Tag Archives: arnold Schwarzenegger

Dinner with Hercules by Kent Hill

What is it about heroes like Hercules that endure? They come and go throughout the years in so many incarnations; transforming with the times while still remaining timeless. And who among you does not long for the power of a God at your fingertips…or to wield ancient and powerful weapons, to strike with the might of great Zeus’s thunderbolts, into the dark hearts of those angry Gods and vengeful outcasts, mythical colossus’s, woken titans….?

This is the cinema of the legendary Son-of-God, and just like peanut butter he comes in oily and dry, crunchy and smooth. From Reeves to The Rock, the man and his name that has ascended to the heavens, where the stars spell out his glory are always adventures worth going the distance for. So when I first saw Kevin Sorbo take up the mantle, here again came a joyous and wonder-dipped slice of a pie that I had not tasted since that marvelous, though short-lived series, Wizards and Warriors. Here we would trek on the heels of the champion of Olympus on a regular basis, through the ancient worlds and ancient wonders, discovering forgotten realms and the magic that dwelt there.

Through the classics to the contemporaries, from the unintentionally funny to the down-right awesome, Hercules put enough of a hit on me, if I were a bear…I might have been launched into orbit…but seriously, I dig the cat enough to want to write my own private blended drink of a tale, that saw the man loose his strength because of his father’s mortal fornications and thus is forced to take on an attacking other-worldly titan…with a shotgun. But…I stress this was not conceived to mock or denigrate the character. It was written with tremendous affection. Because, for my money, a good Hercules story dances that fine line between the wondrous and the wacky…that just below that surface veneer of cinematic insanity there is in fact…brilliance.

So who better to sit down with for a chat with than one of the longest serving performers to ever carry the role through many a legendary journey. Kevin Sorbo would, as the fates would have it, turn out to become a real life Hercules. He is a man who has been on his own private odyssey, and it was by far, more arduous than anything he ever put on screen. Sorbo , however, in a fashion similar to the hero he portrayed, lived to fight another day and has gone on seemingly possessed with God-like strength and determination and has become not only an endearing screen icon, but a prolific producer, writer and director.

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When the hour cometh the hero shall be tested, and there, at the glorious moment, in that final stillness be found triumphant or wanting. These are the marks of few, the bold…those that will be marked by the lights of distant stars. So it was cool indeed to chat with the Legendary Hercules. Unfortunately, as I had hoped, I can’t present to recording as, because of a technical issue, it is not of sufficient quality. So I have taken the time to go through and transcribe what remains…though I regret that some has been saved only in my memory. Still…the journey continues…

Ladies and Gentleman, boys and girls of all ages…I give you the mighty, Kevin Sorbo…

maxresdefaultKH: You came from Minnesota originally?

KS: Yes.

KH: What was it, during your early days there, that lead on the crazy adventures you’ve been on ever since?

KS: Well…it probably started when I was this eight year old kid, and my Mom would watch the old matinee movies with Katherine Hepburn and Cary grant…just all the people from the golden age era, and I loved those movies, and I went to the Guthrie Theatre, a famous theatre in Minneapolis, and a lot of Hollywood shows come there, or they start there. Then I remember going to a play in New York, The Merchant of Venice by Shakespeare. Now, I don’t know what they were talking about, I was eleven, but I remember being mesmerized by these actors on stage, and it wasn’t long after that I went to my parent and told them I was going to be an actor. But I was a closet thespian because I was also a jock, and we used to make fun of guys in the theatre being jocks ’cause you know I played American football, baseball, basketball…took up golf…love the game of golf and I still play it to this day…so I didn’t really do anything about the acting till I got through college, feeling that peer pressure…but the seed was planted so…I knew that was the road I was gonna take some day.

KH: See if you can tell me where this line comes from…ready?

KS: (laughter) Okay.

KH: This ain’t Jim Beam!

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KS: Arh…I did a Jim Beam commercial back in 1992, down in New Zealand. I get down there and I was in Auckland and got see some of the surrounding beaches and stuff, and thought it would be really cool to come down here to see this country more…of course I got Hercules a year later and I ended up coming back to New Zealand for seven years so…be careful what you wish for (laughter) …no, I love it down there…but that little commercial got me fan mail for like five years…I got more fan mail from that commercial than I did for Hercules. (laughter) But it was interesting they chose do it that spot in new Zealand when there are plenty of places in Texas that would be considered a redneck bar…which they were trying to reproduce. But then the guys from Jim beam told that because of the campaign there sales had gone up 80%, I said you guys owe me a little more more money ’cause I’d rather be paid by percentage…

KH: They thought you’d be happy with a lifetime supply of Jim Beam?

KS: There it is. (laughter)

KH: But we should talk about that briefly because you are a bit of an ANZAC, having spent a number of years in Australia as well as New Zealand, and, as you mentioned in your email prior to our chat…it was like a second home to you…?

