Right off the bat, I really wanted to give you a cool video interview. But, sadly, the bandwidth was being powered by a couple of mice on tiny treadmills. Everything looked fine. Skype said it was recording, the image was good.
Skip ahead to the next day. I saved the file, I opened it, I’m watching it and . . . damn! Not only did the picture freeze but the sound stopped recording. Luckily for both of us, I had my trusty digital recorder silently working at the same time.
So fear not. Here is the complete video of my chat with Sir Richard(with the picture freezing part the way through and the sound shifting to my back-up recorder).The last time we talked, and Color was the topic, he threw me a little whistle. The whistle said the film was a go . . . but they were waiting. Who were they waiting for dear listener? Not for the second coming, Guffman or Godot. They were waiting on Cage. NICOLAS CAGE!
When the news of this broke I was like an alcoholic left unsupervised, tending the bar. It was an actor/director combination born on some faraway star. The culmination of two wildly original and esoteric forces of nature, one can scarcely perceive of such a collaboration ever, becoming a reality. Yet here it is, Color out of Space, H.P. Lovecraft’s favorite among his tales (so I have heard). Brought to the screen in an acid-trip-phantasmagoria of a ride into a world of pure nightmarish elegance and sublime terror. Helming this master-work is the man who the trailer even heralds with a title card: “The Return of Director Richard Stanley.” His glorious Malick-like return to the fray pairs Stanley with the apotheosis of a true, renaissance man, Nicolas Cage, in a role that seems almost tailored, not to the wild man or the meme, but to the Academy Award Winner, Nicolas Cage. A performer of greater depth and color, that some will forever deny him the credit of possessing.
With the current crisis and the film’s limited release in some regions, I will not spoil it for those who have not seen it. But, what I will say is the same thing, that has been echoed by my learned colleagues and film-loving friends around the world that have seen it, and that is go see it! It is already available in many territories on Blu-ray and DVD. And, don’t forget it’s streaming away as well. (click on poster below)
So now, I, Kent Hill am proud to welcome back once again, a man of many colors (and Cage) . . .“The Return of Director Richard Stanley.”
DRY BLOOD . . . WOW! What a movie – minimal in construction, but ocean-deep in subtext . . . with a type of gleeful depravity.
The dynamic filmmaker duo of Clint Carney(writer/producer/actor/artist/musician) and Kelton Jones(the man who induced GOD to Mel Gibson/director/actor) have conjured with the combination of immense talents – and with the aid of a rich assortment of family and friends – a film that stays with you as the credits roll.
The film is a tense, slow-boil of a horror picture that, when it explodes, you’re never quite ready. It is a journey into the tormented mind of character gripped by fear and self-loathing which overflows into a gruesome cesspool of vicious insanity, coupled with exciting, delicious, mischievous and frightening portrayals for Messrs Carney and Jones.
DRY BLOOD has recently completed a very successful festival run, having received an astounding thirty award wins (including many for “Best Picture,” “Best Actor,” “Best Director,” and “Best Writer”), with another twenty-three nominations as well. Highlights from this festival run include “Best Feature Film” and “Best Actor” wins from the Bram Stoker International Film Festival in the UK, as well as the top spot at the Indie Film Playoffs, where DRY BLOOD swept the board (Best Picture, Best Actor, Best Actress, and Best Writer) in a competition against numerous films from multiple festivals.
Clint Carney, who wrote, starred, and composed the score, says, “It’s been a long and exciting journey to go from writing the script almost four years ago, to now releasing DRY BLOOD to the world. We are beyond excited to work with Dread Presents. They already have number of great films in their catalog and we couldn’t be happier to be a part of their roster, and to be welcomed into the Dread family.”
DRY BLOOD is directed by Kelton Jones, written by Clint Carney and starring Clint Carney, Jaymie Valentine, Kelton Jones, Robert V. Galluzzo, Graham Sheldon, Rin Ehlers, and Macy Johnson.
“Clint and I set out to make our favorite horror movie,” remarks Kelton Jones, the film’s director. “We wanted to make a film that was true to the genre and lived up to the potential of what a great horror film could be. We knew this would be an ambitious task. We hold such a great love for the genre and the masters of cinema who had shaped our childhoods. We felt the best way to honor them was to pour our hearts and souls into making DRY BLOOD. We knew our toughest audience would be ourselves and we endeavored to make a film that we were truly proud of. I feel very grateful to have been able to be a part of such an amazing project, made with love, by people I love. I am beyond thrilled to be releasing this film with Dread Presents.We set out to make our favorite film; my hope is that it becomes your favorite film as well.”
