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Not your average Poe: An Audience with Jeffrey Combs by Kent Hill

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Once upon a midnight dreary, while I pondered, weak and weary, over Men at Work and why can’t they make a sequel. While I feasted on potato chips nearly napping, suddenly there came a rapping, turns out it was Herbert West a-rapping, at my chamber door.

I just want to go on the record and say there are a handful acting dynamos out there that have enjoyed long and industrious careers. But then, there’s Jeffrey Combs. If you’ll forgive the crassness of a STEP BROTHERS fan (and Jeff, I mean this as a compliment mate), Mr Combs is the f#@king Catalina Wine Mixer of genre/character/genius actors.  You need only to watch Sir Peter Jackson’s The Frighteners – nothing further your Honor.

Now I love RE-ANIMATOR, I love the RE-ANIMATOR fans, heck I have card-carrying diehards as friends, but I must confess I’m more of a fan of Jeff’s Cellar Dwelling, Fortressy, Robot Joxy, Doctor Mordridy type offerings – and don’t get me started on Honky Tonk Freeway – whole other show.

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But for right now let’s focus on NEVERMORE. The creators of the eleventh episode in the second season of Masters of Horror have brought their act to a literal theatre near you – but if you’re reading this outside of the US – sorry. Directing legend, Stuart Gordon (Space Truckers) and his (frequent) co-writer from “The Black Cat” Dennis Paoli (From Beyond) have created a vehicle which has brought to the stage a critically heralded experience that has delighted audiences for over a decade.

Hailed as “a landmark performance” by the L.A. Times, Combs has thrilled crowds across the country with his dynamic and revelatory portrayal of the legendary Poe.

This marks NEVERMORE’s Westchester County, NY, premiere, an event made extra special by the area’s bicentennial celebration of Washington Irving—a contemporary of Poe who was, from Poe’s perspective, also a rival. As Combs recalled in a recent River Journal article, “I don’t think they ever met. I take dark delight in pointing out that Poe doesn’t have very nice things to say about Irving. Specifically, about Irving’s penchant for always having a moral to his stories while Poe was often criticized for being without morals.”

SHIFF (The Sleepy Hollow Film Festival) celebrates the Hudson Valley’s wellspring of American history, of classic literature, and the continuing legacy of supernatural writings and cinematic works that it has inspired,” says festival co-founder Taylor White. “We’re excited to have NEVERMORE as part of the festival because it encapsulates so many of these ideas—not to mention it’s a fantastic show, at the perfect time of year, in the perfect venue. We can’t wait for the crowd to experience it!”

As Combs added in the River Journal, “Poe was truly one of America’s great writers. I’m honoured every time I step on stage and recite his beautiful words.”

SHIFF, a celebration of outstanding genre cinema in the cradle of the American supernatural, takes place in Sleepy Hollow and Tarrytown, NY, October 10-13, 2019.

Finally, Jeff Combs was an absolute pleasure to chat with, his personality is as vivacious and extraordinary as the multitude of characters he has brought to our screens. If we had more time I would have really delved a great deal deeper – but, never being one to turn down opportunity when he comes a-rapping at my chamber door, I could not in good conscience turn down the chance to talk with one of the world’s most original performers. He’s still batting a thousand, I hope you’ll enjoy…

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Created in a Deluge: The Rising of Waterworld by Kent Hill

The future. The polar ice caps have melted covering the earth with water. The Universal logo spins as we watch the world change as the camera descends, through the atmosphere, and eventually we find the ‘new world’ where those who have survived have adapted. We are now in Waterworld.

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Then Costner takes a whiz and, after a pass through his handy filtration system, drinks it. Regardless, it was at this point of the movie my Mother checked out. See, in Australia, the term getting on the piss is connected with getting together with mates and drinking an inordinate amounts of cold beers. But it is Waterworld that took the phrase to a whole new level.

