Eva Rojano is not your average RoboCop fan. I remember Mark Hamill’s narration of the TV special SPFX: The Empire Strikes Back, in which he states, and I’m paraphrasing here: “that Star Wars has excited a generation to such an extent that the children who have seen the film are motivated to become doers . . . as well as watchers.
Eva seems to be the modern day personification of this ideology. What began at the tender age of eight, has blossomed into more the obsession. It is now, unbridled creation. Of course with all artists, we find and fixate on books, movies, comics, fine art, music. These, while they may not have planted the seed, are certainly the fertilizer in which the formation and manifestation of dreams thrive.
Eva’s journey through the wilds of the universe which began with the brutal murder of officer Alex J. Murphy and his subsequent, phoenix-like resurrection as RoboCop, has seen her not only receive friendship and guidance for two of the franchises integral staples; in the form of Nancy Allen(eternally the dynamic and resourceful Officer Anne Lewis) and Edward Neumeier(one half of the creative genius writing team that gave rise to a franchise).
Under luminous glow and encouragement, Eva has ascended from her enthusiastic efforts in the production of electrifying art and fan-fiction, directly associated with the Robo-Universe, to a place where she now has the courage, just as all artists who have come before her, to step out from under the wing of the movie that has nurtured her dreams, and into the light that is birth of her own original concept and voice.
This current incarnation of Rojano’s prolific creative output manifests itself as a novel entitled: The Black Butterfly. And I was intrigued as ever to learn the story, the motivation . . . the journey behind what drove this fan among fans to dig below the surface of her own creative crust – unearthing something fresh, unique and touchingly profound.
What was once purely driven by that glorious cinema classic that is part man, part machine, all cop, now transforms into a bold new vision from a creator that has been fostered by the cinematic equivalent of lightning in a bottle – exploding on to the printed page near you…
DRY BLOOD . . . WOW! What a movie – minimal in construction, but ocean-deep in subtext . . . with a type of gleeful depravity.
The dynamic filmmaker duo of Clint Carney(writer/producer/actor/artist/musician) and Kelton Jones(the man who induced GOD to Mel Gibson/director/actor) have conjured with the combination of immense talents – and with the aid of a rich assortment of family and friends – a film that stays with you as the credits roll.
The film is a tense, slow-boil of a horror picture that, when it explodes, you’re never quite ready. It is a journey into the tormented mind of character gripped by fear and self-loathing which overflows into a gruesome cesspool of vicious insanity, coupled with exciting, delicious, mischievous and frightening portrayals for Messrs Carney and Jones.
DRY BLOOD has recently completed a very successful festival run, having received an astounding thirty award wins (including many for “Best Picture,” “Best Actor,” “Best Director,” and “Best Writer”), with another twenty-three nominations as well. Highlights from this festival run include “Best Feature Film” and “Best Actor” wins from the Bram Stoker International Film Festival in the UK, as well as the top spot at the Indie Film Playoffs, where DRY BLOOD swept the board (Best Picture, Best Actor, Best Actress, and Best Writer) in a competition against numerous films from multiple festivals.
Clint Carney, who wrote, starred, and composed the score, says, “It’s been a long and exciting journey to go from writing the script almost four years ago, to now releasing DRY BLOOD to the world. We are beyond excited to work with Dread Presents. They already have number of great films in their catalog and we couldn’t be happier to be a part of their roster, and to be welcomed into the Dread family.”
DRY BLOOD is directed by Kelton Jones, written by Clint Carney and starring Clint Carney, Jaymie Valentine, Kelton Jones, Robert V. Galluzzo, Graham Sheldon, Rin Ehlers, and Macy Johnson.
“Clint and I set out to make our favorite horror movie,” remarks Kelton Jones, the film’s director. “We wanted to make a film that was true to the genre and lived up to the potential of what a great horror film could be. We knew this would be an ambitious task. We hold such a great love for the genre and the masters of cinema who had shaped our childhoods. We felt the best way to honor them was to pour our hearts and souls into making DRY BLOOD. We knew our toughest audience would be ourselves and we endeavored to make a film that we were truly proud of. I feel very grateful to have been able to be a part of such an amazing project, made with love, by people I love. I am beyond thrilled to be releasing this film with Dread Presents.We set out to make our favorite film; my hope is that it becomes your favorite film as well.”
It’s a great little gem of a horror movie that shows us a glimpse of the evil that lurks within us all, but as a production, it showcases what a group of like-minded, talented, and hungry filmmakers can do when they pool their resources. And it is my pleasure to present them to you now…
Director Kelton Jones’s love of cinema began as a child in the seventies. His mother owned a quaint flower shop that shared a wall with the singular movie theater on the rural main street of Buffalo, Texas. Kelton would spend his afternoons watching and rewatching the afternoon showings as he waited for his mother to finish the day’s work. When the rare feature film would be shot on location in a nearby town, Kelton would find a way to the set so that he could watch from the sidelines, as the filmmakers would spin their magic. Finally, at age 16, Kelton’s first feature in front of the camera gave him the chance to ask the crew if he could join them after he finished his work as an actor. From that very first film, Kelton has permeated the boundaries between actor and filmmaker craftsman. DRY BLOOD is the culmination of a lifetime spent studying film, working on sets, writing scripts, and acting. While on set, it was not unusual to see him in full character wardrobe setting a light, operating a camera or pushing a dolly as he directed the scene. Though this marks his first feature film as director, he has worked every other crew position on set of previous films, ranging from small independent pictures, to huge Hollywood productions. Ultimately, his choice of projects has always been driven by a deep love of the medium, a passion for a great story, and the opportunity to learn and push his own boundaries.