KS: I actually was in Australia for two year. Back in 1986…I went to Sydney to shoot a commercial at Bells beach and I ended up staying, and my agent in Los Angeles flipped out, and I said to him, I’ve wanted to come to Australia since I was twelve years old and now I’m here I want to see it. I went to Melbourne as well…I lived at Bondi beach…I’ve been down there for Comic con’s in Brisbane and Townsville, Perth…so I’ve been there a lot and I’m in talks right now with a production company down there to come and shoot another one…so we have a TV series that we could be shooting down there in the future…

KH: Splendid…well done. We’ll it will be nice to have you back…yet again.

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KS: I’m looking forward to it.

KH: Awesome. So, moving right along…are the rumors true, because the internet should always be questioned and never taken for granted, that you were just beat out, by a nose, for Lois and Clark and The X Files?

KS: With the X Files it was more like I was in the final six, not the last three. With playing Superman though, I did test for that. Both Dean and I tested with Teri Hatcher and I go the the part…so I went out, celebrated, next morning I get a phone call and they say, “We’re going with Dean Cain!” So, that’s the nature of the business…but Dean’s a good friend of mine and for him it was meant to be…but…three months later, I got Hercules, so Dean was like, “You got the most watched TV show in the world and I got cancelled after three seasons.” But, it is what it is.

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KH: Exactly. But…do you think you would have liked to have played Superman?

KS: Oh I think I would have enjoyed it…but Dean was right for the part…I think was better at the alter ego part of Superman, rather than the actual Superman. Would I have liked it…sure…but I was pretty happy doing Hercules so…

KH: Well Hercules takes up a massive chunk of your early career. You were in New Zealand doing crossovers with Xena…

KS: Xena didn’t exist when we started. We did five two hour movies, and by the end of that season two, they introduced that character not knowing it would become a spin-off, that’s how that came about, and with the son of Hercules in season five, it would be twenty year old Ryan Gosling playing me so…

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KH: There you go. But in the midst of all this, the dark clouds of tragedy move in, it was between seasons four and five…you were doing press at the time for KULL the Conqueror and you had a series of four strokes?

KS: An aneurysm went to my left sub clavicle, that effected strength in my shoulders, balance, I was getting bumps and bruises…I loved working with the stunt team down there…so I blew it off. I went back to the States, my doctor found a lump, he thought it might be cancer and wanted to do a biopsy, I had the first stroke and then three on the way to the hospital, it affected things like my speech and took a long time to recover but I wrote a book, True Strength, back in 2012, and it allowed me to do things that I wouldn’t have done like public speaking which I still do on the subject. Of course I did return to Hercules, but it was in a limited capacity and then came Andromeda and that was like the third year of recovery and I was starting to feel recovered.

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KH: I was a fan of you as Hercules, but being a life-long aficionado of Robert E. Howard…now…of course Schwarzenegger made Conan his own and brought that character into public consciousness, but Kull never as much, yet, we got a Kull movie…tell us what making that was like?

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KS: Well Kull was the last novel Howard wrote before he blew his brains out so….you know….the original script was very dark, though the rewrites didn’t help. Conan was a brooding anti-hero where Kull was more able to articulate his thoughts. And I fought for him to use the battle axe as opposed to a sword…Conan was all about his sword but if you look at the art work inspired by Howard’s books, a majority of his warrior heroes carried axes. We shot for three weeks in Croatia on that movie. There were a lot of people that worked on it that had worked on the Conan films and it was well directed by John Nicolella, who has sadly passed away. It was fun a to a big budget action film…went to the big premiere in DC…it’s always a thrill.

KH: I can only imagine. So lets talk about TV, you’ve had such a variety of roles on the small screen. Andromeda was another big chunk of your career…tells of the journey from sword and sandals, so-to-speak, to the space and far-flung stars?

KS: I always was a big believer in the message Roddenberry was trying to put out there with these stories of humanity no merely being envoys for our race but far-reaching students of the vastness and complexity of our galaxy…but you know…when you spend a big chunk of time on one show and then on another…it still strikes me as delightful that, when I go to conventions, you’ll have your die-hard Hercules and your die-hard Andromeda fans…and never the twain shall meet…but that’s okay…that’s why variety is essential in entertainment…there’s something for everybody.

KH: My sister wanted me to ask you about a film of yours she enjoyed…Never Cry Werewolf?

KS: (laughter) Yeah…that was done up in Toronto and I gotta say that was a blast doing that one. It was one of those cases where….I get so many offers to do parts….and it was a small part, I think they sent me the twenty pages of script that I was in…these independent producers have their stock stable of crew and its a matter of go in and shoot and move on to the next…but I honestly have so many projects of my own, as well, that I’m working on, I have a slate of five films, features…some I’m in some I’m producing, I’m off to do a civil war movie and then after that I’m going to England to film a Charles Dickens adaptation…

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KH: Wow….you’re no slouch mate. Don’t let them tell you you’re not on top of your game…and how you do it all is a mystery to me, for sure and certain. But…among your TV credits I know and have seen the episode you did of Murder She Wrote, you’re a part of the glorious group of performers that garnered a guest spot on Murder She Wrote. What was that experience like?