It’s a great little gem of a horror movie that shows us a glimpse of the evil that lurks within us all, but as a production, it showcases what a group of like-minded, talented, and hungry filmmakers can do when they pool their resources. And it is my pleasure to present them to you now…
Director Kelton Jones’s love of cinema began as a child in the seventies. His mother owned a quaint flower shop that shared a wall with the singular movie theater on the rural main street of Buffalo, Texas. Kelton would spend his afternoons watching and rewatching the afternoon showings as he waited for his mother to finish the day’s work. When the rare feature film would be shot on location in a nearby town, Kelton would find a way to the set so that he could watch from the sidelines, as the filmmakers would spin their magic. Finally, at age 16, Kelton’s first feature in front of the camera gave him the chance to ask the crew if he could join them after he finished his work as an actor. From that very first film, Kelton has permeated the boundaries between actor and filmmaker craftsman. DRY BLOOD is the culmination of a lifetime spent studying film, working on sets, writing scripts, and acting. While on set, it was not unusual to see him in full character wardrobe setting a light, operating a camera or pushing a dolly as he directed the scene. Though this marks his first feature film as director, he has worked every other crew position on set of previous films, ranging from small independent pictures, to huge Hollywood productions. Ultimately, his choice of projects has always been driven by a deep love of the medium, a passion for a great story, and the opportunity to learn and push his own boundaries.
Clint Carney is a well-known Los Angeles-based musician, artist, writer, and filmmaker. His musical work first came into the spotlight in 2004 when he released his first official album under the name SYSTEM SYN. To date, SYSTEM SYN has released seven albums and multiple singles, and performed all over the world. Throughout the years, Clint has also served as a keyboard player and back-up vocalist for the bands Imperative Reaction and God Module. As a fine artist, he is best known for his graphic and disturbing oil paintings. His artwork has been shown in galleries and private collections worldwide and has been featured on magazine covers, clothing lines, and musical albums. His work can also be seen in many major motion pictures, television shows, commercials, and music videos. Clint has created iconic imagery through artwork and props for films by such directors as J.J. Abrams (Star Trek Into Darkness), David Fincher (Gone Girl), Oliver Stone (Savages), Wes Craven (Scream 4), Cameron Crowe (We Bought a Zoo), and more. In recent years, Clint has turned his focus toward film making, working on many different projects as a director, producer, screenwriter, editor, and actor.DRY BLOOD marks his first feature as a producer, writer, and actor. Clint is currently in development on his feature length directorial debut.
Well it’s that time of year folks – when kids in costumes and horror movies walk hand in hand – and while it’s not a staple for folks at the end of October around these parts (it’s more the ropes and the reins, and the joy and the pain, and they call the thing rodeo time), doesn’t mean we can’t sit down together and watch us an awesome little horror gem…that’s quickly turning into my new beer and pizza night movie selection . . . . ART OF THE DEAD.
Imagine if you will, being an artist . . . being a struggling artist. You just want to put yourself out there – be lauded by as many people as possible, carve you name on the tree of immortality as it were. Now . . . you’re this artist and in order to get what you want you make a Faustian deal, so that your name and the power of your work shall be enticing art lovers long after you have slapped on the wooden coat and bought the farm. Trouble is, it’s not really fame that you’ll receive at your end of this deal. No, the ancient evil that has served as your patron has a different kind of eternal damnation in mind…
That’s when we meet the Wilson’s. Boy brings his girlfriend home to meet Dad, Step-Mom and Co. Dad does really well, the house is amazing . . . plus he’s decided to collect some art . . . OH NO! The paintings are shamanistic depictions of the SEVEN DEADLY SINS. Y’all know them…? Anyways the maniacal painter responsible achieved a life beyond death by taking the power he sought and evilly won by inducing, in those who gaze for too long at the paintings, whichever sin is in.
What results is a funky good time at the movies…and I encourage you all to make ART OF THE DEAD part of your Halloween movie banquet. Come watch as the Wilson family, a supportive girlfriend, the sister’s nemesis, an unfortunate hooker and a bold and committed priest do battle against art, black magic and original sin!
BEVERLY HILLS, CALIFORNIA – JANUARY 22: (L-R) Danny Tesla, Zach Chyz, Jessica Morris and Lukas Hassel attend the “Art of the Dead” exclusive cast and crew screening at Ahrya Fine Arts by Laemmle on January 22, 2019 in Beverly Hills, California. (Photo by Randy Shropshire/Getty Images for Mahal Empire)
I had a stellar time watching this…but…I have equal joy now in presenting the phenomenal cast and the genius writer/director of my new, favorite little B movie treat for All Hallows’ Eve . . .
Rolfe Kanefsky grew up in the suburbs of New York and attended Hampshire college where he studied Film. He began writing stories at a young age after his childhood dream of becoming a clown took the backseat to his interest in film. He has thus far written and directed 27 feature films and authored another 38 produced screenplays over the last 30 years. The cult flick “There’s Nothing Out There” was his debut at the age of twenty. Since then, Rolfe has continued to work in the horror genre with “The Black Room” starring Natasha Henstridge and Lin Shaye, “Party Bus To Hell” with Tara Reid, “The Hazing” starring Brad Dourif and Tiffany Shepis, “Jacqueline Hyde”, “Corpses”, and “Nightmare Man”. He was the winner of two Best Director awards for his horror flick, “Nightmare Man” at the Horror, Sci-Fi, Fantasy and The Supernatural Film Festival in Las Vegas & at the I.F.F.Y.N.T.X. Festival in Texas before the film went on to be picked up by After Dark and Lions Gate as one of the “8 Films To Die For: Horrorfest 2007.