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I was just about done with my high school years – and whilst on a family vacation – when I first saw Waterworld. And I came to it, as I often did in those days, as an innocent, in a time before the ice caps melted and a media torrent covered the globe. I had no concept of the vortex of negative press that Waterworld carried with it like a cargo hold full of dirt ready for the traders.cec78fc510ba16e5f3a175fe4471509ee3212963 It was, at that time, the largest theatre I’d been to. This rendered Kevin Reynolds’ epic feat of film-making monolithic in scale. Of course Waterworld really doesn’t need the big screen for you to witness just how incredible the production is. It’s, aside from a few computerized flourishes, real for real. The action, the set pieces – CGI wasn’t quite there yet – so this monumentally impressive picture carries the imposing span of the ocean, which is its stage, and the blinding brilliance of sun, pouring its radiance over this bold new vision of the post-apocalyptic future.

I’m sure by this point dear reader, that there are few that are not acquainted with this out and out classic. But for those for whom the picture is a stranger like Costner’s Mariner, sailing out of the horizon, then you have picked the right time to stop and check it out – the common courtesy extended when two drifters meet.0760137198383_p0_v1_s1200x630 From Arrow, the home of splendid re-release packages of some of the more famous/infamous cult classics of the age, comes the definitive, limited edition Blu-ray extravaganza that is the tale of the search for Dryland. Here at Water’s End you’ll find the three restored versions of the film, a loaded treasure trove of extras; the crown jewel being Maelstrom: The Odyssey of Waterworld, an enthralling documentary feature chronicling the birth, rise, fall and ultimately redemption of one of the truly awesome adventure movies in cinema history. It may be fortuitous that this release surfaces in the wake of another sea-going fantasy – the billion dollar triumph that is Aquaman. And while the DCEU’s latest opus is no Mad Max on water, they share the same enduring quality films of this type have in common. The world building is awe-inspiring, the joy experienced while watching them infectious and they both leave the stage set for voyages of astonishing proportions to be explored.

I love this movie. Think of me how you will. But Waterworld is outstanding in my book and I am thrilled, not only that this release exists, but that its supplementary material finally sets the record straight – as well as allowing fans and first-timers alike to really marvel at what it took to cover the earth with water and allow we, the movie-loving audience, to take a ride that you’ll never see made this way again. Such a magnificent event as this calls for an equally impressive effort on my behalf.

That being the case I have a trio of insightful interviews with my guests David J. Moore (co-author of the supplementary booklet), Daniel Griffith (the filmmaker behind the documentary I’ve waited for, Maelstrom: The Odyssey of Waterworld) and, get ready for it, the man without whom the film would not exist, the film’s creator and initial screenwriter, Peter Rader. So stretch out in your deck hammock with an extra-large cup of hydro and stare at the majesty of the horizon, where the land meets the sea and watch in wonder as Waterworld engulfs you in a wave of splendor; this Everest’s peak of action/adventure cinema you can’t help but sink into.

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David J. Moore has written articles for Fangoria, Filmfax, Ultra Violent, VideoScope, Lunchmeat, Flickering Myth, and L’Ecran Fantastique. Interviews he’s conducted can be found on OutlawVern.com. He has worked as a freelance film journalist, visiting movie sets around the world. His next book is called The Good, the Tough, and the Deadly: Action Stars and Their Movies, and it will be published in 2015. He lives in Rancho Cucamonga, California.

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Daniel Griffith has produced and directed more than 35 bonus feature productions, as well as five feature-length documentaries, including “LET THERE BE LIGHT: THE ODYSSEY OF DARK STAR” and “THE FLESH AND THE FURY: X-POSING TWINS OF EVIL”. He is also the documentarian for Shout! Factory’s “MYSTERY SCIENCE THEATER 3000” DVD boxed sets. Recently, he produced and directed the one hour documentary on the legacy of Rod Serling’s celebrated TV series, “THE TWILIGHT ZONE”, for CBS Films. Griffith won the 2012 Rondo Award for best DVD Bonus Feature for his biography on Universal B-movie actor, Rondo Hatton. He is the owner/founder of Ballyhoo Motion Pictures.