KS: It was a great experience. We shot on the Universal lot and I was able to meet Angela Lansbury and her Husband….and, one thing I found out later is that Angela had apparently been checking me out, to see what kind of a character I was during set-ups before she introduced herself which I thought was sweet and funny, but again I had a great time. Angela is a true professional and a legend, I mean, I saw her again when she was touring around with a theatre production, you know, so many years later…that’s impressive to me.

KH: Yes, the lady indeed is an absolute treasure. But, another of your credits I wanted to ask you was advertised at the end of one of my favorite films The Sword and The Sorcerer, but it would take Albert Pyun another 30 years to finally give us Tales of an Ancient Empire?

KS: Well when we filmed initially we only shot part…like fifty percent of the movie so I knew it was going to take time for them to gather the rest of the film, which sometimes happens on independent productions, but I loved the role, I loved the script…but it was the first thing I was ever involved in where they ran out of money and had to shut down at the time. But I can see the ambition and how it was part of a much larger story, on a Lord of the Rings type of canvas, there would have been a bigger world on display had the budget been there, but my character was kind of a shady, jerk, womanizer…which was fun to play. But I know Albert has had a lot of health issues lately…and it’s been a while since we’ve spoken…but he was a great guy…I wish him all the best with the struggles he’s going through, being someone who has had debilitating health issues…I pray for him.

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KH: Tell us about your part in The Kings of Mykonos?

KS: Oh that was a great location, shooting on the sunny island of Mykonos. I played this American guy with a bad Italian accent who was very popular with the ladies (laughter)…it was just fun you know…we had a good time…a lot of laughs on the set. I know that film did really well, especially in your and in European regions. It came out on DVD over here, but sadly never got a theatrical release.

KH: I thought you were great in it…you have the comedic touch…which you did get a chance to showcase again in a little film called Meet the Spartans?

KS: I remember I had a meetings, and they were four hours apart in Hollywood, and 300 was screening, so with the time in between meetings, I went to a matinee and I thought, this is the perfect movie to spoof, so eventually when the part came around I jumped at it, playing the lieutenant to King Leonidas. It was great, there was the opportunity to improvise and in some cases they used those takes where we just riffing on each rather than what was scripted…the key to a good a parody is not just poking fun but presenting the futility of the situations sometimes…I know that I sound like a broken record but again…it was a lot of fun to do.

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KH: Did you ever consider spoofing Hercules in a similar fashion…’cause got your story. Hercules with a Shotgun. A retired Hercules has been stripped of his God-like strength because Zeus has been kicked out of Olympus by his wife for philandering constantly with mortal woman. Thus the son of Zeus is forced to take on a monstrous titan with nothing but a shotgun?

KS: Hey…get it funded and we’ll talk.

KH: No sweat…I’ll get the money in the bank and have my people call your people.

KS: Well I don’t have an agent any more so just get in touch with me.

KH: No worries…I’ll find someone to pick up the cheque and I’ll give you a bell.

KS: Sounds great.

KH: Well Kevin…been awesome to chat to you mate, I better let you get on ’cause I know the bases are loaded.

KS: Yeah I’m actually off to Oxford on Monday to finish up a documentary so…there’s always something going on. Your listens can of course keep up with it all on my official Facebook page and my official website: http://www.kevinsorbo.net/  , and thank you for the conversation Kent and a big G’day to all the folks there Down Under…a great place on this Earth.

KH: Best wishes with all you got going mate…an maybe we’ll catch you back in this neighborhood some day soon…?

KS: You sure will…take care.

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Peter Berg’s The Rundown

Dwayne Johnson is everywhere these days since his beautifully rendered CGI debut as the scorpion king way back when, but he’s just Dwayne Johnson now, without a Rock in sight in those above title credits. The Rundown, however, is an old enough film to to still feature his initial credit of Dwayne ‘The Rock’ Johnson and has to be my favourite feature film he has ever headlined, giving him an unbelievably fun, quite likeable character to play in his very own Indiana Jones movie that while I sometimes wish would have lead to a franchise, I also concede that half the film’s irresistible appeal is in its singularity: it’s there for a blast of a ninety minute slot and then runs off into the jungle again without overstaying it’s welcome.

