“I was just on my way out!” Remembering Voyage of the Rock Aliens with Michael Berryman by Kent Hill

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For those who were there…we can all remember a time when cynicism was nowhere to be found regarding our cinematic adventuring. Even during the age which saw the birth of the event picture; there were still fertile grounds from which material, attempting to ride the coattails of popular genre could grow into something that was more an mere homage. Indeed, it may very well have been just another amalgam of concepts, already witnessed by inquisitive travelers on the beaten track; the low-budget, video store self-fillers that are now, in some cases lost to history. Still, these movies were crafted with charm, professionalism and good intentions. No one sets out to make a bad movie, and the giants of the industry, no matter their field of expertise, all played in the same sandbox at one time or another – a pit rich with invention, ripe with interpretation and deep with heart.

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So we come to the splendid curiosity which is: Voyage of the Rock Aliens – which is at once a musical, comedy, adventure, romance which doesn’t scrimp on the flavors you know and love when it blitzes together, forming a cocktail of joyous absurdity.

In brief: A group of music loving aliens are traveling through the galaxy, exploring and researching different forms of life and rock ‘n’ roll. After their on-board A.I. robot companion, 1359 (voiced by none other than Peter Cullin) chills out to a music video, featuring one of the film’s main theme songs featuring star Pia Zadora and a character named Rain, played by Jermaine Jackson, who take on a band of biker-nun looking cats, only to end with Zadora leaving Jackson in the dust as she takes off on the horse she rode in on. (This completely bizarre segue almost gives the entire plot of the film away, but, since you probably haven’t seen it…you’re safe.)

The aliens decide to focus their attention on the planet Earth. Soon after entering our world they meet Dee Dee (Zadora) and her boyfriend Frankie (Nightbreed’s Craig Sheffer) and his band, The Pack. These cats are gang-bangers from the eighties trapped stylistically in the fifties, and there is no shortage of that era’s nostalgia which seems to blend easily with the techno-pop styling of the Rock Aliens…?

Mysteriously it all turns out well. Frankie doesn’t want his band singing without him, so it is odd that we never get to see how devastating a musical talent Frankie actually is “with” the band. He does however manage to snag  himself a solo, show-stopping number which shows us how much Frankie identifies with big cats (specifically a panther) – but I won’t spoil that one.

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It is a wild old tale, with all the talent and experience you could want both in front and behind the camera. For a film buried so deep in the 80’s VHS jungle, VOTRA had some impressive people working on it, for instance Director James Fargo had directed everyone from Chuck Norris (Forced Vengeance) to Clint Eastwood (Every which way but Loose); Gilbert Taylor was the director of photography on Star Wars and the film’s editor Malcolm Campbell worked with John Landis at the height of his powers. Yes everyone from Oscar winners (Ruth Gordon)  to horror film icons. That’s right, horror icons. The film stars the man who knows that the hills have eyes, Michael Berryman, as an escaping inmate from the Speelburgh State Hospital for the Criminally Insane. Simply known as Chainsaw, Berryman is an amazing screen presence with comedy, terror and a beautiful moment of tenderness at his command.

OKAY! So, if I haven’t tantalized your taste buds sufficiently to want to go and check this baby out, we have Chainsaw himself, Michael Berryman, who kindly offered me a fistful of remembrances of a movie I believe should be a cinematic audience sing-along spectacular of Rocky Horror proportions.

Some will look upon Rock Aliens as everything that was wrong with the eighties. But, instead of counting cinema sins why not, I challenge you, to embrace the warmth by the vintage hearth in which burns this vibrant flame, the quintessence of what our innocent youth saw as an excellent adventure…well before the music of Wyld Stallyns aligned the planets in universal harmony.

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KH: First allow me to thank you sir. It is gracious indeed for such an iconic performer of your calibre to grant us your time.

MB: A pleasure…

KH: So, you were once an inmate at the SPEELBERGH STATE HOSPITAL FOR THE CRIMINALLY INSANE?