Branching out into other genres, Rolfe wrote “Blonde & Blonder”, a comedy with Pamela Anderson and Denise Richards, “A Dog & Pony Show” with Mira Sorvino and Ralph Macchio, the western “Doc Holliday’s Revenge” starring Tom Berenger, thrillers such as “Tomorrow By Midnight” starring Carol Kane and Alexis Arquette and “1 In The Gun” with Steven Bauer and Robert Davi. Recent family fare include the animated “Space Dogs: Adventures To The Moon” with the voice of Alicia Silverstone “A Tiger’s Tail”, “Timber; The Treasure Dog”, “Puppy Swap” with Margo Kidder, “Jimmy’s Jungle”, the period crime story “Bonnie & Clyde: Justified”, and the musical “Adventures Into The Woods”.
Rolfe has also been making a name for himself in the Lifetime thriller world and has authored seven female-driven thrillers including “Killer Photo” aka “Watch Your Back” starring Annalynne McCord. “Deadly Sorority” with Greer Grammer and Moira Kelly, “The Wrong Babysitter” starring Daphe Zuniga, “Deadly Vows”, “Intensive Care” and “The Wrong Vacation”.
With 65 produced credits, Rolfe is a very active filmmaker/writer who continues to work in almost every genre in the business
Known for her portrayal of series regular Jennifer Rappaport on ABC’s “One Life to Live”, Jessica has cultivated her career as the leading lady in various television shows and independent films. Also making a memorable appearance in Universal’s theatrical success “Role Models”. Jessica has recently been the star of Lifetime TV’s hit movie “The Wrong Teacher” and has also had strong guest starring roles on popular Prime-time shows, including Fox’s “Rosewood” and TNT’s “Perception”. In addition, she leads the cast in Tom Six’s highly anticipated new feature film. Jessica stands out as an actress who conveys honesty and depth through all of the characters she plays and has also discovered her passion for screenwriting.
Born and raised in Denmark, Lukas Hassel trained and graduated from the Samuel Beckett Theater School, Trinity College in Dublin, Ireland.
As a screenwriter, Lukas won the CineStory Fellowship for his top 30 Nicholl’s Fellowship script, “The Mechanic”. This has been optioned by director/producer Charlie Stratton and is in pre-production.
Lukas wrote and directed the sci-fi short film “Into the Dark” which went on the win multiple awards for acting, writing and directing and played in over 70 film festivals world wide. His latest award winning horror short film, “The Son, the Father…”, has screened in 50+ festivals and counting, and got made after winning the Hollyshorts Film Festival competition for best screenplay. Mighty Tripod and Evil Slave LLC produced.
He has appeared on TV in shows such as Blue Bloods, Limitless, The Blacklist, Elementary and more. Currently, he’s shooting “Art of the Dead” opposite Tara Reid in Las Vegas.
Danny Tesla has starred in over 3000 live stage show performances around the world. 1000 of those shows has been his own one-man variety show that he created called “The Danny Tesla Show” He has been working in the entertainment industry for over 30 years.
Danny Tesla started performing at the age of 7 as the youngest member of “The Sunshine Singers” performing in shopping centers and theme parks like Dream World. He also worked in Productions with the Australian Ballet Company such as Onegin, Romeo & Juliet, Don Quixote, and Swan Lake. Throughout his school years he produced, directed and performed every month for 2000 of his fellow schoolmates. He studied with the best teachers in New York, London and Sydney in all aspects of performing from singing, acting, and dancing. One of his dancing teachers was award-winning choreographer Dein Perry who created “Tap Dogs” which lead to Dan being one of the Tap dancers in the Fox Searchlight movie “Bootmen” starring Sam Worthington and Adam Garcia. Which meant he was invited to perform with Adam as one of the lead tappers at the Opening Ceremonies of 2000 Olympic Games live in front of an audience of 100,000 people and telecast to 4 billion people worldwide.
He also performed in Productions on the finest cruises ships in the world. Whichever ship he was on its showcast always was voted number 1 in the fleet. He worked on Royal Viking Queen, Star Odyssey, Silver Cloud, P&O Fair Princess, P&O’s Artemis, Oriana.
A career highlight for Danny was when he was cast as Eugene in “Grease The Arena Spectacular” Which broke all box office records and still holds the record to this day. He worked alongside Australia’s biggest stars like Danni Minogue and Anthony Warlow and John Farnham. Because of his creative contribution to that production he was asked back into two other productions by the same company to reprise his role. Danny has now performed Grease over 300 times to over a million people around Australia and New Zealand.
