The most excellent tragedy of ROUTINES by Kent Hill

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It I believe is the low sinking fear that dwells in the pit of a comedian’s stomach, to die out there in the spotlight, to have each and every gag bring as much of a chuckle as the idea of an infant being suffocated by its own psychotic Mother. Like a potato in a hat, it doesn’t sit well with anyone but, there are those with something to say…whose audience just hasn’t been born yet.

So Domenic Migliore brings us his feature debut,ROUTINES, the story of the fall and fall of Bruce Mann (Michael Bugard), a solitary, tragic figure that uses his stage to scream a little…though it often falls on deaf ears. His spartan existence is then rejuvenated by the arrival of Darling Wednesday (Anita Nicole Brown). She becomes his muse, a vital spark, the link to life and love… stopping his slow spiral into the abyss.  Theirs is a star-crossed lover’s tale with a moment of finality like you have never seen. And, though it is the catalyst that sees Bruce resume is quest toward self-destruction, it is the Eden he goes to at his hour of grace.

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ROUTINES is a difficult film to write about. Not because of the film itself, but to talk about it in detail is to truly soil the experience of watching it unfold. Migilore exhibits his love of masters of Italian cinema alongside a strong Jarmusch infusion that plays in the smoky background like a jazz man high on the music. It is an immersive and emotional film, chronicling the slow internal decent of its front man, as he fights time with passive resistance against a slick and speedy modern world with which he has no connection.

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Some of this might read like a bummer man…but it ain’t. While ROUTINES isn’t a date movie or something you should watch while operating heavy machinery, it has a handcrafted feel, a quiet and beautiful melancholy. It is cinema as art, and just like Coppola said at the end of Hearts of Darkness: A Filmmaker’s Apocalypse; (and I’m paraphrasing here) it was his hope that one day some little girl on a farm in Kanas would make a film with her father’s little 8mm camcorder and become the next Mozart, and that the professionalism of film would disappear…and it would really become an art form.

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That is finally, how I feel about ROUTINES. A modern take on comedic tragedy stretched over a spare yet poignant canvas. It is possible to laugh one’s self to tears, but there are those who can meet with triumph and disaster, and who treat those two imposters just the same. ROUTINES carries these elements, and it is my profound hope that you will eventually have you chance to check it out.

Till that day comes, we have for you now the writer/director and his two accomplished leads for you listening pleasure…

MICHAEL BUGARD

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Michael attended university and studied philosophy and film theory at the University of Michigan and Eastern Michigan University before venturing into non profit fund raising and eventually business to business sales.
Curious to pursue his creative interests, Michael began with modeling for print ads for a clothing retailer and Detroit area photographers and movie background work. He moved on to doing stand-in and featured extra work. Being heavily featured as an elite Hunt Club client in Hostel: Part III (2011) gained him attention in the indie horror community.
Michael attended acting and improv workshops, and has acted in two award winning and other shorts, cable network TV, corporate training and promotional videos, TV and internet commercials, and several independent features. From background to talent, Michael has been on the sets of over three dozen productions, and specializes in sinister, scary, and eccentric roles.
In 2013 he stepped behind the lens to do his own photography when not on set. His work has been displayed at the Damned Exhibition in Detroit, published online, in newspapers, a publication by the US Fish and Wildlife Service, in a print magazine and on one cover, have been used by celebrities for their social media profile pictures (most recently for David J of 80s goth/alternative legends Bauhaus and Love and Rockets), one celebrity IMDb photo (Jeff Hatrix, aka “Jeffrey Nothing” of Mushroomhead), and unexpected places on the internet, such as the main photo for the Clu Gulager page on Wikipedia.
Michael was asked to write an article about horror film for issue X of Michigan Movie Magazine in 2011, which sparked his interest in writing for film. Drawing upon his nearly 30 year, personal exploration of film and theory, he added screenwriter to his list of artistic skills; the script for “The Russian Sleep Experiment” feature film, adapted from the wildly popular urban legend, is the first creative result of his generation long, cinematic investigation.
His next step in his evolution as a filmmaker is producing. He co-produced the mockumentary short, Behind the Scenes of Horrorcore Hotel (2014) and a music video for punk rock band Dead in 5, which featured Don Campbell (brother of Bruce Campbell), with more to come.