MB: Yes, I was a patient at Speelbergh State Hospital for the Criminally Insane.  I had been a wood-cutter and chainsaw expert for many years before this film. Nobody knew this until I spoke up when I am to saw around one of the aliens. There was a 4×8 sheet of sheetrock between me and the other actor. He was to stand still while a real chainsaw cut around him.  I was asked to perform this feet. I refused. I told my director that if the actor moved, he could be fatally harmed. I asked that we use a green screen. The actor was ok with a chainsaw cutting around him through plasterboard. No way was I going to do this. So, they had a grip/prop manager do the sawing. Now I watched as he assembled a 4 cubic inch chainsaw and as he prepared to start the engine, I told him: ‘Do not pull the lanyard. If you do, the chain will jump from the bar, wrap around your wrist and sever your hand…you have put the chain on backwards!’ He then asked me to fix this mess. I secured the chain and wished him good luck as I walked over to the camera to witness an amazingly dangerous stunt. It was successful and we moved on.

KH: If you can recall, what did you think of Edward Gold’s script when you first read it?

MB: Edward Gold wrote a script that was, in my observation, a straight forward comedy/musical. I read it and found the references to E.T. and such to be ‘tongue-in-cheek’ humor. This film was designed to entertain, help you laugh, and the entire family could enjoy a great experience.

KH: You were just on your way out. I have had the privilege of having a former co-star of yours as a guest, Vernon Wells. When I spoke to Vernon, we talked about how (for a time) he hated the fact that he was type-cast. When Voyage of the Rock Aliens came along and you were tapped for the role of Chainsaw, were you content to play the part knowing you were perhaps cast as Vernon had been to be merely an incarnation of former characters?

MB: I was unaware of Vernon’s type casting…however, since I was in ‘Cuckoo’s Nest’, it seemed to fit that I play Chainsaw. I found it to be fun.

KH: You pass beneath the window of Academy Award winner Ruth Gordon after a Schwarzenegger Commando-style shopping spree for guns and grenades and such with Wallace Merck’s Breather, did you get to meet or chill out with Ms. Gordon or any other members of the eclectic cast?

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MB: I found Ruth Gordon to be an honest and total professional actor. She had the moxy that she was known for. It was sweet to watch her as our sheriff.

KH: Tell us about your battle with the Lake Creature?

MB: The battle with the Lake creature was simple, as I had to cut his tip off and then bubbles emerged…sweet and child-like.

KH: In the midst of the music and mayhem, you have a rather poignant and touching scene with Alison La Placa’s Diane in which she helps you fix your beloved chainsaw. It is capped with a moment of smouldering intensity on your behalf when you say, “For me,” allowing her to be the one to fire up the chainsaw following her service?

MB: Alison was a delight to work with during that scene…we had a sweet time with it. Chainsaw moved on and he leaves his ‘Excalibur’ behind! The passage through the portal expressed a positive exchange with her character and mine. We both made the decision to have her fire up the saw and discover a new beginning for us both. She was joy to work with.

KH: Do you think Diane and Chainsaw lived happily ever after, there relationship evolved after the two of you went for that walk?

MB: Of course, Chainsaw and Diane lived happily…forever!!       

KH: If you have any fond remembrances of tales from production, what would they be?

MB: One day we were at Stone Mountain. Pia’s husband arrived in a Bentley and had her try on 2 different mink stoles…some people mumbled about this but I saw her and him to be in an honest exchange…it was no one’s business but their’s. I found Pia to be a true professional and hard worker. She had no attitude or ego to complicate the day’s work. I was pleased to watch her performance. The shoot was a delight in every way.

KH: Thank you Mr. Berryman. From this fan of yours and the gloriously, toe-tapping, insane splendour that is Voyage of the Rock Aliens…I thank you again.

MB: Kent…Great memories! …Stay safe.

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The Unsung Hero by Kent Hill

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It is always a delight indeed to sit down with the director of one of my favorite movies. Steve Carver (Big Bad Mama, Lone Wolf McQuade), acclaimed filmmaker and photographic artist extraordinaire has given us all, not only great cinema, but now his first book, Western Portraits: The Unsung Heroes & Villains of the Silver Screen (Edition Olms, 2019). Rendered in evocative tones reminiscent of Edward Sheriff Curtis’s immortal images, the stylized photographs in Western Portraits capture the allure and mystique of the Old West, complete with authentic costuming, weaponry and settings. Among the subjects who posed for the book are the popular actors Karl Malden, David Carradine, R. G. Armstrong, Stefanie Powers, L. Q. Jones, Denver Pyle and 77 others.