Dwayne The Rock is Beck here, an infamous Miami bounty hunter with the discretion and decorum to call himself a ‘retrieval expert’, which sounds more palatable. He’s no less ruthless and efficient than your garden variety street bounty hunter though, as we see in a brutal opening brawl where he kicks the absolute fuck out of the entire Miami Dolphins starting lineup in a nightclub. After this fitting introduction, Beck is sent to the jungles of South America by his asshole mobster handler (a scene stealing Bill Lucking) to ‘retrieve’ the man’s wayward son, played by Sean William Scott in a performance so energetic that squirrels would have a tough time catching up. The lush Hawaiian scenery where they chose to film is a huge plus as Beck navigates a sweaty, corruption laced frontier town under the iron fisted, maniacal rule of tyrannical despot Hatcher, played by Christopher Walken in a performance so ‘out there’ that… well I can’t even compare it to an animal like Scott’s because Chris’s brand of energy is something all it’s own. Rock, Scott and local bar owner Rosario Dawson are forced to band together with the locals and take down Hatcher plus his army of bad dudes in a race to find some mysterious artifact (gato!) worth untold fortunes.

This is helmed by Peter Berg who, especially these days, has quite a knack for making action films about as fun as they can be, even within the constraints of a PG-13 rating found here. Beck’s mantra is to not use guns and he keeps this up as long as reason allows, but when there’s a literal western showdown he’s forced to take up arms and when he does… man the camera can barely keep up with the fluid choreography as otherworldly Scottish bush pilot Ewen Bremner eerily recites Dylan Thomas’s ‘Do not go gentle into that goodnight’ in the background with his indecipherable brogue like some demented Greek/Scottish chorus. Walken is an unbalanced, raving whack-job as Hatcher, it’s one of his most playful, exuberant villain turns in an extensive rogues gallery and he makes the most out of his screen time like a dog off the chain. This is just such a fun flick, not a serious bone in its body, a bawdy jungle romp with machete wielding mercenaries, horny baboons, indigenous Kung fu warriors, kinetically shot action set pieces, gorgeous scenery, buckets of deliciously lowbrow comedy, a blink and you’ll miss it Arnold Schwarzenegger cameo and more. Always a rocking great time.

-Nate Hill

*shirt not included by Kent Hill

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In 1986 Matthias Hues came to Hollywood without a shirt . . . or, little more than the shirt on his back. And it is without a shirt that he has built a career that continues to not only grow, but evolve. Like his predecessors, peers and the now emerging class of action stars, the mantra has really become adapt, or fade away. But really…it has always been that way.

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Shirtless in Hollywood charts its course through the movie world that is at once bright and shining, as well as being dark and loathsome. Matthias has seen the incredible heights and the deep, lonely valleys which await everyone looking to get their hands on a slice of the pie of stardom. Through it all he has remained grounded. Warmed by those whom he trusts, sharpened by those with whom he has shared the screen, and tested by fame and fate at each and every turn.

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Matthias’s book is compelling because it is not merely a tale of the glamorous life of a movie star. Instead it is a very human story for which his memoir’s title carries a double meaning. He came with little but the shirt on his back and then set about forging a career out of his physical gifts, to the point where esteemed action director Craig R. Baxley said, “If anyone is going to take their shirt off, it’s going to be Matthias.”

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He has thrived alongside resident action men like Dolph Lundgren, Ralf Moeller, and Alex Nevsky. He has been mistaken for Fabio and a star of a film he wasn’t even in (Die Hard). He is a real salt-of-the-earth kinda guy, that hasn’t let it all go to his head and hasn’t let it all come crashing down as the cinematic landscape changes.

Matthias is still an imposing figure, and it was a thrill to chat once again with a Hollywood idol who I think is going to have a great resurgence – if indeed the project that he discussed with me gets off the ground.  Still, as much as he has overcome, Hues is man of quiet satisfaction who has found that real paradise does not exist between ‘action’ and ‘cut’. This huge Liam Neeson fan has gifted us all with his incredible tale and take on a business that can chew you up and spit you out . . . but only if you let it.

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Shirt on, or shirt off, I think Matthias Hues is a legend . . . so kick back and join us as we take it all off and dive into the memoir of a grand gentleman of the old school who’ll still tell you, “I come in peace.”

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The Unsung Hero by Kent Hill

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It is always a delight indeed to sit down with the director of one of my favorite movies. Steve Carver (Big Bad Mama, Lone Wolf McQuade), acclaimed filmmaker and photographic artist extraordinaire has given us all, not only great cinema, but now his first book, Western Portraits: The Unsung Heroes & Villains of the Silver Screen (Edition Olms, 2019). Rendered in evocative tones reminiscent of Edward Sheriff Curtis’s immortal images, the stylized photographs in Western Portraits capture the allure and mystique of the Old West, complete with authentic costuming, weaponry and settings. Among the subjects who posed for the book are the popular actors Karl Malden, David Carradine, R. G. Armstrong, Stefanie Powers, L. Q. Jones, Denver Pyle and 77 others.

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From the epic feature film to the TV series and serial, this coffee table book puts the story of character actors and the significance of their memorable roles into an entertaining perspective. Appealing at once to lovers of classic cinema, Western history aficionados, writers, scholars and collectors of nostalgia and fine art photography, Western Portraits of Great Character Actors: The Unsung Heroes & Villains of the Silver Screen will awaken movie memories in people’s hearts while introducing others to the amazing work of these acting artists, serving as a record of the best of the Hollywood Western.