Danny Tesla was invited to perform at some corporate events in Singapore in 2003 and since then has performed at over 750 events in Singapore. He decided in 2009 to make Singapore his home and became the Creative Director and founder of “Broadway Production Company Pte Ltd” which not only produced more shows for corporate events but also TV commercials and a Musical call “City Gym The Musical” which was staged at Jubilee Hall in January 2013. Danny wrote the script, music and lyrics to City Gym. He also directed and produced the production as well as starred in it. In 2014 Danny moved to Los Angeles and acted in many productions like HBO’s “All the way” starring Brian Cranston and ABC’s Grey’s Anatomy. That same year he was asked to sing for the soundtrack for a new musical “Tesla The Electrical Spectacle” Inspired by Nikola Tesla’s story Dan Thompson made his stage name Danny Tesla and continues to work under that name winning awards like Best Actor in the film “Birthday in a Dark room” portraying Professor Ansel Adams and starring in other films such as “Surface Wounds”
Moving back to his roots in live entertainment Danny Tesla moved to Las Vegas and performed in Evil Dead the Musical for 6 months on the famous Las Vegas Strip and as a regular actor in the No. 1 escape room in the Country (the Basement) for 8 months. In 2017 he continued to pass on his experience by teaching Acting classes regularly for LA casting Showcase in Las Vegas and lending his acting skills to readings of “Shark Attack the Musical” at the Space and regularly singing at the Venetian. In 2018 he is set to play a lead role as Dorian Wilde in the Feature Film “Art of the Dead” starring Tara Reid.
Danny Tesla is an accomplished Actor, Singer and Dancer.
Robert Donavan dabbled with acting for some time before getting serious about the art. He began studying with Robert F. Lyons when he was 42 years old, and within two years started making films.
He continues to study acting to this day, having admittedly neglected his training as a young man. He has worked with such teachers as Lurene Tuttle, Harvey Lembeck, and James Best. Currently he is studying under Kimberly Jentzen.
He has worked with directors Wayne Kramer, Fred Olen Ray, Jim Wynorski, David DeCoteau, Rolfe Kanefsky, Thomas Callaway, and Elliot Feld.
The number of films Robert Donavan has appeared in is close to 60. They cross genres from comedy, to drama, to science fiction, the supernatural, and to horror. He has portrayed scientists, secret agents, border patrol officers, military officers, FBI agents, drug dealers, psychiatrists, morticians, cowboys, and disgraced priests.
The voice over industry has been a good fit for him, having voiced quite a few commercials, and was until this year, the voice of Yahoo Fantasy Football, and the Toyota Fantasy Football Hall of Fame.
Retirement is not in Robert Donavan’s vocabulary, and he has said he fully expects to work through lunch on the day of his funeral.
It has been the dream of many an artist to be able to do what they love for a living. Find the thing you love to do, and you’ll never work a day in your life…so the saying goes. Thus my cinematic adventuring has brought me to the cinema of Rene Perez…and the man they call…..Bronzi.
It began as a trickle on social media. Fleeting glimpses rumors permeating of the man who would be Bronson. Who was he…was he a relative…the product of an onset love affair…? I went, as I often do, to the director of what would turn out to be bold cinematic statements which would not only shine a spotlight on the incredible one-man-band movie-maker who is Rene Perez…but also…it would cement the coming of a new age DTV or VOD genre icon – his name Robert Kovacs . . . aka Robert Bronzi.
It has been documented by the New York Post, Variety as well as our brothers and sisters in the cinema-obsessed website and podcast community . . . and now, it comes at last….to Podcasting Them Softly. Here I present the furiously, fascinating life of a work-a-day filmmaker. Rene is a man I admire greatly. Surviving via a high output of commercially released B movie productions, he sleeps little and creates much – the price he pays for being in essence, a solo auteur. Generating genre staples in the arenas of Horror, Action and Westerns – Perez has the distinction of having directed Bronzi in such films asDeath Kiss, Cry Havoc, From Hell to the Wild West and the most recently released, Once Upon a Time in Deadwood.
So listen now to my chat with the inexhaustible Rene Perez and then continue to scroll down for my interview with the man himself….Bronzi.
In another time, in another place….in the age of VHS…this story of two artists colliding at the right time, at the right place would not be uncommon. There are many stories of thrilling partnerships in genre cinema history. They came together and transformed the B movie into an event. And, in this age where the video stores are dead and the streaming services rule the world…a glorious sight it is to see this…a type of mini-cataclysm…rise out of the rivers of mass media…pooling in an ocean of awesomeness. I give you…A Boy and his Bronzi….