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From the epic feature film to the TV series and serial, this coffee table book puts the story of character actors and the significance of their memorable roles into an entertaining perspective. Appealing at once to lovers of classic cinema, Western history aficionados, writers, scholars and collectors of nostalgia and fine art photography, Western Portraits of Great Character Actors: The Unsung Heroes & Villains of the Silver Screen will awaken movie memories in people’s hearts while introducing others to the amazing work of these acting artists, serving as a record of the best of the Hollywood Western.

With collaborators C. Courtney Joyner – a writer whose first major output was a string of more than 25 movie screenplays beginning with The Offspring starring Vincent Price, and Prison directed by Renny Harlin. His novels include the new fantasy-adventure Nemo Rising and the Shotgun Western series, which have both been optioned for television – and Roger Corman – Legendary film director-producer – who contributed the foreword for Western Portraits alongside Joyner’s crafted series of insightful essays to accompany the photographs.

He learnt the art of story-boarding from the great Alfred Hitchcock, he learnt to make pasta with Sergio Leone, and has directed the man we remember as the American Ninja. Steve is so full of stories I hope his next book is definitely an autobiography, but in the meantime we have this glorious work to sit and marvel at. Some of the greatest character actors of all time (that have also been my guests, in the persons of Tim Thomerson and Fred Williamson) take center stage in a book the is the ultimate amalgamation of fine art and Hollywood yesteryear.

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Brooklyn native Steve Carver studied photography at the University of Buffalo and Washington University in St. Louis. He pursued a formal education in film-making at the American Film Institute’s Center for Advanced Film Studies, also participating in the Directors Guild of America’s apprenticeship program. Prolific motion picture producer Roger Corman hired Carver to direct four movies, including Big Bad Mama. Carver also directed American action star Chuck Norris in An Eye for an Eye and Lone Wolf McQuade.

STEVEN LAMBERT: From Reel to Real by Kent Hill

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Steven Lambert has crafted what is, the apotheosis of a war chest of cinematic tales, told in such a vivaciously detailed manor . . . you crave each and every page. It was staggering to read this man’s life and his journey from the neighborhoods of Brooklyn, to the Mount Olympus of the movies.

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Buckle up for what has to be the wildest tell-all, behind the scenes peek into movie history, bursting at the seams with an incredible life, never before told. A self-proclaimed “punk kid”, Lambert trained in the martial arts before becoming an in-demand stuntman in the final golden age of Hollywood, rising from glory to glory, working with and beside screen legends such as Arnold Schwarzenegger, Sylvester Stallone, Jean-Claude Van Damme, Harrison Ford, Al Pacino and James Woods.

Lambert relates such staggering exploits – putting his life on the line for death-defying stunts in films such as Remo Williams: The Adventure Begins, where he literally hung from the Statue of Liberty without a harness, doubling Sho Kosugi, the original screen ninja, in films such as Revenge of the Ninja and Ninja III: The Domination. He witnessed the meltdowns and bad behavior from Nicolas Cage and Sean Penn on Racing With the Moon while doubling Penn. And, last but not least, “THE TRUTH” behind the Gene LeBell and Steven Seagal showdown on the set of Out for Justice.

But it’s not just action stars on offer . . . no . . . film-making masters also feature: such as Steven Spielberg, James Cameron, Martin Scorsese, and Roland Emmerich – plus the infamous producers Menahem Golan and Yoram Globus of the infamous Cannon Group.

He’s heard and seen it all – from Chuck Norris to Charlton Heston. I personally could chat to Steve for days, but I’m honored to have been given the time I had, and was humbled to read his utterly absorbing tome that is so packed with awesomeness, you just gotta get out there and get it! From the Streets of Brooklyn, to the Halls of Hollywood – NOW!

(See link below)

GET STEVE’S BOOK HERE:

THE ‘SHOWDOWN’ TRIPLE FEATURE by Kent Hill

This film might not seem like a big deal to you. It could merely appear as another throwaway action flick on your regular streaming service – one that you glance at out of curiosity, and then move on. But I really loved SHOWDOWN IN MANILA, and here’s the reason why . . .

Once, a long time ago, in the age of wonder, they were these glorious palaces that we called, Video Stores. They were a veritable treasure trove for cineastes of all ages to come and get their movie-fix. They housed the cinema of the ages and best of all, there would be movies you could find there, that hadn’t played at a cinema near you.