DOMENIC MIGLIORE

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Domenic Migliore grew up in the suburbs of Chicago, Illinois. At the age of 12, he started making home movies with his friends. At the age of 14, he started writing short screenplays. He entered several small writing contests and was a semi-finalist in some of them. At the age of 18, he attended Tribeca-Flashpoint Academy for film, but left early to enter a mentorship program where he met actor/writer/producer Tom Malloy. With Tom’s notes he completed the feature screenplay, “Sprawl”. The film was produced in 2011 (re-titled “Ashley”), it starred “America’s Next Top Model” winner Nicole Fox, “Two and a Half Men” star Jennifer Taylor, and Michael Madsen. The film is now available to stream (from Warner Bros. VOD) on Amazon Prime, iTunes, and Google Play. Domenic has directed 7 short films and 5 music videos. For his short “debeaked”, he received the “New Emerging Filmmaker” award at the 2013 Terror Film Festival in Philadelphia, Pennsylvania. His work has been featured on the horror anthologies “Faces of Snuff” and “Ted Bundy Had a Son”, compiled by filmmaker Shane Ryan. Domenic is also a photographer. His work has been displayed at the Los Angeles Center for Digital Art and the Black Box Gallery in Portland, Oregon. Domenic lives in Barrington, Illinois.

ANITA NICOLE BROWN

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Anita Nicole Brown is an aspiring actress who caught the acting bug late. Although cast in many independent films, Brown still considers herself aspiring because she feels that with acting (as with anything in life) one should always look to grow and learn more. And that is what she is doing. Coming late into the field, Brown feels she has been blessed with many life experiences that have prepared her for each and every character she has and will be cast in. She has played the gamut of characters that include an action fighter (Crisis Function and Crisis Function Awakening – still filming), a detective investigating corruption (Wages of Sin: Special Tactics – still filming), a jury member trying not to be swayed by her fellow jurors (12 Angry Women – still filming), a woman who discovers her boyfriend has been cheating on her (Pieces of David) and even a mother pushed to the edge (A Woman And A Gun)! But Brown has yet to accomplish her goal: Showing the world that a Type One Diabetic (T1D) can and will accomplish anything they desire and change the perception of diabetics in this industry. After almost 17 years as a T1D, Brown has overcome so much with her diabetes especially regaining the ability to walk after fighting diabetic nerve damage in her legs and feet almost nine years ago. And now, Brown wears her diabetes each and every day. Literally! She has an insulin pump and for some productions, the thought of having an actress with such a visible device for treatment has been a bit unnerving. But in the past few years, Brown has seen a change in which production companies are writing her character in as a diabetic who is strong and determined OR they allow the pump to be worn and shown without feeling the need to address it because it does not take away from Brown’s ability to deliver the character. It is a slow change but it is one Brown is excited about accomplishing! Look out world, Anita Nicole Brown has much more to show you!

WATCH ROUTINES ON TUBI NOW:

https://tubitv.com/movies/550660/routines

“But the ice is slippery”: Remembering THE SHADOW with Russell Mulcahy by Kent Hill

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What evil lurks in the hearts of men? . . . . The Shadow knows…!

Let’s go back to the heady days of Simon Wincer’s The Phantom, of Beatty’s Dick Tracy, Johnston’s Rocketeer, and my distinguished, returning guest’s The Shadow!

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Russell Mulcahy’s period stabilization, tour de force of film-making sees its time-honored source material come alive on the big screen…just as it exists on the panels on which it was born. Mulcahy’s Shadow predates the meticulous period recreations and universe building  of the modern era with its use of substance, flair, atmosphere and gorgeous little winks to the audience – or as it is more commonly known – fan service…

What makes a comic book film truly saw, is the fact that they shepherded  by master visualists, such as my honored guest. Russell’s fluid use of camera, lighting and mood-enhancing trip the light fantastic; working like the perfect partner in a duet with a phenomenal cast lead by Alec ‘in all his glory’ Baldwin, the breathlessly breathtaking Penelope Ann Miller and the most delightfully awesome assortment of some the finest character-actors ever to grace the silver screen such as, James Hong, Sir Ian McKellen and the sweetest transvestite of them all…the grand Tim Curry

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The sun is shining and the days are getting sweatier (here in the great southern land, at least), but we pause and are luxuriously seduced away on the musical carpet of Jerry Goldsmith, into a fantasy panel on a comic page crafted out of artistry and light. What evil lurks in the heart of men, come find out with your mate, my mate, our mate and legendary director Russell Mulcahy….