Rene Perez is a movie Director known for “Playing with Dolls: Havoc” and “Death Kiss”. In addition to being the Director, Perez is also the Cinematographer, Editor and Writer of his films. Born and raised in Oakland California, Perez started writing and drawing comic books as a child and in his teen years he became a musician known as ‘The Darkest Machines’. Perez still composes music under the stage name “The Darkest Machines”. Perez now lives in a small town in northern California with his wife and children. He works full time as a movie director / producer for hire for several producers and distributors
When Rene related the story of how he uncovered a living, breathing…for all intents and purposes the reincarnation of Charles Bronson – and let me go on the record once more when I say to you…he walks like Bronson, he pulls a gun like Bronson, he walks boldly into the face of certain doom like Bronson…in fact…for my money Robert Kovacs, the guy that Rene saw a picture of and figured it to be a digitally remastered photo of an old picture of Charles Bronson, is more than just a guy that reminds us of a dead icon. The truth is…Charles Bronson, like John Wayne before him, left us a-ways back. But they live forever in their movies – we can visit them anytime we like. So, Bronzi, like Bronson will enjoy his moment in the sun. Some would argue that the novelty will be short-lived…? That maybe the case, but for right now, we have ourselves a brand new B movie icon . . . I think that should be celebrated…?
Here’s my chat with Robert Bronzi . . .
KH: Could you tell us a little of your life before you started making movies?
RB: I’m an actor musician and stuntman ,I did a lot of different things in my life. I worked as a horse breeder and horse trainer. I performed at western shows in Hungary and Spain. I’m an accordionist; I played music in bars, in weddings and private parties.
KH: The million dollar question . . . at what point in your journey did people start saying, “Hey, you know you look a hell of a lot like Charles Bronson?
RB: Many years ago in Hungary I worked as a horse breeder where there were a lot of visitors every day. People told me that l looked a lot like Charles Bronson. I worked with my good friend Peter, he would always say that I looked like him and he began calling me Bronzi. So he gave me this nickname.
KH: Was it purely this attribute that attracted attention and motivated filmmakers to want to work with you?
RB: I would say yes. A short story: Director Rene Perez saw my photo on a saloon wall in Spain in the western village where I worked as a stunt performer. He thought it was a photo of Charles Bronson years ago. He asked the owner about the photo. When he found out it wasn’t Bronson it was me, he told him, “I want to meet this guy immediately!”
KH: I recently saw a sneak preview of Cry Havoc, directed by Rene – I especially love the scene where you prepare to lay it all on the line for your daughter in the film – your pull the shirt off and walk towards him, staring death in the face. I cheered loudly watching it and woke my wife who was in bed. What was that scene like to shoot?
RB: I really enjoyed it; this is a very important part of the movie as I fight to save my daughter, for life or death. In addition, we were shooting in a burnt forest where thick ash covered the ground. Ashes flew everywhere during the fight.
KH: You have worked with Rene now on a number of films. Do you enjoy the creative freedom on offer shooting with him? He also told me when I interviewed him, that you also help holding microphones and other duties beside your work as an actor?
RB: Working with Rene is easy, he is a very talented director, he knows what he wants, but if I have some ideas, we discuss them and he is usually open to making changes based on my suggestions. Of course, I help with filming that’s in my own best interest isn’t it? We are often up in the mountains or shooting in difficult conditions. I help him with a few things, and not just me, everyone out there, I think we’re a team and we need to help each other out.
KH: Are you at ease with, in a way, being engulfed by the shadow that is being a performer that is recognized for the whole “he looks like Bronson” deal?
RB: I have used my appearance to my advantage throughout my career as a stuntman and actor and I am grateful for the resemblance that I have to the great Charles Bronson as it has created many opportunities for me.
KH: Would you work on a big budget film should you be presented the opportunity?:
RB: Yes of course I would love to have that opportunity and I’m sure it will happen in the near future.
KH: What are the types of movies ‘you’ want to be in, or are you happy to be offered the type of parts you are making a name for yourself with at present?
RB: So far my roles have been quite varied and I would like to continue making western and action movies in the future.
KH: I can’t get over – not just the amazing and uncanny resemblance – plus the fact that even the way you carry yourself on screen is so similar to the legendary Bronson – would you be happy if this is your mark on cinema history?
RB: I am very grateful for my resemblance to Bronson, and I am proud to be compared to him. I also appreciate the opportunities that I have had because of this but ultimately, I really want to be remembered as an actor in my own right, as Robert Bronzi. I put a lot of work and effort into each role that I take on and I want my personal skills and talents to be my legacy.
KH: If Charles Bronson were alive today…if you met him…what would you say to him, and what do you think he’d reply?
RB: I would say to him, “Mr. Bronson nice to meet you in person and I am very proud to be your double. I try to do everything well, with my best knowledge and talent as an actor, and I hope you will be proud of me.” And hopefully he would reply, “Nice to meet you too Robert I really like your personality and I think you represent me well. Best wishes for your future career. I give you my blessing.”
You heard it here folks. Out of the shadow of a legend he came. His place in genre cinema…I’d say is a lock!
It has often been my custom to seek out and devour everything an author has written….once said author’s work has completely overwhelmed me.
