Stephen King’s Silver Bullet: A Review by Nate Hill 

Stephen King’s Silver Bullet is one of the most charming werewolf flicks in the stable, one that combines adult orientated, gory horror with the fable-esque, childlike sensibility that seems to permeate King’s work. It’s also quite funny, thanks to the presence of a boisterous, rotund and quite young Gary Busey. Young Marty (Corey Haim) lives in a sleepy little town where not much of anything happens, until a rash of brutal murders occur in the area. Attributed to a serial killer by townsfolk, Marty has other ideas, specifically that a werewolf has taken up residence among them, and is snatching victims in the night. Taken seriously only by his sister (Megan Follows) and kindly Uncle Red (Busey) he bravely stalks suspect number one, who happens to be the creepy town priest (an intimidating Everett Mcgill). Things escalate into a series of gooey, effects driven set pieces that drip with wonderful 80’s schlock and awe, as of course is the tradition with anything based on King’s work. Other notables include Terry O Quinn, Bill Smitrovitch, Lawrence Tierney, King’s own son Joe Wright, and late great character actor James Gammon in an opening sequence cameo. It’s not all that scary, but more about the beloved tropes of such stories as these, the timeless monsters that inhabit them, as well the the intrepid young heroes whose lives growing up and finding themselves equally as important and high stakes as the horror elements. 

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