Tag Archives: evil dead

Fede Alvarez’s Evil Dead

As far as horror remakes go, you can do a lot, lot worse than Fede Alvarez’s 2013 version of Sam Raimi’s The Evil Dead. If this version and Raimi’s are to be viewed as different sides of the Evil Dead aesthetic, this would be the sober version, and Raimi’s the wasted one. The original trilogy of films were most decidedly horror, but they were raucous, silly, playful as all hell and had the kind of cheerfully sloppy, Schlock in the Box vibe of a horror comedy. Alvarez’s version sobers right up and has almost no instances of humour, save for a few quick moments. What it doesn’t lose an iota of, however, is the gut churning bodily harm inflicted on humans and deadites, this is one film that takes its violence seriously and thinks up some really interesting ways to fuck people up using hardware tools, kitchen appliances and that good ol’ rip snortin chainsaw. As long as you’re cool with that fact that the comedy elements have been ditched and the proceedings here, although no less grisly, are pretty stone-faced and grim. The troupe of ill fated folks who end up at the now iconic cabin in the woods are played by Jane Levy, Shiloh Fernandez, Lou Taylor Pucci and Jessica Lucas. Once the Necronomicon is read from, all manner of nastiness descends on them from the surrounding woods and evil starts to possess them and.. you know the drill. Although some unwelcome CGI is used when Levy’s Mia finds herself alone in the woods and molested by a tree, once we get back to the interior of the cabin the special effects have an intimate, visceral and realistic impact. Scenes involving a SawsAll and an exacto knife are memorable for their ability to make you squirm and hide your eyes, which is when you know your scenes are effective. Atmosphere is also key, and although we don’t get the tactile, grainy VHS vision of the forest and hidden army of smoke machines to create the setting, the cabin/forest here are still eerily realized, especially when they head to the basement where the intense prologue of the film happened, which further sets up the mood. It’s not in the vein of Raimi or even close to as good as his original classics, but they’ve put on a super creepy, spectacularly gory (that chainsaw massacre in the blood rain is an impressive showpiece) show that should please casual fans and franchise die-hards alike. Watch for a VIP cameo after the credits too.

-Nate

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The Day of Reckoning: An Interview with Andrew David Barker by Kent Hill

ANDY-11-of-31-small

Andrew David Barker was born in Derby, England in 1975. He grew up with a love of films and writing. I suppose this is a common thread among those of us who seek to express ourselves through these mediums. Hoping against hope that it will be either one or the other that strikes first – one or the other that shall propel us out of obscurity and into the stratosphere in which we are allowed to create for a living.

A-Reckoning

It was horror films (the Video Nasties), but also the bombastic, high concept and blockbuster works of the 80’s that further fueled the young Barker to carry on his quest. Spielberg, Lucas and Scorsese, but also Romero and Raimi fed him with images and blasted on the big screen the seemingly endless possibilities which lay in wait, destined to be unearthed by the daring dreamer.

Like all those that had come before, young Barker cut his teeth making short films and writing books and short stories – at times with friends. Then the time came – the time which calls to the fledgling auteurs and beckons them into the fray – time to put all accumulated knowledge to the test, and make that first film.

Thus A Reckoning was born. But through no fault of his own, young Barker was forced to sit by and see his film languish in obscurity. So, he took up the pen, and began to tell his stories on the printed page. Soon, he produced two fine works (see pictured above) and interest from the film industry power brokers soon came knocking.

Andrew is an eclectic storyteller whose visions are at once personal and profound. To talk to him about his journey, his influences and aspirations was a thrill. He is definitely a talent to watch, and, I for one, will be watching with great anticipation as to where his journey will take him next.

Sam Raimi’s Evil Dead 2: A Review by Nate Hill 

Sam Raimi’s Evil Dead 2 is similar to Robert Rodriguez’s Desperado in the sense that it takes what was already there, in this case Evil Dead, and tells the same story once again, simply smoothing out edges, ramping up certain areas, using more money than it had before and generally giving the story a tune up. It also gets quite a bit funnier than Evil Dead, which although schlocky was pretty much outright horror. The sequel emphasizes comedy far more, and is the more definitive of the two in terms of the franchise’s legacy. The story is more or less the same: Ash (the eternal Bruce Campbell) and a group of friends venture to that creepy, archetypal cabin in the woods and foolishly set loose a rambunctious horde of unholy demons, zombies, cackling fiends, rapey trees and a mountable deer head with a disconcerting case of the giggles. This marks the first time Ash donned his now iconic chainsaw hand and picked up that ol’ boom stick to give the nasties a good whupping. And whup he does, like the smooth talking badass that he is. I love the aesthetic in these films; the monsters all have a devilishly mischievous attitude that provides endless laughs, always trolling, taunting and teasing the poor victims. Nothing beats the sight of Ash’s severed hand flipping him off before it scuttles off into the corner like an angry facehugger. That’s one key element which the 2013 remake ditched: I liked what they did in terms of special effects, but the pissy humour wasn’t there, the decayed, sarcastic ADHD madness that I came to love so much was replaced by something far too grim and somber. Bad move. No, kids, this is the ultimate Evil Dead flick, the most complete and entertaining entry into a franchise that has influenced every facet of the horror genre for decades. Ash is now a household name, a beloved halloween costume, a celebrated pillar of pop culture and still one of the most enjoyable protagonist’s to spend time with, as we now get to see with Starz’s terrific Ash Vs. Evil Dead. The original Evil Dead spawned it all, but this baby turned the dial up past eleven, tossed on the buckets of gore and has more than earned it’s place both in our hearts, and horror infamy.