My first brush with the Popcorn King from Nacogdoches came in the form of a chap book in one of those slowly disappearing, (at least in Australia anyway) dust-ridden book exchanges. Where the yellowing pages of the regarded and discarded writers of ages are stowed. The store that I frequented with my Grandmother – the most voracious reader in the family – we would go to after she was done reading a great pile of books, looking to exchange them for new ones. Gran would always ask the proprietor to save some of the credit from her returns for me, to pick up an armful of comic books. Yay!
It was on a rainy day in February, three summers and a thousand years ago, that I went into that old store by myself, ready with a pile of freshly digested comics…..ready to swap them – for more. As I scanned the racks I saw, at far end of one of the shelves, wedged between two war comics, a thin, slightly discolored book entitled: On the far side of the Cadillac Desert with Dead Folks. That title alone is a grabber – I don’t give a shit what you say. Eagerly I dove in and found myself so entranced, that it took the hand of the proprietor, shaking on my shoulder, to break the spell the story had on me. Turns out I had been standing there for a good forty-five minutes reading. Without hesitation I handed over the comics in my other hand and said I wanted nothing but the thin, little volume. The owner tried to tell me I could take it plus the comics, but I had neither need nor interest in comics that day. I shoved the Dead Folks into my pocket and cycled home as fast and as recklessly as I could. Once there, I read the incredible find over and over, till the weekend faded away.
Some weeks later, and after countless repeated readings of the Cadillac Desert, I found myself beset by another grey and rainy Saturday. I was rushing into the city library via the side entrance. My breath was all but gone as I had been racing, and narrowly escaping, the oncoming downpour. Dripping on the carpet with my hands on my knees I looked up. As my breath returned, at the bottom shelf of the aisle closest to me, I remember clearly staring at the row of books and noticing that they were all by the same author. The same guy who penned my glorious obsession, Dead Folks. I snatched up as many books as my library card would allow me to leave with, and the rest is history. My first encounter had been powerful, but now my love affair with Lansdale was really about to take flight.
And…at last…we have a cinematic valentine to that literary God among men. All Hail the Popcorn King, directed by Hansi Oppenheimer, is a perfectly balanced, passionate portrait of the man, who by some, is called the greatest writer…you’ve never heard of.
With collaborators like Don Coscarelli, Joe Hill and the man with a chin that could kill, Bruce Campbell, Popcorn King showcases Joe Lansdale the best way a filmmaker can: on his home turf, on his own terms, and in his own wondrous porch raconteur’s tone, that I’ve heard before – but still, it’s not nearly as cool as talkin’ to the legend his own self.
Enjoy this dynamic one-two punch of literary and cinematic awesomeness, I pray you. Be excellent…
I don’t know what they are putting in the water over there in Germany, but I have of late had the privilege of speaking with some of the country’s brightest indie stars. Starting with Dominik Starck and his action movie man-at-arms, Nico Sentner. Then, I stumble into the path of a couple more revolutionaries and fine gentlemen to boot, Erza Tsegaye and Nicolas Artajo – talking about their little gem of a movie, and as history will tell, the forerunner of a new wave in German horror films . . . SKIN CREEPERS. This country Germany seems to have more than just good beer on tap . . . seems the brew cool movie-makers too.
It’s the story (partially inspired by true events: where a Korean family performed an exorcism on a young woman who sadly lost her life) of two unsuccessful filmmakers who want to make a pornographic movie, and things go very, very wrong. See, their lead actress . . . . gets possessed by a demon.
It’s a film, although shot on a limited budget, that is already being recognized for its stunning visual effects and its old-school practical approach to film-making. Following a successful German theatrical run, the film is now celebrating its international release in the US, Canada, Australia, the United Kingdom and Ireland on multiple major VOD Platforms, including Amazon Prime and Tubi, among others.
Filmmaker Ezra Tsegaye, worked previously in commercials as a storyboard artist for Hollywood films such as “THE INTERNATIONAL,” and is also a successful comic strip artist, who was involved in the creation of the first original German superhero comic. This background as a comic book/storyboard artist is mainly responsible for the film’s unique visual style. The picture, produced by media entrepreneur Sebastian Wolf, started the project with the intent to revolutionize German Horror Cinema, putting it back on the map by giving this extraordinary movie the chance to reach the big screen.
So we chatted about the movie, of course. I heard what I would sound like – if dubbed for German audiences. There was talk of good beer, and a pub crawl in Berlin with the boys. How could this interviewer refuse?
SKIN CREEPERS, get out there and enjoy it…The Exorcist meets Evil Dead with a sexy twist!
Once upon a midnight dreary, while I pondered, weak and weary, over Men at Work and why can’t they make a sequel. While I feasted on potato chips nearly napping, suddenly there came a rapping, turns out it was Herbert West a-rapping, at my chamber door.
I just want to go on the record and say there are a handful acting dynamos out there that have enjoyed long and industrious careers. But then, there’s Jeffrey Combs. If you’ll forgive the crassness of a STEP BROTHERS fan (and Jeff, I mean this as a compliment mate), Mr Combs is the f#@king Catalina Wine Mixer of genre/character/genius actors. You need only to watch Sir Peter Jackson’s The Frighteners – nothing further your Honor.
