Out For Justice: A review by Nate Hill

  

As much of a goof as Steven Seagal is these days, he does have a few very solid and badass flicks from back in the day, the best of which is probably Out For Justice. There’s a whole pile of his flicks out there both new and old, and you have to know how to approach this particular minefield. There’s a bunch that are awesome (Under Siege, The Glimmer Man, Above The Law) and an even bigger bunch that stink to high hell (literally anything after 1999). You can’t go wrong with this one though. It’s a violent, nasty gut punch of criminal activity set on the very mean streets of NYC. Seagal is pathetic in the sense that he doesn’t even realize that every single film he does is stolen from under his very nose by the villain, both in terms of acting and character. I rent a Seagal flick not for Seagal, but for whatever grizzled character actor plays his nemesis, and here that slot is thoroughly rattled by a psychotic William Forsythe. Seagal plays NYC cop Gino, who is on the hunt for the killer of a childhood friend, perpetrated by unhinged lunatic Richie Madano (Forsythe), a maverick of a villain who constantly eludes Gino and plays a deadly, reckless game until he is finally caught up with. Forsythe is a juggernaut, whether trash talking his own henchman and kicking the shit out of them or taking road rage to a whole new level when he shoots a mouthy motorist in the head for looking at him the wrong way. He’s the homicidal life of the party here, and Seagal struggles to live up to his talent, which he can only do via his undeniable physicality. Gina Gershon has a sheepish, slutty bit as Richie’s sister, and watch for Jerry Orbach doing his thing as well. About as awesome a flick as you’ll find in Seagal’s career, and a total blast. 

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