of Con Air to the brilliant subtlety of Adaptation, the exceptional character work of Army of One to the gravitas of Leaving Las Vegas – Cage is a ball of energy that needs only to be unleashed on set.

It was my sincere pleasure to talk with the man who stood in for the man when the man wasn’t on set. Marco’s tales are a fascinating glimpse – another angle if you will – in the examination of one of the movie industry’s true originals. I know you’ll find his story and his film, UNCAGED, compelling viewing  – for both those curious as to the life of a stand-in, and also those looking for a unique look at the life of a superstar.

I’ve been privileged to chat with the people who made the rough stuff look easy for Arnold Schwarzenegger and Rene Russo…

Now it’s time to uncage the legend.

(ALL IMAGES COURTESY OF MARCO’S WEBSITE: https://www.mkyris.com/)

BEFORE YOU GO, CHECK THIS OUT…

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“God wants you on the floor.” : Remembering Hoosiers with Angelo Pizzo by Kent Hill

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It’s hard not to be romantic about the sports film. From classics like The Natural and Bull Durham to more modern efforts like The Blind Side and Moneyball. They range across all genres and all sports. Football (Rudy, Any Given Sunday), Golf (Tin Cup, The Legend of Bagger Vance), of course, Baseball (Field of Dreams, For Love of the Game) and in the case of Hoosiers, Basketball (Blue Chips, He Got Game). But Hoosiers, and I happen to share this sentiment, is one of the finer examples of the sports genre and is, for my money, the best basketball film ever made.

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Now, I use the term sports film very loosely. Yes all of the aforementioned contain the listed sports as part of their narratives. But, the games are not really what lies at the heart of these tales. The true centerpiece are themes like redemption, romance, the search for self, the search for acceptance – all these things within the characters either as player, coach, fan etc.

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So why do I think Hoosiers is the best example of this genre? Well, it’s simple. Hoosiers has all of these working within it. Comedy, romance, drama, redemption, the search for self, the search for acceptance. Okay, so it doesn’t have a crazed Bobby De Niro terrorizing any of the players to feed his grossly misguided obsession and distorted view of the world – but that doesn’t mean that it lacks thrilling, intense and impactful moments that keep you watching and ultimately cheering for the underdog, the little team that could. One could argue that this is a key ingredient in these kinds of films. A down-on-his-luck former golf pro, a disgruntled former player trying to manage a failing team, a boxer with all the odds stacked against him or a basketball team from a town in the middle on nowhere that couldn’t possibly take on the big schools and win.

Then there are the characters – all looking for second chances. Hackman’s coach, Hopper’s alcoholic father, Hershey’s teacher. They all have something to prove, something to gain from the victories the home team are accumulating. And, they are all masterful turns by each of the three principals. Indeed from all concerned with the production. None more so than that of first-time screenwriter and my guest Angelo Pizzo.

The man who was headed for a career in politics eventually ended up going to film school. After graduating, and spending sometime working in the arena of television, Angelo felt the need, at last, to make a film about a subject he was passionate about – basketball. And, being unable to find writer for the project . . . well . . . he decided to have a crack at it himself.

This wonderful film, under marvelous direction, David Anspaugh, from a great script with a stellar cast and punctuated by a phenomenal Jerry Goldsmith score is a small miracle that has, not unlike the team portrayed in its story, taken on the giants and carved out its place in cinema history.

If you haven’t seen Hoosiers, I urge you to do so. Don’t get caught watchin’ the paint dry…

“CHEESEBURGERS, NO BONES!” : An Interview with Mick Garris by Kent Hill

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It took a while to get a hold of Mighty Mick – but I’m glad I had the patience. See Mick Garris is one helluva talented man. His passage through the movies is a veritable plethora of Amazing Stories – apart from the show-of-the-same-name where he achieved career lift off.

Since those early days he has gone on to become a prolific writer, director, producer, author, podcaster – the list goes on. He made me laugh with Critters 2, he was the writer of The Fly 2, which was one of the only times a film has forced me bring up my lunch, and he has conducted wonderful and insightful interviews with fellow filmmakers – some, sadly, that are no longer with us.

Through it all Mick remains the soft-spoken gentleman with a passion for his work and cinema in total. He has had a long successful run of adapting the works of Stephen King for the screen. I have vivid memories of sitting through, night after night, his extraordinary adaption of The Stand. This he beautifully followed up with further adaptions of Bag of Bones and The Shining, in which King adapted his own book, and which Mick credits as one of the best screenplays he’s ever read.