But for right now let’s focus on NEVERMORE. The creators of the eleventh episode in the second season of Masters of Horror have brought their act to a literal theatre near you – but if you’re reading this outside of the US – sorry. Directing legend, Stuart Gordon (Space Truckers) and his (frequent) co-writer from “The Black Cat”Dennis Paoli (From Beyond) have created a vehicle which has brought to the stage a critically heralded experience that has delighted audiences for over a decade.
Hailed as “a landmark performance” by the L.A. Times, Combs has thrilled crowds across the country with his dynamic and revelatory portrayal of the legendary Poe.
This marks NEVERMORE’s Westchester County, NY, premiere, an event made extra special by the area’s bicentennial celebration of Washington Irving—a contemporary of Poe who was, from Poe’s perspective, also a rival. As Combs recalled in a recent River Journal article, “I don’t think they ever met. I take dark delight in pointing out that Poe doesn’t have very nice things to say about Irving. Specifically, about Irving’s penchant for always having a moral to his stories while Poe was often criticized for being without morals.”
SHIFF (The Sleepy Hollow Film Festival) celebrates the Hudson Valley’s wellspring of American history, of classic literature, and the continuing legacy of supernatural writings and cinematic works that it has inspired,” says festival co-founder Taylor White. “We’re excited to have NEVERMORE as part of the festival because it encapsulates so many of these ideas—not to mention it’s a fantastic show, at the perfect time of year, in the perfect venue. We can’t wait for the crowd to experience it!”
As Combs added in the River Journal, “Poe was truly one of America’s great writers. I’m honoured every time I step on stage and recite his beautiful words.”
SHIFF, a celebration of outstanding genre cinema in the cradle of the American supernatural, takes place in Sleepy Hollow and Tarrytown, NY, October 10-13, 2019.
Finally, Jeff Combs was an absolute pleasure to chat with, his personality is as vivacious and extraordinary as the multitude of characters he has brought to our screens. If we had more time I would have really delved a great deal deeper – but, never being one to turn down opportunity when he comes a-rapping at my chamber door, I could not in good conscience turn down the chance to talk with one of the world’s most original performers. He’s still batting a thousand, I hope you’ll enjoy…
It was weird sitting down and watching Return of the Killer Shrews. My wife and I were not far in when I paused the movie and said, “Hang on, I’ve seen this before.” I jumped up from the chair and went to the library. Removing row upon row of DVDs, I soon came across it. I took out the disc, popped it in the player and “yes”, right I was – I had seen the movie before – under the guise of a re-titled release called MEGA RATS.
But I kept on. In part because I love the flick and the genre it is a part of. Also because I have such fond memories of watching the 1959 original on a rainy day with my grandmother on her big plushy green couch, with a huge bowl of warm, buttery popcorn and the open fire’s glow dancing against our faces. Truth is she loved monster flicks. THEM, JAWS, DARK AGE, ANACONDA, even BIG ASS SPIDER was one of the last she saw and enjoyed.
Me personally, it hits the right notes just like pictures of its ilk like PRIMAL FORCE, PIRANHACONDA, HOUSE OF THE DEAD(because yeah, I’m a stickler for Dr. Boll alright – I get a giggle out of it), and SCREAMERS (not to be confused with the Christian Duguay film, but the Sergio Martino film also known as Island of the Fishmen).
Steve Latshaw directs James Best, returning after 53 years to take on those nasty, blood-ravenous shrews with a little help from a couple of the Dukes of Hazard. A reality TV crew, in the midst of an island paradise, soon find they are no match for the four-legged terrors that are stalking them at the behest, it would seem, of the deliciously villainous Bruce Davison (who is clearly relishing his part). ROTKS is as delightful, endearing and just as loaded with double, B-movie-cheesy-goodness as the original. It’s streaming NOW, so jump on the couch and grab a bite and thrill at those killer shrews, while enjoying that buttery popcorn you’ll chew.
My guests are a couple of the men behind the shrews. Director/screenwriter extraordinaire, Steve Latshaw, and special effects maestro, Jeff Farley. Have a listen and gain some insights on the careers this pair of amazing cinematic artists and how they came together to try and tame those killer shrews…
Born in Decatur, Illinois, Steve began his film career in a distinctly Corman-esque style, directing a string of successful B movies in Florida in the early 90s. These included the home video/cable hits Dark Universe (1993) and Jack-O (1995), as well as the cult classic Vampire Trailer Park (1991). Relocating to Los Angeles, Steve continued his career as both writer and director, though on markedly larger budgeted projects. With a filmography well into the double digits, Steve’s recent screenwriting credits have included the family adventure _American Black Beauty (2005), starring Dean Stockwell and the upcoming Sci Fi Channel superhero adventure, _Stan Lee’s Lightspeed (2006).