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Peter Rader is a director and writer, known for Waterworld (1995), The Last Legion (2007) and Grandmother’s House (1988).arrow-vid

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“God wants you on the floor.” : Remembering Hoosiers with Angelo Pizzo by Kent Hill

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It’s hard not to be romantic about the sports film. From classics like The Natural and Bull Durham to more modern efforts like The Blind Side and Moneyball. They range across all genres and all sports. Football (Rudy, Any Given Sunday), Golf (Tin Cup, The Legend of Bagger Vance), of course, Baseball (Field of Dreams, For Love of the Game) and in the case of Hoosiers, Basketball (Blue Chips, He Got Game). But Hoosiers, and I happen to share this sentiment, is one of the finer examples of the sports genre and is, for my money, the best basketball film ever made.

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Now, I use the term sports film very loosely. Yes all of the aforementioned contain the listed sports as part of their narratives. But, the games are not really what lies at the heart of these tales. The true centerpiece are themes like redemption, romance, the search for self, the search for acceptance – all these things within the characters either as player, coach, fan etc.

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So why do I think Hoosiers is the best example of this genre? Well, it’s simple. Hoosiers has all of these working within it. Comedy, romance, drama, redemption, the search for self, the search for acceptance. Okay, so it doesn’t have a crazed Bobby De Niro terrorizing any of the players to feed his grossly misguided obsession and distorted view of the world – but that doesn’t mean that it lacks thrilling, intense and impactful moments that keep you watching and ultimately cheering for the underdog, the little team that could. One could argue that this is a key ingredient in these kinds of films. A down-on-his-luck former golf pro, a disgruntled former player trying to manage a failing team, a boxer with all the odds stacked against him or a basketball team from a town in the middle on nowhere that couldn’t possibly take on the big schools and win.

Then there are the characters – all looking for second chances. Hackman’s coach, Hopper’s alcoholic father, Hershey’s teacher. They all have something to prove, something to gain from the victories the home team are accumulating. And, they are all masterful turns by each of the three principals. Indeed from all concerned with the production. None more so than that of first-time screenwriter and my guest Angelo Pizzo.

The man who was headed for a career in politics eventually ended up going to film school. After graduating, and spending sometime working in the arena of television, Angelo felt the need, at last, to make a film about a subject he was passionate about – basketball. And, being unable to find writer for the project . . . well . . . he decided to have a crack at it himself.

This wonderful film, under marvelous direction, David Anspaugh, from a great script with a stellar cast and punctuated by a phenomenal Jerry Goldsmith score is a small miracle that has, not unlike the team portrayed in its story, taken on the giants and carved out its place in cinema history.

If you haven’t seen Hoosiers, I urge you to do so. Don’t get caught watchin’ the paint dry…

It’s PAYBACK Time!: The Martial Arts Kid 2 Interviews by Kent Hill

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I have always been a fan of underdog stories. They hold for the viewer a message of hope that – should one’s fortitude and perseverance be fixed to the sticking place – then there is nothing that can’t be accomplished or overcome.

Having enjoyed the first installment of the Martial Arts Kid, as well as having a chance to chat with two of its legendary cast, Don “The Dragon” Wilson and Cynthia Rothrock, I was thrilled at the prospect that, not only would the story continue, but that I would have a chance to meet the players from this exciting second chapter.

Of course, it is obvious, that there are parallels to be drawn with John G. Avildsen’s iconic The Karate Kid. Still this is a story onto itself – a story of the discipline it takes to rise to the challenge, and ultimately find redemption in the wake of defeat.