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These were the titles that were made specifically for this new medium of VHS. Like the drive-in before it, these stores needed product. Thus a new genre was born, and it was called Straight-to-Video. What arose were glorious movies, some of which, sadly,  died along with their era. Awesome were the sci-fi, the horror, and specifically speaking now, the action movies that would appear on the shelves. And such action. Real, intense, dynamic and always in frequent supply. It was good versus evil in all its glory – the villains wore dark shades and the heroes carried big guns. So, it was while watching SHOWDOWN that I was hit by this wave of nostalgia, engulfed by memories of the golden age of home entertainment.

The plot of the film is simple. But isn’t that true of the best action flicks? The package is a beautiful cocktail of old and new, peppered with filmmakers wishing to deliver a splendid throwback, mixed with the stars that climbed to the dizzying heights of VHS stardom.

For those who know what I’m talking about, and even those that don’t, I say, go check out this little gem that is cut from the past, and at the same time, is polishing by the future. So, here now, I present a trio of interviews with the film’s stars Alexander Nevsky (The man on the rise), Matthias Hues (The action legend), and the man responsible for that important seed from which all great cinema grows, the script, Craig Hamman (the veteran screenwriter).

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Alexander Nevsky is a Russian bodybuilder, actor, writer, producer. His life changed when he saw Arnold Schwarzenegger in Pumping Iron and that spark would light the fire which continues to burn bright. In 1994 Nevsky graduated from State Academy of Management (Moscow). In 1999 he moved to California. He studied English at UCLA and acting at the Lee Strasberg Theatre Institute. He has risen from a bit-part-player to an international action star the cannot be ignored. With his imposing intensity, versatility and personal drive, Alex, I believe, is poised to enter the arena of formidable action superstars – its only a matter of when.

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Matthias Hues is a German-born actor and martial artist as well as being an action movie icon. He came to L.A. not knowing how to act or even speak English. The fateful moment would come when he joined Gold’s Gym and the establishment’s manager received a call from a producer who had just lost Jean-Claude Van Damme for his movie and needed a replacement. Matthias tested for the role, and he managed to convince the producers to give him the part despite having no prior acting experience. The movie, No Retreat, No Surrender 2, was a moderate success, but it opened the door. He is, of course, most recognized for Dark Angel, but has also played everything from a gladiator turned private investigator in Age of Treason to an aging hit-man in Finding Interest to a bumbling idiot trying to kidnap a rich kid in Alone in the Woods to a dancing lion tamer in Big Top Pee-wee. He’s even played a Klingon general in Star Trek VI: The Undiscovered Country.

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Craig Hamann came up alongside another young aspiring filmmaker whose work would go on to define a generation. When he and Quentin Tarantino embarked upon the journey to make their own movie, My Best Friend’s Birthday, there was no telling then, where the road would lead. Well we all know where Quentin ended up, but Craig too has enjoyed a long and prosperous career that has been anything but ordinary. He’s a writer, former actor, that has watched the industry ebb and flow. He’s directed Boogie Boys, had encounters with Demonic Toys and of course, of late, he’s been a part of an action-thriller in Manila. Craig has other projects in the works, and with the company he keeps, these efforts are, I’m sure, set to explode and entertain. Yet he remains a humble gentleman with a passion for his work and a dedication that has seen him endure as a great veteran of the movie business.

 

 

 

The Multi-talented Man of Action: An Interview with Jino Kang by Kent Hill

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Jino Kang, the gentle-spoken son of a Hapkido Grand Master, grew up in South Korea during the 60’s, a time when the influence of the Western world was just beginning to emerge. The Kang family immigrated to California in 70’s.

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Jino adapted quickly to a new language and culture, all the while following the traditions of his father. He opened his Martial Arts school in the 80’s (http://hapkidousa.com/http://hapkidousa.com/). Jino holds a seventh degree black belt in Hapkido and continues to teach in San Francisco.  He was inducted in to Master’s Hall of Fame in 2009.

Although Martial Arts is in Jino’s blood, he had another passion – filmmaking. He began by making movies with his friends in Junior High School, his early screen heroes were Kurosawa and his frequent leading man Toshiro Mifune. Studying at the College of Marin, Jino elevated his skills and appreciation for the craft of making movies.

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In 90’s, Jino starred in, directed and produced his first feature film, “Blade Warrior”, shot in glorious 16mm. Jino has since shot, produced, and acted in Fist 2 Fist aka Hand 2 Hand.  Fist 2 Fist won numerous awards and critically acclaimed as “belongs in the top end of the scale of Martial Arts films”. His new film, Fist 2 Fist 2: Weapon of Choice won “Action Film of the Year” at Action on Film International Film Festival in 2014. He is currently at work on new films including a short subject action series, Kid Fury, starring one of his pupils Timothy Mah.

