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PTS Presents EDITOR’S SUITE with MARK GOLDBLATT Vol. 2

Goldblatt v2

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Podcasting Them Softly is incredibly excited to present PART 2 of our epic conversation with veteran film editor Mark Goldblatt! Up for discussion — his work on James Cameron’s Terminator 2: Judgement Day (aka one of the greatest movies ever made), Tony Scott’s The Last Boy Scout (one of our all-time favorites!), the off-the-wall big-screen video game adventure Super Mario Bros., Cameron’s spectacular action-comedy True Lies (try getting this one made today…!), Paul Verhoeven’s extreme cult classic Showgirls, and Verhoeven’s bold and bloody sci-fi satire Starship Troopers. This is yet another fabulous and informative chat with a true legend in the industry. And just wait – there’s still one more episode with Mark coming in the near future….! We hope you enjoy!

PTS Presents EDITOR’S SUITE with MARK GOLDBLATT

GOLDBLATT vol

goldblattPodcasting Them Softly is beyond thrilled to present a discussion with veteran film editor Mark Goldblatt! Mark‘s credits are beyond amazing, and feature some of the greatest action adventure films of our lifetimes  — The Terminator, Terminator 2, True Lies, Bad Boys 2, Pearl Harbor, Armageddon, Commando, Rambo: First Blood Part 2, Starship Troopers, Predator 2 and Tony Scott’s immortal action masterpiece The Last Boy Scout. He’s worked with absolute titans of industry, including James Cameron, Michael Bay, Paul Verhoeven, and Joe Dante, all of whom Mark has worked with multiple times. Other amazing credits include Rise of the Planet of the Apes, Hollow Man, Showgirls, The Ambassador, Halloween II, and Piranha. He also had multiple collaborations with Cannon Films head honcho Menahem Golan, which is always a subject that fascinates us at PTS! Mark‘s directorial debut was the wild and crazy Dead Heat with Treat Williams and Joe Piscopo, which he then followed up with the absolutely awesome The Punisher with Dolph Lundgren. We were overwhelmed by his resume and are so excited to share this exciting chat!

Tony Scott’s The Last Boy Scout: A Review by Nate Hill

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Tony Scott’s The Last Boy Scout is pure stylistic grime, an exercise in early 90’s action with the blackest of humour. The tone is set with a square jaw early on: a star quarterback for a hotshot NFL team is under a lot of underground pressure to make that perfect play and in turn please the loan sharks. He buckles under the heat, ends up pulling a gun on the field and murdering a score of opponents before turning the gun on himself. Now horrifying as that is, if you have a sick sense of humor like me it conjures a dark chuckle of the most guilty variety, because.. well, it’s funny! Albeit in the darkest way possible, which is the arena this one skates in, love it or leave it. Upon closer examination of the script we discover it’s penned by that wonderful man Shane Black, who gave us Kiss Kiss Bang Bang and the upcoming The Nice Guys. No one can produce such heinous mayhem with a cavalier attitude and actually get away with it as well as Black does. The guy is a prodigy of dark humour, and who better to embody his protagonist here than a sheepish Bruce Willis as Joe Hallenbeck, a jaded ex detective who is so sullen and cynical he’s almost comatose. He’s paired with equally slummy former quarterback Jimmy Six (Damon Wayons), lazily trying g to solve a case involving the murderous quarterback and some shady politicians. Along the way that’s paved with many a sarcastic, beleaguered exchange they cross seedy paths with shady villains (Taylor Negron, RIP, and a  youthful Kim Coates), a beautiful working girl with ties to the case (Halle Berry) and Willis’s spitfire of a dysfunctional daughter (Danielle Harris). There’s a wonderfully bloated supporting cast including Noble Willingham, Chelsea Field, Joe Santos, Bruce McGill and more. It’s got a bite that stings, mainly thanks to Black’s frighteningly stinging screenplay which give the film it’s sardonic, put – upon aesthetic. This meshes together nicely with Scott’s trademark sun soaked, pulpy, picturesque tone and provides one hell of an action movie rode.  Nasty in all the right places, funny when the story begs for it, and build to last.