The Cotton Club: A Review by Nate Hill

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Francis Ford Coppola’s The Cotton Club is every bit as dazzling, chaotic and decadent as one might imagine the roaring twenties would have been. it’s set in and revolves around the titular jazz club, conducting a boisterous, kaleidoscope study of the various dames, dapper gents, hoodlums, harlots and musicians who called it home. Among them are would be gangster Dixie Dwyer (a slick Richard Gere), Sandman Williams (Gregory Hines), a young Bumpy Johnson (Laurence Fishburne) and renowned psychopathic mobster Dutch Schultz (a ferocious James Remar). Coppola wisely ducks a routine plot line in favor of a helter skelter, raucous cascade of delirious partying, violence and steamy romance, a stylistic choice almost reminiscent of Robert Altman. Characters come and go, fight and feud, drink and dance and generally keep up the kind of manic  energy and pizazz that only the 20’s could sustain. The cast is positively stacked, so watch for appearances from Nicolas Case, Bob Hoskins, Diane Lane, John P. Ryan, James Russo, Fred Gwynne, Allen Garfield, Ed O Ross, Diane Venora, Woody Strode, Giancarlo Esposito, Bill Cobbs, Sofia Coppola and singer Tom Waits as Irving Stark, the club’s owner. It’s a messily woven tapestry of crime and excess held together by brief encounters, hot blooded conflict and that ever present jazz music which fuels the characters along with the perpetual haze of booze and cigarette smoke. Good times.

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