With collaborators C. Courtney Joyner – a writer whose first major output was a string of more than 25 movie screenplays beginning with The Offspring starring Vincent Price, and Prison directed by Renny Harlin. His novels include the new fantasy-adventure Nemo Rising and the Shotgun Western series, which have both been optioned for television – and Roger Corman – Legendary film director-producer – who contributed the foreword for Western Portraits alongside Joyner’s crafted series of insightful essays to accompany the photographs.

He learnt the art of story-boarding from the great Alfred Hitchcock, he learnt to make pasta with Sergio Leone, and has directed the man we remember as the American Ninja. Steve is so full of stories I hope his next book is definitely an autobiography, but in the meantime we have this glorious work to sit and marvel at. Some of the greatest character actors of all time (that have also been my guests, in the persons of Tim Thomerson and Fred Williamson) take center stage in a book the is the ultimate amalgamation of fine art and Hollywood yesteryear.

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Brooklyn native Steve Carver studied photography at the University of Buffalo and Washington University in St. Louis. He pursued a formal education in film-making at the American Film Institute’s Center for Advanced Film Studies, also participating in the Directors Guild of America’s apprenticeship program. Prolific motion picture producer Roger Corman hired Carver to direct four movies, including Big Bad Mama. Carver also directed American action star Chuck Norris in An Eye for an Eye and Lone Wolf McQuade.

Into the DEEP end with JONATHAN LAWRENCE by Kent Hill

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You should, dear listener, go away and read this article (SUNK) . . . before listening to this interview – simply for ‘those who came in late’ kinda reasons….

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Films like Lost in La Mancha, Jodorowsky’s Dune, Lost Soul, and The Death of Superman Lives have ostensibly created a new documentary genre that I simply have been devouring … the ‘unmaking of’ movies … great movies that were stillborn, or that died slow miserable deaths on the path to cinematic folklore. And we’ve all heard the film fiasco war stories . . . but not like this. This is the most intriguing because it is still, for the most part…shrouded in a heavy belt of foggy mystery….

The, or one of the embattled figures at the center of this mesmerizing cyclone is a man I’ve longed to chat with since reading the aforementioned article, Mr. Jonathan Lawrence. Now, to get the winter of our discontent outta the way up front, I was certain – beyond a shadow of a doubt – that talking about the ‘FISH’ movie, (as Jonathan enlightened me, or as fate would have it as the movie’s surrogate title) was the last thing he would want to do . . . . AGAIN!

So, while I was certainly keen to devote only a small portion of the conversation to my simmering curiosity (namely EMPIRES OF THE DEEP) – I was more interested to hear the story of the man who was a part of its ill-fated inception….

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In singularly one my most engrossing conversations I’ve ever had with a filmmaker – I have really wanted talk to ever since I read about a Chinese billionaire who woke up one day and decided he wanted to make a movie – with the whole story so feverishly well documented in the article back there at the beginning. . . and, Jonathan tells me he has been interviewed extensively for a possible documentary on the subject ……. fingers crossed!!! But, this conversation is not about that ‘FISH’ movie – instead it’s about the man behind it, also a candidate for one of the best lines I’ve heard …. “I know how to be dangerous, and get by.”

Enjoy…

STEVEN LAMBERT: From Reel to Real by Kent Hill

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Steven Lambert has crafted what is, the apotheosis of a war chest of cinematic tales, told in such a vivaciously detailed manor . . . you crave each and every page. It was staggering to read this man’s life and his journey from the neighborhoods of Brooklyn, to the Mount Olympus of the movies.

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Buckle up for what has to be the wildest tell-all, behind the scenes peek into movie history, bursting at the seams with an incredible life, never before told. A self-proclaimed “punk kid”, Lambert trained in the martial arts before becoming an in-demand stuntman in the final golden age of Hollywood, rising from glory to glory, working with and beside screen legends such as Arnold Schwarzenegger, Sylvester Stallone, Jean-Claude Van Damme, Harrison Ford, Al Pacino and James Woods.

Lambert relates such staggering exploits – putting his life on the line for death-defying stunts in films such as Remo Williams: The Adventure Begins, where he literally hung from the Statue of Liberty without a harness, doubling Sho Kosugi, the original screen ninja, in films such as Revenge of the Ninja and Ninja III: The Domination. He witnessed the meltdowns and bad behavior from Nicolas Cage and Sean Penn on Racing With the Moon while doubling Penn. And, last but not least, “THE TRUTH” behind the Gene LeBell and Steven Seagal showdown on the set of Out for Justice.

But it’s not just action stars on offer . . . no . . . film-making masters also feature: such as Steven Spielberg, James Cameron, Martin Scorsese, and Roland Emmerich – plus the infamous producers Menahem Golan and Yoram Globus of the infamous Cannon Group.

