You should, dear listener, go away and read this article (SUNK) . . . before listening to this interview – simply for ‘those who came in late’ kinda reasons….
Films like Lost in La Mancha, Jodorowsky’s Dune, Lost Soul, and The Death of Superman Lives have ostensibly created a new documentary genre that I simply have been devouring … the ‘unmaking of’ movies … great movies that were stillborn, or that died slow miserable deaths on the path to cinematic folklore. And we’ve all heard the film fiasco war stories . . . but not like this. This is the most intriguing because it is still, for the most part…shrouded in a heavy belt of foggy mystery….
The, or one of the embattled figures at the center of this mesmerizing cyclone is a man I’ve longed to chat with since reading the aforementioned article, Mr. Jonathan Lawrence. Now, to get the winter of our discontent outta the way up front, I was certain – beyond a shadow of a doubt – that talking about the ‘FISH’ movie, (as Jonathan enlightened me, or as fate would have it as the movie’s surrogate title) was the last thing he would want to do . . . . AGAIN!
So, while I was certainly keen to devote only a small portion of the conversation to my simmering curiosity (namely EMPIRES OF THE DEEP) – I was more interested to hear the story of the man who was a part of its ill-fated inception….
In singularly one my most engrossing conversations I’ve ever had with a filmmaker – I have really wanted talk to ever since I read about a Chinese billionaire who woke up one day and decided he wanted to make a movie – with the whole story so feverishly well documented in the article back there at the beginning. . . and, Jonathan tells me he has been interviewed extensively for a possible documentary on the subject ……. fingers crossed!!! But, this conversation is not about that ‘FISH’ movie – instead it’s about the man behind it, also a candidate for one of the best lines I’ve heard …. “I know how to be dangerous, and get by.”
‘Cause the road is long yeah Each step is only the beginning No breaks just heartaches Oh man is anybody winning…
As LAST BLOOD approaches, you kinda know how it’s gonna go. John Rambo will win, he has to – he’s the hero. But now it’s a new war, outside his back door – by the looks of it. But, will this be last blood? There are Elvis guys, Beatles guys, Rocky guys and Rambo guys. Well, I’m a Rambo guy…..and here’s why – like this action monolith, I’m at my best when the stakes are high, and failure just doesn’t compute baby…
But what do I think of, when I think of RAMBO. I think of my Grandmother. One of my Grandmother’s favorite movies, or at least the one I can remember her watching more than once, was RAMBO III. God bless her, she loved it. She was right there with him. Her favorite scene is the night infiltration and escape from the fortress. Man it was a treat to watch her watch that movie. “Gee whizz, he’s tough,” she’d say, with this tiny, elated grin.
From my guest’s, David Morrell, novel to Ted Kotcheff’s brilliant opener, through the 80s action-movie majesty of First Blood: Part 2, on to the comic book insanity of 3. Then, Stallone, like a bolt of lightning, too bright to ever be forgotten, brings back RAMBO(ROCKY too).
And so we come to LAST BLOOD – will this be Stallone’s primal valentine to the character he and he alone embodies? Just like the characters he plays, so has his career seen thrilling heights (Cliffhanger …. literally) and – I don’t wish to piss off the STOP! OR MY MOM WILL SHOOT people, but while it has a nostalgic quality, it is but a relic that survives purely because of sociological interest. Just this man’s opinion…okay.
Then, just like Rambo, Sly finds something deep within. A flame, a light that was unwavering once. So, in what cinema history may recount as a stroke of genius, Stallone proceeds to pour a little of that old 80’s gasoline over the flame and BOOM!, Sly’s back. Hell, they’re all back, right?
But who’ll draw last blood? Is this finally the sun going down on a legend . . . or will this be something else. Redemption? Which ever way it goes it was a thrill to take the journey from FIRST to LAST BLOOD with the man, without whom, none of this would exist. David is so gracious, eloquent and insightful. His view of the way John Rambo has evolved is a unique insight, not only in terms of how a creator views his creation, but the wonderment of a fan – who’ll be at the cinema opening night . . . with the rest of us.
The same people who’d show up for KING CONAN . . . the same people who are gonna be there for MAVERICK, hell, if you believe what you read in the trades, COBRA is stirring – shit, I know I’ll be front of the queue for Tango and Cash 2.
So there’s only one thing left for you to do now. Have a listen to David and me get romantic about RAMBO, then, go see LAST BLOOD…
Alexander Nevsky – мой друг суперзвезда. What can I tell you? He is a dynamic performer with a physically commanding presence. He is a champion bodybuilder. He is a writer, director and producer whose films I find not only entertaining, but also made in a fashion which speaks to my love of the great action movies from the 80’s.