Well I’ve been working on this one for a while now. A collection, a tribute to the wondrous array of talents out there doing exactly what they want to do. Godard famously once said: “All you need for a movie is a gun and a girl.” That may have been the case for him, but I like my movies with a few more ingredients. Werewolves, giant snakes, sharks – it’s all part of my complete breakfast so, I endeavored to get in contact with those few, those happy few, this band of indie auteurs who don’t need permission or studio backing to do what they love to do – which is make movies.
Perhaps it is fortuitous regarding the timing of the release of this piece that all of the films here mentioned are now out there and available for your enjoyment. Mr. Bonk’s ‘Jaws Indoors’ sharksploitation offering, House Shark, Mr. Braxtan’s urban anaconda comedic actioner, Snake Outta Compton, Mr. Sheets Werewolf O’ glorious Werewolf killing by night picture, Bonehill Road and finally, Mr. Dean brings us his second installment of justice wreaking havoc by the full moon with his part man, part wolf, all cop, Another WolfCop.
We need these independents now more than ever ladies and gentlemen. Hollywood at large has become a cookie-cutter industry were everything is either a remake, a sequel or an adaptation. Something old, something new, something borrowed and something boring. It is and has degenerated into a vicious cycle that sees the movie business in the safest place it has been in decades. And why? Because dear reader, there is no gambling on a property that doesn’t already carry a built-in audience. No risk versus reward. It’s the same old shit – just in a different box.
So thank God for the Independents. Robert Rodriguez once said, “Don’t give me any money, don’t give me any people, but give me freedom, and I’ll give you a movie that looks gigantic.” Hollywood has long forgotten that the size of the budget does not equal the size of a film’s success. It is the films that defy convention, that resist formula, that are at play in the fields of freedom and creativity and not those designed and dictated via a committee in some corporate office that are still exciting audiences.
The studios may have the guns, but we got the numbers. We have the power now to embrace these magnificent artists. Together we can bring them in from the fringes and with all the social media tools at our command, we can use our influence to elevate these men and their glorious pictures to ever greater heights, instead of perpetuating the norm which sees us elevating fools into rich heroes.
Yes dear reader, today is the day. The day on which we can declare in one voice, “We will not go quietly into the night – we will not vanish without a fight. We’re going to live on, we’re going to survive. Today, we celebrate, The Independent’s Day.
(DUE TO A BAD CONNECTION, SOME OF MY INTERVIEW WITH RON WAS LOST - BUT PLENTY REMAINS - I TRUST YOU'LL STILL ENJOY)
Ron Bonk is a producer and writer, known for Clay (2007), Night of Something Strange (2016) Strawberry Estates (2001) and She Kills 2016. He was born in Cicero N.Y. and attended Cicero, North Syracuse H.S. Then he graduated from M.V.C.C. , and Utica College. He is the president of S.R.S. Cinema L.L.C. in Central New York.
Hank was born and raised in Grand Junction, Colorado; this would be his greatest accomplishment until dropping out of film school at age 26. Even from a very early age, Hank showed a genuine interest in being entertained. In 1998, he put his lack of ambition on hold and joined the US Army as an Intelligence Analyst. After his discharge for honorable behavior in 2004, Hank attended film school for a short while, and made a bunch of nonsense about Ghostbusters fighting Freddy Krueger and other copyrighted materials. In the days before YouTube, that was kind of a big deal.
Hank has since gone on to work in the same town as many famous filmmakers. He currently has several projects in several stages of development, etc.
It took a while to get a hold of Mighty Mick – but I’m glad I had the patience. See Mick Garris is one helluva talented man. His passage through the movies is a veritable plethora of Amazing Stories – apart from the show-of-the-same-name where he achieved career lift off.
Since those early days he has gone on to become a prolific writer, director, producer, author, podcaster – the list goes on. He made me laugh with Critters 2, he was the writer of The Fly 2, which was one of the only times a film has forced me bring up my lunch, and he has conducted wonderful and insightful interviews with fellow filmmakers – some, sadly, that are no longer with us.
Through it all Mick remains the soft-spoken gentleman with a passion for his work and cinema in total. He has had a long successful run of adapting the works of Stephen King for the screen. I have vivid memories of sitting through, night after night, his extraordinary adaption of The Stand. This he beautifully followed up with further adaptions of Bag of Bones and The Shining, in which King adapted his own book, and which Mick credits as one of the best screenplays he’s ever read.
He was instrumental in bringing together the Masters of Horror as he was composing the elements which formed great movies either under his pen, or benefiting from his exquisite direction. Follow this link ( https://www.mickgarrisinterviews.com/ ) to Mick’s site and check out the bona fide feast of delights for cineastes he has on offer. As I said to the man himself, “You have a lot of fingers in a lot of pies, and I can’t wait to cut me a slice of whatever you serve up next.”
So, without further ado, it is my privilege to present to you . . . the one, the only . . . Mick Garris.