He was instrumental in bringing together the Masters of Horror as he was composing the elements which formed great movies either under his pen, or benefiting from his exquisite direction. Follow this link ( https://www.mickgarrisinterviews.com/  ) to Mick’s site and check out the bona fide feast of delights for cineastes he has on offer. As I said to the man himself, “You have a lot of fingers in a lot of pies, and I can’t wait to cut me a slice of whatever you serve up next.”

So, without further ado,  it is my privilege to present to you . . . the one, the only . . . Mick Garris.

“By the look of you, you haven’t come to bob for apples.” : Remembering Sword of the Valiant with Stephen Weeks by Kent Hill

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“How the hell do I relieve myself in this tin suit?”

Sword of the Valiant might come across as just another Cannon curiosity, especially for the uninitiated. For the casual observer it may simply look like another film in which another director managed to con Connery into yet another pair of strange/fancy duds?

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But while Boorman managed to get Sean to into his Zardoz get-up, which for my money is more so in the strange/fancy category than SOTV, the film in total is both an elegant and joyful rendition of the days of Arthurian legend from my guest in this interview, Stephen Weeks.

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Yes before Connery got to be the king himself in First Knight, before Clive Owen and way before Charlie Hunnam – in days of old, when knights were bold, there was the tale of Sir Gawain and the Green Knight, which as I discovered, is not the film I know it to be. Turns out I’ve no seen it in all its glory…

Working with Cannon was by no means a cakewalk, as Stephen shall tell you. And the subsequent release of the picture was grossly mishandled. Thus, the world has really not experienced this movie as the filmmaker’s intended, and that was one of many intriguing tales proffered me by the eloquent Mr. Weeks.

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This was not his first rodeo, having made a version of the film some years earlier, Stephen saw this as an opportunity to expanded his canvas. Unfortunately for him and what no one knew, or knew well enough, at the time, was the grimy underbelly of the behemoth at the top which sat Golan and Globus.

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Despite these trappings, and now knowing what I know, I still love the movie and feel privileged to have been gifted an audience with its director, who not only informed and enlightened, but also entertained.

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Stephen Weeks is an impressive filmmaker and now is an accomplished author (please see the link to his work below). As a fan of his work and SOTV in particular, I enjoyed and hope you too shall enjoy, this little trip back into the mists of time – to a fantasy world, and a fantastic film…

 

 

20,000 Leagues of Cinema and Literature: An Interview with C. Courtney Joyner by Kent Hill

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C. Courtney Joyner is a successful writer/director/novelist. He was a zombie in a Romero movie, he hangs out with L.Q. Jones and Tim Thomerson, he was once roommates with Renny Harlin and made the breakfasts while Harlin got the girls. It makes me think of Steve Coogan’s line from Ruby Sparks, “how do I go back in time and be him.”

Truth is we are the same in many instances. We’re just on different sides of the globe and one of us is in the big leagues while the other is at the scratch and sniff end of the business. But we both love movies and fantastic adventures. We both wrote to the filmmakers we loved long before the director became celebrity. We both longed for more info from behind the scenes – long before such material was in abundance.

He grew up in Pittsburgh, the son of a doctor and a reporter. He came of age in the glory days of monster movies and adventure fiction. Then he headed west and after college it wasn’t long before his writing caught the attention of producers and thus a career was spawned.

Spending those early years working with Charles Band and his company, Empire, Joyner was prolific, and soon the writer became a director. All the while he was working on a dream project, a work we all have in us, that he was fighting to bring into the light.

It was a love of Jules Verne and the “what if” type scenario that gave birth to the early version of the story that would become his current masterwork Nemo Rising; a long-awaited sequel, if you will, to 20,000 Leagues under the Sea.

His story would go through several incarnations before finally reaching the form into which it has now solidified. Swirling around him were big blockbuster versions which never quite surfaced. Names like Fincher and Singer and stars like Will Smith were linked to these big dollar deals.

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Unfortunately even Joyner’s long-form TV version came close, but didn’t get handed a cigar. So at a friend’s insistence he wrote the book and his publisher, in spite of the property being linked at that time to a screen version that fell apart, agreed to still put the book out.