His balletic style and approach to action cinema set him apart from the multitude of entries in the genre. I believe should he continue to embrace this as he grows in his ambition, we shall someday soon no doubt witness an action/martial arts spectacle the likes of which this world has never seen.

Our Lady of Lethal: An Interview with Cynthia Rothrock by Kent Hill

Cynthia Ann Christine Rothrock, is an American martial artist and actress who I first encountered in a little movie called Raging Thunder or No Retreat, No Surrender 2 (part of my beloved Seasonal Films Library). From there I followed her through the China O’Brian and Martial Law movies. It is fortuitous that she shares this triple martial arts action extravaganza with Don “The Dragon” Wilson; the pair having shared the screen in a number of Cynthia credits, including The Martial Arts Kid and its forthcoming sequel.

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Rothrock holds black belt rankings in seven styles of martial arts and was a high level competitor in martial arts before becoming an actress.

It was in her hometown in Northern California in 1983 where she was on the Ernie Reyes’ West Coast Martial Arts Demonstration Team. A Leading Asian Film production company, Golden Harvest, was searching, at this time, in Los Angeles for the next Bruce Lee. Rothrock’s forms and manoeuvres were observed at a demonstration by Golden Harvest and they signed a contract with Cynthia there and then. It was two years (1985) later that she made her first martial arts movie, Yes, Madam (or Police Assassins / In the Line of Duty Part 2) which also starred Michelle Yeoh. Proving to be a box office hit, Cynthia ended up staying in Hong Kong until 1988 doing seven films there.

Rothrock would go on to be one of a handful of western performers who achieved stardom in the Hong Kong film industry, before even achieving success in their own country. Producer Pierre David initiated Rothrock’s move to back to America, offering her a co-starring role with Chad McQueen in Martial Law, Rothrock’s first U.S. production. A ten year successful career in B-grade action movies would follow in movies such as: China O’Brien and China O’Brien 2, Guardian Angel, Honour & Glory, No Retreat, No Surrender 2 and Prince of the Sun amongst a roster of thirty films

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Rothrock appeared in the television film The Dukes of Hazzard: Reunion. She was also the inspiration for the video game character Sonya Blade from the game Mortal Kombat, though was given neither credit nor compensation. After the film Sci-Fighter, she retired from acting to teach martial arts at her studio in California. She made her comeback in 2012 with a role in the family film Santa’s Summer House, and in 2014, she starred in the action movie Mercenaries, (the all-female Expendables) alongside Kristanna Loken, Brigitte Nielsen, Vivica A. Fox and Zoë Bell directed by Chris Olen Ray.

Like her contemporaries of the genre, Cynthia is still going strong, busy with slate of movies either in the works or beginning production. She is dynamic, fearsome and as I’m sure Cynthia will tell you herself . . . she isn’t too old to quit kicking ass yet.

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Lunch with the Equalizer: A Conversation with Richard Norton by Kent Hill

Richard was a young lad from Melbourne, Australia plagued by asthma who loved martial arts.

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As he grew in skill, he would eventually catch the eye of the legendary Chuck Norris, who extended an invitation to the young Norton to come and train with him. It was while working as a celebrity bodyguard that he finally found his way round to the home of Norris, and from there he was offered a part in The Octagon as the masked ninja, Kyo.

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This would be the first of more than sixty screen appearances for the action film star, stuntman, stunt/fight coordinator/choreographer and martial arts trainer. He has worked on fights for “Stone Cold” Steve Austin, joined Suicide Squads, trained Scarlett Johansson  for the Manga turned motion picture Ghost in the Shell. He even braved the heat, dust and high-octane insanity on George Miller’s Fury Road.

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As a respected member of the martial arts community, Norton has remained close friends and has shared the screen with fellow industry luminaries such as Jackie Chan, Don “The Dragon”  Wilson and Cynthia Rothrock.

When I spoke with him, Richard was on his way to train the X-Men for another big screen outing, so there is no sign that the humble 67 year old from Melbourne is slowing down.

Richard Norton is a man who remembers well his origins and what it took to climb the mountain of success, upon which he stands, victorious. It was really cool to chat with him. I hope you’ll enjoy it.

So, here he is folks, the ‘real’ action man . . .  Richard Norton.

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