Taken: A Review by Nate Hill

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The Taken series has been done to death, memed out to glory and mined for market value a million times over since the first film came out way back in 2008, which has somewhat dimmed the charm of that original vehicle, at least for some of us. Like, how many times can Liam Neeson or his relatives be Taken before even they as characters realize that it couldn’t be happening and that they’re in a movie? Eventually the material unwittingly spoofs it’s origin in its need to repeat itself time and again. That’s not to say the first isn’t enjoyable on it’s own, in fact it’s quite the streamlined little dose of adrenaline that essentially coasts on some great pacing, neat choreography and the endlessly watchable Liam Neeson, whose career took a shot of nitrous to the heart after gamely stepping into the well worn shoes of the grizzled action hero. This was him nimbly ducking through the genre boundaries that his career was in up til that point, and the action thing fit him like a glove. The film is at its best when it follows Bryan Mills (Neeson) in action, which thankfully is most of the time. Mills is an ex CIA spook with some tactics that will seriously put a hurtin’ on you if you cross him in any way. A gaggle of moronic Bosnian human traffickers come under the receiving end of these tactics when they kidnap his vacationing daughter (Maggie Grace, looking suspiciously like she’s a decade older than her character is supposed to be) from Paris and auctioning her off to rich raghead perverts. This propels him into like an hour of non stop energetic ass kicking that is so fun to watch, as he shoots, stabs, sprains and splatters his way through hordes of eastern European cannon fodder, with not a second to spare for even the utterance of a any cheesy one liners. He’s assisted via Bluetooth by his three ex agency barbecue buddies (Jon Gries, Leland Orser and David Warshofsky) and has a few encounters with his jaded ex wife (Famke Janssen). And that’s about it, but Neeson sells the bare minimum as far as the genre goes with his effortless cool and stony, formidable stature that springs into startlingly spry motion every time he has to dispatch a new troupe of Slavic wise guys. If only they didn’t have to desecrate this little piece of lightning in a bottle with two sequels that dampen the momentum with cheap attempts at thrills, I may still feel strongly about this one as I did when it first came out. Hopefully they quit while they’re ahead, shirk the slimy dollar signs and let their first outing age in peace.

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