He’s heard and seen it all – from Chuck Norris to Charlton Heston. I personally could chat to Steve for days, but I’m honored to have been given the time I had, and was humbled to read his utterly absorbing tome that is so packed with awesomeness, you just gotta get out there and get it! From the Streets of Brooklyn, to the Halls of Hollywood – NOW!

(See link below)

GET STEVE’S BOOK HERE:

Eternity’s Music, Faint and Far: Nate’s Top Ten Time Travel Films

I love a good time travel film. There’s something so purely exciting about opening up your story’s narrative to the possibility, and once you do the potential is almost endless. From the mind stretching nature of paradoxically puzzling storylines to the sheer delight of seeing someone stranded in an era not their own and adjusting to the radical development, it’s a sub-genre that always has me first in line to buy tickets. Here are my personal top ten favourites:

10. Nicholas Meyer’s Time After Time

How’s this for a concept: H.G. Wells (Malcolm McDowell) chases Jack The Ripper (David Warner) around 1800’s London, through a time machine and all over 1970’s San Francisco. This is a brilliant little picture because as sensational as this high concept is, the filmmakers approach the story from a place of character and emotion rather than big style SciFi spectacle or action. McDowell plays Wells as a compassionate, non violent fellow while Warner’s Jack relishes in the ultra-violent nature of the time period. This is also the film where McDowell met Mary Steenburgen and shortly after they were married.

9. Rian Johnson’s Looper

Time travel gets monopolized by the mafia in this stunning futuristic tale that is so specifically high concept it requires a near constant expository voiceover from Joseph Gordon Levitt so we can keep up. Playing an assassin hunting his future self (Bruce Willis), this has a vaguely steam punk feel to it, an uncommonly intelligent and surprisingly emotional script as well as scene stealing work from Emily Blunt, Pierce Gagnon, Paul Dano and a scruffy Jeff Daniels.

8. Terry Gilliam’s Time Bandits

A young boy tags along on one hell of a epic adventure with a band of time travelling dwarves on the run from both the Devil (David Warner for the second time on this list, how nice) and God himself (Ralph Richardson). This is an exhilarating, lush example of what can be done with practical effects, from a giant walking out of the ocean to a Lego castle somewhere beyond time and space to a recreation of the Titanic. Not to mention the cast, which includes cameos from Gilliam’s Monty Python troupe regulars as well as Ian Holm, Shelley Duvall, Jim Broadbent and Sean Connery in several sly roles.

7. Robert Zemeckis’s Back To The Future

“Great Scott!!!!” Man, who doesn’t just love this film. It’s practically it’s own visual aesthetic these days, and spawned two fun sequels that couldn’t quite capture the enchantment found here. From scrappy antihero Marty McFly (Michael J. Fox) to demented genius Doc Brown (Christopher Lloyd) this just hits all the right notes and gets a little taboo in the process as we see what would happen if someone ended up in the past and got hit on by their own mom. Yikes!

6. The Spierig Brothers’s Predestination

The less you know about this tantalizing, twisty flick going in the better, except to know that it will fuck your mind into submission with its narrative. Ethan Hawke plays a rogue temporal agent who’s been pursuing a relentless terrorist through time since he can remember, and finally has a plan he think will work to end the chase. Featuring Noah ‘exposition in every other SciFi film’ Taylor and the sensational new talent Sarah Snook, this is not one to miss and you’ll need a few viewings to appreciate it fully .

5. Tony Scott’s Déjà Vu

Scott’s trademark visual aesthetic blesses this kinetic, elliptical story of secret FBI technology used by keen ATF agent Denzel Washington to find and stop a mad bomber (Jim Caviesel) who has already slaughtered hundreds in a riverboat explosion. Adam Goldberg and Val Kilmer are welcome as agency tech experts but the real heart of this film lies in Washington’s relationship to a survivor of the incidents (Paula Patton) and how that plays into the fascinating central premise that doesn’t start *out* as actual time travel but gradually becomes apparent.

4. Gregory Hoblit’s Frequency

A father son relationship is the beating heart of this tale of cop Jim Caviesel (again!) and his firefighter dad Dennis Quaid. They are able to communicate across a thirty year gulf of time and the barriers of death itself via a miraculous HAM radio and some pseudo science involving the aurora borealis. This provides an exciting, involving and heartbreaking dual experience as the son races to find ways to save his dad from several different grim fates and take down a nasty serial killer while he’s at it. This film has aged so well mostly due to the genuine emotion felt between the family including mom Elizabeth Mitchell. The yearning to escape perimeters of linear time and reconnect with passed loved ones is especially prescient for me nowadays days based on my own recent experiences and as such the film holds extra weight now. A classic.