Clint Carney is a well-known Los Angeles-based musician, artist, writer, and filmmaker. His musical work first came into the spotlight in 2004 when he released his first official album under the name SYSTEM SYN. To date, SYSTEM SYN has released seven albums and multiple singles, and performed all over the world. Throughout the years, Clint has also served as a keyboard player and back-up vocalist for the bands Imperative Reaction and God Module. As a fine artist, he is best known for his graphic and disturbing oil paintings. His artwork has been shown in galleries and private collections worldwide and has been featured on magazine covers, clothing lines, and musical albums. His work can also be seen in many major motion pictures, television shows, commercials, and music videos. Clint has created iconic imagery through artwork and props for films by such directors as J.J. Abrams (Star Trek Into Darkness), David Fincher (Gone Girl), Oliver Stone (Savages), Wes Craven (Scream 4), Cameron Crowe (We Bought a Zoo), and more. In recent years, Clint has turned his focus toward film making, working on many different projects as a director, producer, screenwriter, editor, and actor.DRY BLOOD marks his first feature as a producer, writer, and actor. Clint is currently in development on his feature length directorial debut.
How important are fans to the longevity of a movie? The truth is – extremely important. Fans are the reason films have survived long past their initial release life. Coming from the age of VHS, we were the generation of watchers that gave cult status to films that would have faded if not for the popularity of this new medium. Films that died even before their brief, bottled-rocket moment in theaters fell to the ground cold and lifeless under the weight of audience disinterest.
A devoted fan is worth their weight in gold. They will stick with a film, a franchise, even through the worst of times. RoboCop is an undeniable classic. But, and it is just this man’s opinion, the continuing saga has suffered from the same strength that made the first film the glorious specimen it remains. Two wasn’t bad. Three, was stretching. I dug the animated series, even the live-action TV show. Then there was the recent reboot. I think the less said is the easiest mended and stand with many on this thinking – that the idea of remaking classic films is a colossal mistake. There was really nothing in this tepid attempt to re-invoke the wonders of past glory that are worthy of even the title.
Like Eva Rojano I saw RoboCop on video back in the day and was equally as awed by it. The fascinating thing though about Eva’s fandom is the empowering nature, the passion and exuberance she draws from the picture, and how it has helped shape her life and permeate her dreams and ambitions.
Eva was so taken with the power of the character, and the story arc of Anne Lewis, portrayed by the wonderful Nancy Allen, that she eventually started corresponding with her idol, and finally, was able to meet her in person and further solidify the friendship.
The joyful nature of being utterly and completely taken by the subject and the morals amplified by popular and classic movies, is that it allows the fan to live vicariously through the characters they identify with and thus, giving one’s imagination fertile soil in which to plant the seeds for a harvest of success in whichever field of expertise one chooses to explore in life.
Eva has taken the inspiration she receives from the likes of the empowered character of Anne Lewis and has turned all of her creativity and dedication to spreading and bringing together the talents and appreciation of RoboCop fandom world-wide. And, in the wake of the recent news of yet another cinematic entry into the RoboCop franchise, as well as, the fact that the talented Miss Allen has not, unlike the other member of her integral duo aka Peter Weller, been approached to be a part of this re-invigoration of such a beloved series; Eva has taken to the fandom at large and has created a petition to motivate the powers that be with the hopes of bringing back her treasured Officer Lewis.
Eva’s is a fascinating and passion-filled tale that I trust will inspire and delight. Please do, all you Robo-Fans, jump on the bandwagon and sign the petition (https://www.change.org/p/mgm-studios-inc-we-want-nancy-allen-to-play-a-role-in-robocop-returns) to get Nancy, along with Peter, back into the Robo-verse where together they belong. And also to, please follow the links below and experience the wonderful work Eva is doing – all to honor the movie she loves most dearly.
Join Nick and Frank with returning guest, screenwriter Matthew Sand (DEEP WATER HORIZON), to discuss Michael Mann’s THE INSIDER as well as the process between writing fiction and non fiction. We also discuss at length the genre of topical films, and how beholden the writer should be to the truth, and how much creative freedom the writer and film should take.
Podcasting Them Softly is beyond excited to present a chat with screenwriter and producer WilliamWisher, who co-wrote The Terminator and Terminator 2: Judgment Day with James Cameron. William also collaborated with director John McTiernan on The 13th Warrior, he wrote the screenplay to Judge Dredd, and collaborated with Paul Schrader on Dominion: Prequel to the Exorcist. He’s also a contributor to the Die Hard franchise as screenwriter and producer, while also making some extremely memorable film appearances. He’s got a new film with Pierce Brosnan coming out later this year called I.T. and he’s working on a new action film with director John Moore called Come Hell or High Water, which based on the title alone, suggests something epic! He’s also a well known script doctor, which is an intriguing area of the business that both Frank and I are fascinated with. This is a fun, extremely informative chat with lots of interesting bits and pieces about the business and some of the biggest franchises ever to hit the screen. We hope you enjoy!
Podcasting Them Softly is thrilled to present a chat with screenwriter and director PeterIliff, a name many movie fans will likely recognize, as he’s the guy responsible for writing one of the greatest action films of all time, POINT BREAK. The film has become a massive audience favorite over the years, and it’s one of those movies that Nick and Frank have seen so many times they’ve probably got most of it committed to memory! Peter‘s other screenwriting credits include the Jack Ryan adventure PATRIOT GAMES, the teen classic VARSITY BLUES, and the underrated and stylish Stephen Hopkins thriller UNDER SUSPICION. His directorial debut arrived in 2012 with the horror thriller RITES OF PASSAGE, and he’s got a number of exciting projects on the horizon which are detailed during this exciting discussion! Nick and Frank are both big fans of action movies in general, so this was a real treat to be joined by the creator of one of our absolute favorite flicks in POINT BREAK — We hope you enjoy our latest episode!