The Martial Arts Kid 2: Payback sees the return of Wilson and Rothrock, headlining an all-star cast of Martial Arts professionals in a tale of courage and honor in the face of adversity. My guests include Producer, Dr. Robert Goldman and stars T.J. Storm, Matthew Ziff and Brandon Russell – all returning from the MAK. I’m certain this shall be another inspirational story, combined with the finest Martial Arts action, and featuring the real life champions of the various styles. A pleasure it was to talk to each of them, and more exciting, the anticipation of the release of the MAK 2. I trust you will enjoy my guest’s insights along with the movie . . . upon its release.

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{Courtesy of https://www.drbobgoldman.info/}

Dr. Goldman is a 6th degree Black Belt in Karate, Chinese weapons expert, and world champion athlete with over 20 world strength records and has been listed in the Guinness Book of World Records.  Some of his past performance records include 13,500 consecutive straight leg situps and 321 consecutive handstand pushups. Dr. Goldman was an All-College athlete in four sports, a three-time winner of the John F. Kennedy (JFK) Physical Fitness Award, was voted Athlete of the Year, was the recipient of the Champions Award and was inducted into the World Hall of Fame of Physical Fitness, as well as induction into numerous Martial Arts Hall of Fames in North America, Europe, South America and Asia.  He founded the International Sports Hall of Fame, recognizing the world’s greatest sports legends, with ceremonies held annually at the Arnold Schwarzenegger Sports Festival the largest sports festival in the world, with over 200,000 participants, 70+ sports represented and over 20,000 competing athletes, making it double the size of the Olympic Games.

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{Courtesy of https://www.martialartsentertainment.com/t-j-storm/}

In high school Storm was shy and started break-dancing as a way of trying to “fit in”. Dance quickly became T.J.’s passion and he would win over 200 dance competitions in the genres of hip hop and break-dancing. He received a dance scholarship and this paved the way for his move to Los Angeles and dancing in music videos. Dance was his passion, but it only provided him with enough money for rent and a diet of Ramen Noodles and Pop Tarts, with little left for anything else. Devoted to the martial arts, Storm often found himself stopping by and observing an outdoor Northern Shaolin class on his way home from work. Eventually Storm was approached by the teacher and he was asked to join class, allowing him to add the knowledge of Northern Shaolin to his others arts. Using his talents for dance and martial arts, T.J. began to pursue acting. He graduated from the Joanne Baron/D.W. Brown Acting Academy. While playing the role of Bayu on the television series, Conan The Adventurer, Storm developed the unique action style that he is known for. His brand of action is a combination of martial arts, acrobatic skill, comedic timing, and an almost balletic grace. Storm has since gone on to work with Jet Li, Sammo Hung, Sir Ben Kingsley, Michael Madsen, Kelly Hu, Cary-Hiroyuki Tagawa, Michelle Rodriquez, Neal McDonough and Kristanna Loken. T.J. Storm made motion captures for Captain Josh Stone and Dave Johnson in Resident Evil 5. He is known for his roles as Criag Marduk in the Tekken Series, and Strider Hiryu in Ultimate Marvel vs. Capcom 3. Soon you will hear T.J. Storm in the video game Battlefield Hardline (2015), and see him in The Gold Rush Boogie (2015), Jonny Flytrap (2015) Bullets Blades and Blood (2015), Boone: The Bounty Hunter 2014 and as Coach Laurent Kaine in The Martial Arts Kid (2014).