3. James Cameron’s The Terminator

Artificial intelligence works out time travel for itself in Cameron’s ballistic gong show of an action classic that sees freedom fighter Michael Biehn, civilian turned survivor Linda Hamilton, homicidal cyborg Arnold Schwarzenegger and a few hundred short lived cops engaged in a bloody, brutal fight for the future. I picked this over the sequel because the notion of time travel in the saga overall feels freshest and most well worked out here, despite my love for T2 being just a smidge higher on the gauge. Perhaps it’s also because the excellent Biehn makes damn believable work of convincing us that he’s a weary, distraught soldier from a different era, and sells the concept with his beautiful performance.

2. John Maybury’s The Jacket

Hazy, experimental, haunting and atmospheric, this was not a critical hit and it’s chilly vibe is evidence of that, but beneath that there’s a heartfelt story of confused gulf war vet Jack Starks (Adrien Brody) trying to make sense of his shattered psyche while surviving a gnarly mental institution run by a madman with a god complex (Kris Kristofferson). Somewhere along the way he discovers he can jump through time and uses the phenomena to investigate his own death and prevent others from happening. Featuring a low key, emotional turn from Keira Knightley and fantastic supporting work from Daniel Craig, Kelly Lynch and Jennifer Jason Leigh, this is a harrowing psychological thriller that gradually reveals itself as a meditation on life, death and the realms in between.

1. Terry Gilliam’s Twelve Monkeys

Gilliam gets two on this list, lucky him! He deserves it though, this is a curious film with unbelievable production design, a deeply felt performance from Bruce Willis and one from Brad Pitt that kind of defies description and erases doubts of his immense talent from anyone’s mind. Willis is a convict sent back in time from a bleak future to discover how and why a deadly virus wiped out most of earth’s population and sent the rest into subterranean caves. It’s not the film you’d expect and the sad, eerie resolution at the end is something that will stick with you for a long time.

Once again thanks for reading! There’s many that didn’t make the list as it’s tough to just pick ten, but I’d love to hear some of your favourite time travel films!

-Nate Hill

GLORIOUS FURIOSITY: An Interview with Tamas Nadas by Kent Hill

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In this current climate where blockbusters saturate the public consciousness, it is encouraging indeed to see there is still an independent movement – and not only is it alive, but it is flourishing. One of the brightest stars in our indie cinematic heaven at the moment is the fiercely-driven man of many talents, Mr Tamas Nadas.

Tamas is a three-time world champion and eight-time European Champion – that on top of being a former US National Brazilian Ju-Jitsu Champion. In 2017, he won both a silver and bronze medal at the World Police & Fire Games (the second biggest tournament in the World after the summer Olympic Games). In 2018, he was inducted into the US Martial Arts Hall of Fame, and has since been developing projects for his production companies, Busy Day Productions and Dark Road Pictures

His production titled, FIERCE TARGET, is a lightning-paced, action extravaganza that tells the story of a rebel car thief who helps an imperiled 12-year-old girl. As their two worlds collide they are soon marked for death by a corrupt Senator, who orders his security team to conduct a ruthless campaign to erase them both from existence.

A cross between a couple of vintage offerings from ‘The Stath’ (The Transporter, Snatch), tossed into the blender with intense character driven, innovative, kick-ass action – well ladies and gentlemen – you have yourself all the makings of a bloody grand old time at the movies. Rounding out the luminous talents behind this finely crafted throwback to those beer, buddies and bad food action movie nights we have: Chloe Gunther Chung, Tamas Nadas (Millennium Bugs), Emilio Lavizzi (The Exchange), Bryan Hanna (Mega Shark vs Kolossus), Fabrice Sopoglian, Thom Mulligan (RoboWoman), Don Worley, and more. Written and directed by Emilio Lavizzi.

Tamas Nadas and Emilio Lavizzi both made the journey to the land of the free and the home of the brave for the same reason: to become actors. Meeting in California, they began this journey together, and the fruits of their labors are now pristine examples of how awesome a film can be if its makers are big on passion instead of budget. Fierce Target was written while Emilio lived in South of France. Inspiration lingered in the form of those machismo-dripping action/martial arts flicks that never shone like they did in the 80’s and ’90s. The fight choreography was made spartan, infusing the action with a gritty undercurrent.

Casual fans and aficionados alike of indie action goodness – I urge you most fervently to seek out, and above all enjoy, Fierce Target, and my chat with this kick-ass action-moviemaking maestro on the verge of glory…

FOR MORE VISIT:

https://www.facebook.com/FIERCE-TARGET-122459491923/

 

Walking with Titans by Kent Hill

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Alexander Nevsky – мой друг суперзвезда. What can I tell you? He is a dynamic performer with a physically commanding presence. He is a champion bodybuilder. He is a writer, director and producer whose films I find not only entertaining, but also made in a fashion which speaks to my love of the great action movies from the 80’s. 