[To listen to my previous chats with Alex on his films, click on these posters below]
I could go on or simply type you out a list of this man’s accomplishments, but I’m not going to. Because you see, the work and work ethic of Alex Nevsky speaks for itself. He is an extraordinary gentlemen who by diligence, persistence and focus has not only emerged as a national treasure in his Russian homeland, but also as an international superstar with a rise to prominence that can only by compared to another superstar, and Alex’s mentor and friend, the Austrian Oak himself, Arnold Schwarzenegger.
And now the two, along with the legends of the Bodybuilder’s Olympian halls of honor, are featured together in the newest edition of:
3 More Reps: The Golden Age of Bodybuilding
Courtesy of Amazon:
Like pumping iron, it gives you an inside into the world of Joe Weider’s top bodybuilders and their training routines for the Mr. Olympia stage and their lives as bodybuilders in the golden age of bodybuilding. Enjoy first-hand interviews with Arnold Schwarzenegger and learn more about your other favorite golden age bodybuilders like Frank Zane, Franco Columbu or Mike Mentzer, Tom Platz to name just a few. Read about the humble beginnings of Joe and Ben Weider the godfathers of the Bodybuilding industry and the Mr. Olympia contests. The author George Snyder’s name is practically synonymous with the health and weight training industry. He has been an integral force in the world of bodybuilding. He is the creator of the training camp concept and is also an innovative and highly successful promoter, having conceived and created both the highly publicized and popular Miss Olympia Contest and the Galaxy Competitions the first two milestones for women in the fitness world. In 1990, Snyder impacted the industry with the publication of his Freestyle books.
These books outlined the tenants of a program Snyder has created and perfected for over 40 years. Snyder has published freestyle Methods in some of his earlier books and magazines as well as in his recent magazines over the past 30 years. Snyder has been an active force in the world of strength training and physical culture for most of his life. He opened his first health club in 1965 and was the first progressive gym owner to allow women to train at his club. He organized and held the first bodybuilding training camps in the early 1970s and today contains a series of fitness training camps geared for women and men. Over the years he has authored several books on physical fitness and a veritable library of popular magazines. Today he is involved in several books and magazine publishing ventures, contest promotions, plus new product and program development as it pertains to Freestyle. Snyder has republished 3 More Reps!
This book is a must-own for collectors, enthusiasts and certainly aficionados of this sport which sees the transformation of ordinary men into Earthly Gods. It is an arena that has forged many an international icon, of which, my buddy Alex is certainly now finding himself among such lofty company.
3 More Reps is another pinnacle that Alex as secured in his ascendancy as he continues to walk with the titans, both on and off the big screen. From being a very skinny kid before changing his life completely, becoming Mr. Universe and starting career in Hollywood, it remains important for Alex to promote natural drug free bodybuilding and continue to inspire others. Which he never fails to do.
The first film I thought of while the early moments of Tiger Mountain played before me was THX 1138. This was a trip, dragged forcefully against one’s will and plunged into a murky pond which is a kind of metaphoric representation of being removed from the light and air and smothered by naked oppression and placed under the rule of the hive mind. And it is a mesmerizing submersion into these terrifying depths that are as much about the myth of control as they are the misuse of it. Another part of the allure for me to tackle this movie is the treat of seeing Bill Paxton back on the screen. I remember watching Edge of Tomorrow and delighted in his presence – a kind of measured version of his character from Weird Science. The man was talented – even though he made it all look far too easy. But as I spoke to Tom Huckabee, (Paxton’s longtime friend and collaborator) I quickly was made to understand that this easy-chair nature I’d seen and enjoyed in Paxton was in fact a ruse. Turn’s out Bill was a lot more Near Dark than most people really knew.
Tiger Mountain is a passion project that has survived because of the enthusiasm shared by two buddy’s who were looking for a way into the movie business. It is a product of it’s time, topical to that period and perhaps in some ways even more relevant as a kind of looking glass held up to the world of today, indeed more so than it was then. The journey has taken since 1974 to come before an audience at last in the best and most complete version of the film that exists. It is a picture that has crossed continents and indeed space and time to arrive like some strange and miraculous time capsule which stands as an epitaph to the exuberance of youth and a yearning for greater self expression. So this is the first time since 1983 that you’ll have to witness this compelling cinema experience influenced by William Burroughs – which is then counter balanced with the writings of Valerie Solanas. Portions of text coming from a Burroughs’s novella whose title had already been taken by a chap named Ridley Scott.