 

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{Courtesy of http://www.matthewziff.com/}

Matthew Ziff’s professional career started two months after he was born when he signed with the Wilhelmina Modeling Agency in New York. He has been featured in numerous print ads and campaigns including Glamour magazine. By age 10, due to his talent as well as his professionalism, not only was he considered a top child model, called upon constantly for magazines, clothes and toy boxes, as well as various commercials, he had already appeared in comedy skits on both the David Letterman and Conan O’Brien shows. During his high school years at The Blair Academy, Matthew kept active with acting classes, as well as performing in stage productions, not only as an actor, but also as a director. Once in college at the University of Miami, he signed with Stellar and Elite Talent agencies where he filmed multiple commercials and embarked more thoroughly on his film career. Matthew has worked in many genres in such films as Six Gun Savior (Eric Roberts, Martin Kove), Treachery (Michael Biehn, Sarah Butler, Jennifer Blanc), Hardflip (John Schneider, Randy Wayne), Online Abduction (Brooke Butler, David Chokachi), Mansion of Blood (Robert Picardo, Gary Busey), Safelight (Evan Peters, Juno Temple), Among Friends (Danielle Harris, Kane Hodder) and Searching for Bobby D (Paul Borghese, William DeMeo). In addition to acting, Matthew has his second degree Black Belt in Tae Kwon Do and has studied Hapkido as well as Kendo (swords). In July, 2012, he represented the USA in the International Quidditch Association’s Summer Games during the Olympic Torch Relay in England, where Team USA won the Gold medal. He is also a marksman with rifles and pistols and is a multi-instrumental musician specializing in guitar, bass and saxophone. Matthew has a Master’s of Science in Industrial Engineering from the University of Miami. He is a member of SAG, AFTRA, AEA and GIAA. He maintains homes in California, New York and Florida.

 

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{Courtesy of https://www.imdb.com/name/nm2182241/bio }

Brandon expressed an interest in acting at the age of 3 and by 5 was already a member of SAG. His biggest role to date was his lead role in the feature film, Smitty (2012), which was released in April 2012. Brandon plays the lead role of Ben Barrett and worked alongside: Peter Fonda, Mira Sorvino, Louis Gossett Jr., Lolita Davidovich, Jason London, and Booboo Stewart. Since filming Smitty, he has gone on to film supporting roles in Wiener Dog Nationals (2013) and The Martial Arts Kid (2015). He also had a lead role in the UPtv holiday movie, Beverly Hills Christmas (2015). Brandon has also been seen on Tosh.0 (2009), Supah Ninjas (2011), and Instant Mom (2013). Later, he portrayed Peter Michaels in Fishes ‘n Loaves: Heaven Sent (2016) alongside Patrick Muldoon and Dina Meyer.

 

 

“I didn’t want to be Mr. Werewolf.”: An Interview with Philippe Mora by Kent Hill

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Back when I was just new around here at PTS, I had the opportunity to interview Philippe on one of my favorite movies under his direction, The Return of Captain Invincible (which you’ll find here: https://podcastingthemsoftly.com/2016/10/08/what-the-world-needs-now-remembering-the-return-of-captain-invincible-with-philippe-mora-by-kent-hill/). Since then, I’ve wanted to sit down with one of my country’s truly unique artists, who has really done a little bit of everything.

Philippe was born in Paris, but after a long journey his parents ended up in Australia. With his multicultural background, surrounded by a cosmopolitan locale, as a young man I can image Philippe surrounded by inspiration.

As a man destined to make some truly wonderful films, he like us all who aspire to it, started by making short films and documentaries. Then he went and made a classic. He convinced the Easy Rider himself, the late, great Dennis Hopper, to go bush and take on the guise of one of Australia’s most colorful outlaws, Mad Dog Morgan.

What would permeate from that thrilling debut is an extraordinary, eclectic list of credits that has action, aliens, werewolves, and even Pterodactyl women.

Of late, Philippe has returned to the documentary scene, bringing us stories both powerful and confronting. He also, being a talented artist, has turned his hand to graphic novels like The ABC of the Holocaust and Monsieur Mayonnaise which you can check out here:

He is a gentleman and a scholar, as well as the maker of some great movies. He has rubbed shoulders with the top echelons in the both the arenas of art and cinema. And, he has what I consider the best spin on a Merchant/Ivory title for a comedic-horror film.

Here he is, my guest (again), the fun and the fascinating . . . Philippe Mora.