Thus Joyner’s Nemo has risen and at last we can, for now, revel in it’s existence. I believe it is only a matter of time before it shall acquire enough interest – and the new major playing field – the field of series television may yet be the staging ground for Courtney’s long-suffering tribute to the genius of Verne and the thrilling enigma of a character known as Captain Nemo.

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Long have I waited to chat with him and it was well worth the wait. So, here now I present my interview with the man that director Richard Lester (The Three Musketeers, Robin and Marion, Superman II)  once mistook for a girl that was eagerly interested in film.

Ladies and Gentlemen . . . C. Courtney Joyner.

 

The Rise of Etcetera: An Interview with Kent Hill

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I definitely subscribe to this line you’ll find in the bio offered up on Shawn “Etcetera” McClain’s official site http://www.iametcetera.com/index.html, that he is indeed a modern day renaissance man, and all around musical professional who is commanding not only an audience, but also the respect and acclaim of heavy hitting industry insiders. The embodiment of hard work, a Multi-Award winning musician, entrepreneur and entertainment industry professional whose career includes world-wide recognition and acclaim.  He’s definitely no stranger to the limelight, and has carefully crafted a powerhouse of musical talent and stylistics that have garnered him an award for best Rap/Hip Hop album as well as two best video awards. 

He has recently set his sights on film and television, becoming the music director and crafting monumental tracks for the highly anticipated martial arts comedy film “Paying Mr. McGetty,” and the test pilot TV series “Kelly’s Corner” His repertoire doesn’t include the standard checklist, instead he has found immense success as a fragrance designer, sports manager and actor.  His creative skills span the spectrum and have gained him a cult following and record stopping sales. 

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All of the above sounds very grand. But, what I discovered when I talked with the man was a down-to-earth family guy who has devoted his life to his pursuits. I read a great article recently, that talked primarily about whether or not one should give up on their dreams. There was no definitive answer, but there was one truth that I took away from that piece; that if your are out there giving it all that you have, in spite of the success you may or may not receive, then you are living the dream – and that is something not everyone can boast. Etcetera is such a man, and his labors have proven fruitful. I was surprised at his candour, awed by his passion and thought it brilliant that he is an enthusiastic comic book aficionado, who still may yet have a chance to have his music become a part of the DC Extended Universe.

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He is a really cool guy that I hope to hang out with some time. In the meantime, pull up a comfy chair, kick back and listen to the man of music, fragrance and comic book love. Ladies and Gentelmen . . . I give you, Etcetera.

Hollywood’s best-kept Secret: An Interview with Scott Windhauser by Kent Hill

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Scott Windhauser might seem to have simply fallen out of the clear blue sky recently. Truth is, he has been in the game for quite some time. He worked his way up through the ranks, paying his dues, making connections – but all the while, working quietly on his own scripts.

The turning point came when he wrote a screenplay. You know the one, the kind of script that gets you noticed, that gets them to return your phone calls, that’s peaks the interest of the movie gods. Now I’m not going to spoil it here, you’ll have to have a listen, but the premise was really cool stuff.

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But, as things often happen in Hollywood, another picture, that took place in a similar setting, came out around the same time and the backers started backing away. It’s times like these that separate the men from boys. It’s like Michael Douglas’s line in The Ghost and The Darkness, “Everyone has a plan until they’ve been hit. Well my friend, you’ve just been hit. The getting up is up to you.”

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Scott did a little better than just getting back on his feet. He went back to the forge and starting producing a veritable war chest of material, most of which is on its way to release as we speak. There’s some that Scott has also directed like Dead Trigger starring Dolph Lundgren as well as Cops and Robbers with Tom Berenger and Michael Jai White. Then there’s the Rob Cohen(The Fast and The Furious, XXX) directed Hurricane Heist (or Category 5 as some of the advertising is calling it) and Tsunami L.A., along with numerous other projects big and small in the works as well as on the way either this or next year.

Scott Windhauser folks. His is a name you may not have heard, but the times they are a changin’. He fought his way through the minefields of La La Land, he’s given a script a ‘Nic-polish’ (have a listen, all shall be revealed), he has even bumped into John Williams, the man who wrote the cinematic themes of our youth.

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This all adds up to a great interview folks, so please, press play and learn about the man who is quickly becoming a name to take notice of.

Ladies and Gentlemen . . . Scott Windhauser.

(The Password to watch ‘DEAD TRIGGER’ trailer below is: zombie)