This 4K transfer is beautiful and the journey, although sold as the brainwashing of an American draft dodger by militant feminists in order to assassinate the Welsh minister of prostitution, Tiger Mountain is an experience, a fascinating making-of tale to hear and a parable of sorts which speaks of the possibilities that growth and recognition are always achievable as long as art is never abandoned.
Tom Huckabee is a writer, director, producer with over 40 years experience in entertainment. As a student at UT Austin he studied under Tom Schatz, Loren Bivens, and Edward Dymytryk, directed “The Death of Jim Morrison,” nominated for a student academy award, and “Taking Tiger Mountain,” starring Bill Paxton and co-written by William S. Burroughs. He has been a staff producer at Landmark Theaters, a writer of non-fiction TV for Disney and Discovery, a story analyst for 21st Century Films, and a staff researcher for The History Channel’s Modern Marvels. In 1987 he produced and co-wrote “Martini Ranch’s Reach,” a long-form music video directed by James Cameron, starring Kathryn Bigelow, Bill Paxton, Phil Granger, Bud Cort, Judge Reinhold and much of the cast from “Near Dark” and “Aliens.” In 1997, he was associate producer of post-production and music supervisor for “Traveller,” starring Paxton, Mark Wahlberg, and Julianna Margulies. From 1998 – 2001, he was vice president of American Entertainment, underwritten by Walt Disney Studios, where he created and/or oversaw development of feature projects with Touchstone, Universal, Imagine, Image Movers, HBO, Sony, and Revolution Studios. In 2001 he executive-produced Paxton’s directorial debut, Frailty, starring Paxton, Powers Boothe and Matthew McConaughey. Also in 2001, he produced and directed a live event, Arthur C. Clarke: Beyond 2001 at the Playboy Mansion, featuring James Cameron, Patrick Stewart, Morgan Freeman, and Buzz Aldrin, He was an uncredited script consultant on Twister, Mighty Joe Young, Vertical Limit, U-571, Thunderbirds, The Greatest Game Ever Played, and The Colony and a quality control supervisor for Lucasfilm (1990-2004), working on films by Ron Howard, Michael Mann, Martin Scorsese, Steven Spielberg, George Lucas, Kathryn Bigelow, etc.. In 2005 he was a producer/writer on 75 episodes of National Lampoon’s An Eye for an Eye. In 2007 he was the artistic director for the first annual Lone Star International Film Festival. His sophomore feature Carried Away (2010) won three first place festival awards and is available on Amazon Instant View. Recently, he directed the documentary short “Confessions of an Ecstasy Advocate,” story-edited Ghostbreakers, a 20-part syndicated TV series starring Joey Greco, set to debut in 2016 on The Family Channel, co produced The Starck Club, a documentary feature and The Price, a drama starring Randy Travis and James Dupre. In 2014-15, he was the artistic director of the Wildcatter Exhange literary festival, while his short film “The Death of Jim Morrison” (retitled “Death of a Rock Star”) was included in the omnibus package, Jonathan Demme Presents Made in Texas, which premiered opening night 2015 at SXSW and is distributed by UT Press. He teaches screenwriting workshops and offers a wide-range of freelance development services. Upcoming projects include feature films Hate Crimes, ReCharge!, and The Attachment, full length stage plays, Dr. Zombi, PhD and The Reversible Cords; and Great Lives, a live theater festival of one-person historical shows.
Slipstream was alluring from the moment I saw the poster in the front window of my local theater. From the producer of STAR WARS and the director of TRON was the proclamation, and I was sold. The film, even then, delivered, as far as I am concerned. It offered a different world, an intriguing premise, great performances and . . . yes, I’ll admit a disjointed viewing experience. Still, I love the movie and have always been curious as to the production and what elements combined to bring this fascinating story to the screen.
At length, I finally made contact with Tony Kayden, a veteran screenwriter and the credited scribe of the film (as well as a man with his own amazing set of adventures in the screen trade). And it didn’t take long to learn that the narrative irregularities of Slipstream were the result of no one really knowing what kind of film they wanted to make.
