Neill Blomkamp’s Demonic

People really love to rag on Neil Blomkamp don’t they.. do you think it’s super fun being that miserable? Anyway he has a new horror film out this year called Demonic, his first feature since 2015’s Chappie. People are kind of tearing it apart in reviews, unreasonably so in my opinion because I had an absolute blast with it and one of the most fun time with a horror so far this year. It’s like this sort of odd, multi-genre amalgamation of different tones and ideas, so much so that one can’t really get a proper idea of it from trailers, posters or even word of mouth alone, which means you’re onto something already. It stars the excellent Carly Pope as a troubled woman who is dealing with residual pain of a mother who committed really, really horrible crimes when she was just a kid, and has been institutionalized in a coma ever since. She’s trying her best to forget, until two mysterious sleep tech researchers from a clandestine organization ask her help with a very strange experiment: be put under into REM sleep, enter the unconscious mind of her mother and establish communication within the dream world of both of their subconscious minds, linked via technology that feels simultaneously futuristic and sleek yet retro, analog and VHS themed as well. What are these researchers looking for, you may ask? Well that’s the fun, and that’s all I’ll say about the plot here, it’s a diabolically twisty game of horrors that spill out from the dream world into real life and this girl discovers much, much more about her mother’s state of mind, and whatever else may be in there with her. The film is not only shot but actually (for real this time, not just me stubbornly insisting so) set in and around Vancouver, with some of the story taking place near Kelowna on Lake Okanagan. I’m pretty sure that Blomkamp has seen Panos Cosmatos’s Beyond The Black Rainbow because one of the researchers is played by Vancouver actor Michael Rogers, who was the terrifying antagonist Dr. Barry Nyle in that and there are shades to his performance here that feel directly referential, which was a really nice touch. The film covers a LOT of ground in only 90 minutes, in terms of genre, and maybe it felt too rushed or hectic for some people but I just can’t wrap my head around the negative responses to it. It’s absolutely horrifying in some scenes, incredibly imaginative in an almost tongue in cheek way and stylistically so damn cool, it has the feel of a balls out, conceptually audacious type of horror SciFi flick you’d see in the 90’s. Picture something like The Cell meets The Exorcist meets Virtuosity meets Ghostbusters but still it’s own fiercely original creation. Great film, don’t listen to the haters, see it for yourself and form you own honest opinion. Mine is that it fucking rocks.

-Nate Hill

ALL COP: A Fan’s Journey by Kent Hill


How important are fans to the longevity of a movie? The truth is – extremely important. Fans are the reason films have survived long past their initial release life. Coming from the age of VHS, we were the generation of watchers that gave cult status to films that would have faded if not for the popularity of this new medium. Films that died even before their brief, bottled-rocket moment in theaters fell to the ground cold and lifeless under the weight of audience disinterest.


A devoted fan is worth their weight in gold. They will stick with a film, a franchise, even through the worst of times. RoboCop is an undeniable classic. But, and it is just this man’s opinion, the continuing saga has suffered from the same strength that made the first film the glorious specimen it remains. Two wasn’t bad. Three, was stretching. I dug the animated series, even the live-action TV show. Then there was the recent reboot. I think the less said is the easiest mended and stand with many on this thinking – that the idea of remaking classic films is a colossal mistake. There was really nothing in this tepid attempt to re-invoke the wonders of past glory that are worthy of even the title.

Like Eva Rojano I saw RoboCop on video back in the day and was equally as awed by it. The fascinating thing though about Eva’s fandom is the empowering nature, the passion and exuberance she draws from the picture, and how it has helped shape her life and permeate her dreams and ambitions.

Eva with Nancy Allen

Eva was so taken with the power of the character, and the story arc of Anne Lewis, portrayed by the wonderful Nancy Allen, that she eventually started corresponding with her idol, and finally, was able to meet her in person and further solidify the friendship.

The joyful nature of being utterly and completely taken by the subject and the morals amplified by popular and classic movies, is that it allows the fan to live vicariously through the characters they identify with and thus, giving one’s imagination fertile soil in which to plant the seeds for a harvest of success in whichever field of expertise one chooses  to explore in life.

Eva has taken the inspiration she receives from the likes of the empowered character of Anne Lewis and has turned all of her creativity and dedication to spreading and bringing together the talents and appreciation of RoboCop fandom world-wide. And, in the wake of the recent news of yet another cinematic entry into the RoboCop franchise, as well as, the fact that the talented Miss Allen has not, unlike the other member of her integral duo aka Peter Weller, been approached to be a part of this re-invigoration of such a beloved series; Eva has taken to the fandom at large and has created a petition to motivate the powers that be with the hopes of bringing back her treasured Officer Lewis.

Eva’s is a fascinating and passion-filled tale that I trust will inspire and delight. Please do, all you Robo-Fans, jump on the bandwagon and sign the petition ( to get Nancy, along with Peter, back into the Robo-verse where together they belong. And also to, please follow the links below and experience the wonderful work Eva is doing – all to honor the movie she loves most dearly.


Ed Neumeier






OpalochPodcasting Them Softly is extremely excited to present a chat with the incredible cinematographer Trent Opaloch. Trent is one of the hottest, most in demand shooters currently working in Hollywood, having shot District 9, Elysium, and the absurdly underrated Chappie for director Neill Blomkamp, while also becoming a member of the Marvel cinematic universe, having lensed both Captain America: The Winter Soldier and this weekend’s Captain America: Civil War. The future looks to hold even more superhero action, as he’ll be reteaming with the Russo brothers for both chapters of The Avengers: Infinity Wars. He’s also a veteran of the commercial world, having collaborated with such directors as Jake Scott, Todd Field, Phil Joanou, and Frederik Bond on a variety of worldwide advertisements. He’s clearly got a very exciting future ahead, and we’re beyond thrilled to have him as a guest – we hope you enjoy this exciting discussion!