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“God wants you on the floor.” : Remembering Hoosiers with Angelo Pizzo by Kent Hill

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It’s hard not to be romantic about the sports film. From classics like The Natural and Bull Durham to more modern efforts like The Blind Side and Moneyball. They range across all genres and all sports. Football (Rudy, Any Given Sunday), Golf (Tin Cup, The Legend of Bagger Vance), of course, Baseball (Field of Dreams, For Love of the Game) and in the case of Hoosiers, Basketball (Blue Chips, He Got Game). But Hoosiers, and I happen to share this sentiment, is one of the finer examples of the sports genre and is, for my money, the best basketball film ever made.

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Now, I use the term sports film very loosely. Yes all of the aforementioned contain the listed sports as part of their narratives. But, the games are not really what lies at the heart of these tales. The true centerpiece are themes like redemption, romance, the search for self, the search for acceptance – all these things within the characters either as player, coach, fan etc.

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So why do I think Hoosiers is the best example of this genre? Well, it’s simple. Hoosiers has all of these working within it. Comedy, romance, drama, redemption, the search for self, the search for acceptance. Okay, so it doesn’t have a crazed Bobby De Niro terrorizing any of the players to feed his grossly misguided obsession and distorted view of the world – but that doesn’t mean that it lacks thrilling, intense and impactful moments that keep you watching and ultimately cheering for the underdog, the little team that could. One could argue that this is a key ingredient in these kinds of films. A down-on-his-luck former golf pro, a disgruntled former player trying to manage a failing team, a boxer with all the odds stacked against him or a basketball team from a town in the middle on nowhere that couldn’t possibly take on the big schools and win.

Then there are the characters – all looking for second chances. Hackman’s coach, Hopper’s alcoholic father, Hershey’s teacher. They all have something to prove, something to gain from the victories the home team are accumulating. And, they are all masterful turns by each of the three principals. Indeed from all concerned with the production. None more so than that of first-time screenwriter and my guest Angelo Pizzo.

The man who was headed for a career in politics eventually ended up going to film school. After graduating, and spending sometime working in the arena of television, Angelo felt the need, at last, to make a film about a subject he was passionate about – basketball. And, being unable to find writer for the project . . . well . . . he decided to have a crack at it himself.

This wonderful film, under marvelous direction, David Anspaugh, from a great script with a stellar cast and punctuated by a phenomenal Jerry Goldsmith score is a small miracle that has, not unlike the team portrayed in its story, taken on the giants and carved out its place in cinema history.

If you haven’t seen Hoosiers, I urge you to do so. Don’t get caught watchin’ the paint dry…

Into the OTHERWORLD : An Interview with RICHARD STANLEY by Kent Hill

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It’s always a fascinating experience to sit down with Richard. The man is such a natural storyteller, with a unique perspective relating not only to cinema, but also to the world around him.

We caught up this time in the midst of bad weather, a troubled connection and, last but not least, a turbulent time in Richard’s beloved Montsegur. While our conversation touched upon this, along with the whys and wherefores of the situation, we eventually turned to movies. At this time it had been documented that Richard was again a part of an attempt to bring Moreau back to the screen – as a TV series. Having been hired by the same people that fired him during the doomed journey of his initial attempt, there seems to be, thanks to David Gregory’s documentary, a renewed interest in Richard’s take on his long-suffering passion project.

I did also bring up The Otherworld, which I had finally seen at the time. Stanley’s absorbing documentary-slash-ghost-story, and the myths and misconceptions surrounding it and ‘The Zone’ which forms the backdrop. Richard is steeped in the history of Montsegur and, flavored with his supernatural encounters, it is indeed a tale of great intrigue.

Also to we touched on, and I must say I highly anticipate, the writing of Richard’s autobiography. A project that was going smoothly until it was insisted, and initially resisted by its author, that a chapter be included on the subject of the collapse of Richard’s vision of Moreau. As thrilling a read as it will be – like I said Richard is a fascinating character – it will be equally riveting to finally have a recounting of the story from the embattled man at the center of the controversy.

Still, the future is full of possibilities, and I for one wait with inordinate eagerness for any and all of Richard’s creative endeavors to finally emerge . . . in whatever form they shall take.

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