With the money in escrow, the movie was being made, that was definite. The script that Tony was brought on to rework was, at its heart, a stock-standard Star Wars rehash. Enter producer Gary Kurtz. After enjoying success serving alongside George Lucas and Jim Henson on the Dark Crystal, Kurtz came to the project seeing another unique film on a grand scale and an adventure born in the wind. The director tapped to steer the ship was Tron director Steve Lisberger. His work on Tron was extraordinary, original, and one could only imagine what he might do with a larger canvas combined with thrilling aerial action, accompanying a compelling human story. But then then problems began. The Producers wanted action and more sexual interaction where possible. Kurtz wanted something cleaner, no graphic violence and something more Star Wars. Lastly there was Lisberger, having just become a father, and wanting to make something for kids.
Then you have the poor writer. Only hired for four weeks, Tony ended up residing in England for three months, trying in vain to mix this maelstrom of indecisiveness into a cohesive plot. Kayden saw the movie as a kind of post-apocalyptic version of the The Last Detail. You can see the surviving elements of this in the interactions between Bill Paxton and Bob Peck’s characters of Matt and Byron. One a fugitive being taken in for the reward, the other an opportunist looking to make a quick buck. But, ultimately they become friends and seek to merely flow with the slipstream they are, for better or worse, traveling along.
These two are chased by Tasker, Mark Hamill, in a platinum performance as the mustache-twisting law man whose faith has been replaced by devotion to duty and routine whilst maintaining order here in this desolate society. He harbors a Javert/Valijean type relationship with Peck’s curiously, emotionally-distant accused killer – who just so happens to be an android.
The journey down the stream brings Matt and Bryon into contact with fellow adventurers/survivors Sir Ben Kingsley (who after a chat about the script in the commissary with Tony, sought out a part in the movie), and eventually, another Oscar winner in the person of F. Murray Abraham, the caretaker of one of the last sanctuaries – a literal museum to the past, complete with all its folly and decadence.
But the movie ends in tragedy and triumph. While the evil pursuer is vanquished, Bryon’s hopes for happiness are dashed. He is forced to leave his new found friend and seek out his own kind, wherever they may be.
That all might come across as a little confusing? Like I said before, the film is disjointed. This doesn’t prevent it, however, from being fun. The the actors give solid performances, the photography is brilliant, the locations amazing, Elmer Bernstein’s score magnificent – it is just a shame that the powers behind this movie couldn’t seem to agree.
As Tony told me, “the writer often takes the blame.” Though that is not the case here. If anything he should be commended for fighting the good fight in a losing battle.
Still, my fondness for Slipstream endures. In part for what it is, but also for the possibility of what it might have been. Like I said to Tony, in the age of the reboot, there might be a second life yet for Slipstream. Now all we need to do is get Dwayne Johnson on board…
Podcasting Them Softly is beyond thrilled to present a discussion with veteran film editor Mark Goldblatt! Mark‘s credits are beyond amazing, and feature some of the greatest action adventure films of our lifetimes — The Terminator, Terminator 2, True Lies, Bad Boys 2, Pearl Harbor, Armageddon, Commando, Rambo: First Blood Part 2, Starship Troopers, Predator 2 and Tony Scott’s immortal action masterpiece The Last Boy Scout. He’s worked with absolute titans of industry, including James Cameron, Michael Bay, Paul Verhoeven, and Joe Dante, all of whom Mark has worked with multiple times. Other amazing credits include Rise of the Planet of the Apes, Hollow Man, Showgirls, The Ambassador, Halloween II, and Piranha. He also had multiple collaborations with Cannon Films head honcho Menahem Golan, which is always a subject that fascinates us at PTS! Mark‘s directorial debut was the wild and crazy Dead Heat with Treat Williams and Joe Piscopo, which he then followed up with the absolutely awesome The Punisher with Dolph Lundgren. We were overwhelmed by his resume and are so excited to share this exciting chat!
Podcasting Them Softly is beyond excited to present a chat with screenwriter and producer WilliamWisher, who co-wrote The Terminator and Terminator 2: Judgment Day with James Cameron. William also collaborated with director John McTiernan on The 13th Warrior, he wrote the screenplay to Judge Dredd, and collaborated with Paul Schrader on Dominion: Prequel to the Exorcist. He’s also a contributor to the Die Hard franchise as screenwriter and producer, while also making some extremely memorable film appearances. He’s got a new film with Pierce Brosnan coming out later this year called I.T. and he’s working on a new action film with director John Moore called Come Hell or High Water, which based on the title alone, suggests something epic! He’s also a well known script doctor, which is an intriguing area of the business that both Frank and I are fascinated with. This is a fun, extremely informative chat with lots of interesting bits and pieces about the business and some of the biggest franchises ever to hit the screen. We hope you enjoy!