[To listen to my previous chats with Alex on his films, click on these posters below]

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I could go on or simply type you out a list of this man’s accomplishments, but I’m not going to. Because you see, the work and work ethic of Alex Nevsky speaks for itself. He is an extraordinary gentlemen who by diligence, persistence and focus has not only emerged as a national treasure in his Russian homeland, but also as an international superstar with a rise to prominence that can only by compared to another superstar, and Alex’s mentor and friend, the Austrian Oak himself, Arnold Schwarzenegger.

And now the two, along with the legends of the Bodybuilder’s Olympian halls of honor, are featured together in the newest edition of:

3 More Reps: The Golden Age of Bodybuilding

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 Courtesy of Amazon:

Like pumping iron, it gives you an inside into the world of Joe Weider’s top bodybuilders and their training routines for the Mr. Olympia stage and their lives as bodybuilders in the golden age of bodybuilding. Enjoy first-hand interviews with Arnold Schwarzenegger and learn more about your other favorite golden age bodybuilders like Frank Zane, Franco Columbu or Mike Mentzer, Tom Platz to name just a few. Read about the humble beginnings of Joe and Ben Weider the godfathers of the Bodybuilding industry and the Mr. Olympia contests. The author George Snyder’s name is practically synonymous with the health and weight training industry. He has been an integral force in the world of bodybuilding. He is the creator of the training camp concept and is also an innovative and highly successful promoter, having conceived and created both the highly publicized and popular Miss Olympia Contest and the Galaxy Competitions the first two milestones for women in the fitness world. In 1990, Snyder impacted the industry with the publication of his Freestyle books.

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George Snyder and Mr. Universe Rick Wayne

These books outlined the tenants of a program Snyder has created and perfected for over 40 years. Snyder has published freestyle Methods in some of his earlier books and magazines as well as in his recent magazines over the past 30 years. Snyder has been an active force in the world of strength training and physical culture for most of his life. He opened his first health club in 1965 and was the first progressive gym owner to allow women to train at his club. He organized and held the first bodybuilding training camps in the early 1970s and today contains a series of fitness training camps geared for women and men. Over the years he has authored several books on physical fitness and a veritable library of popular magazines. Today he is involved in several books and magazine publishing ventures, contest promotions, plus new product and program development as it pertains to Freestyle. Snyder has republished 3 More Reps!

This book is a must-own for collectors, enthusiasts and certainly aficionados of this sport which sees the transformation of ordinary men into Earthly Gods. It is an arena that has forged many an international icon, of which, my buddy Alex is certainly now finding himself among such lofty company.

3 More Reps is another pinnacle that Alex as secured in his ascendancy as he continues to walk with the titans, both on and off the big screen. From being a very skinny kid before changing his life completely, becoming Mr. Universe and starting career in Hollywood, it remains important for Alex to promote natural drug free bodybuilding and continue to inspire others. Which he never fails to do.

So c’mon folks, check it out: https://www.amazon.com/Three-More-Reps-Bodybuilding-interviews/dp/109341488X

The Running Man

The Running Man is some silly ass shit, but it’s done with so much adorable enthusiasm, blinding 80’s neon and deafening ultra violence that it kinda wins you over. Plus it has one humdinger of a villain who, lets face it, gives the film most of its personality. Based on a Stephen King novel (albeit under his sheepish Bachman pseudonym), this takes place in one of those austere, glumly lit fascist hellscapes where there’s rubble everywhere, helicopters relentlessly thrum overhead and humanity has devolved to its worst. This is set in the year 2019 and although they undershot the level of depravity they imagined we’d sink to at this point, they sure as fuck weren’t far off the mark. Arnold Schwarzenegger stars as Ben Richards, a military man who is framed for heinous war crimes and forced to compete in the world’s most popular game show, a sadistic tournament called The Running Man where convicts are hunted down on live television by paid pro wrestler looking freak shows. This is all masterminded by an egotistical sociopath called Killian, played by real life former game show host Richard Dawson in what has to be one of the most inspired pieces of casting out there. It’s fun watching Ahnuld and slightly less athletic pal Yaphet Kotto get saddled with hilarious spandex onesies and shunted down a luge course from hell where they’re faced with such looming monsters as Subzero, Buzzsaw and Dynamo, who Arnie naturally begins dispatching in clever, gruesome ways followed by those obligatory one liners. It’s not a thoughtful film and the dystopian nightmare it establishes at the outset is never established on nor explored, mostly we just get sound, fury, profanity and extreme carnage as the game plays out about as loudly as any could get. The production design is so 80’s you could stick it in a time capsule, from dancing chicks with perms to synth music to Jesse Ventura himself in full roid-rage mode. Dawson is the soul of it all though and it wouldn’t be the same film without him, he steals the show as the ultimate evil ringmaster and has charisma that makes you laugh and want to knock his teeth down his throat in the same instance. Not the best of 80’s Arnie, but a fun, hectic ride through futuristic sci-fi.

-Nate Hill