Steven Soderbergh’s THE LIMEY is the epitome of a hard nosed genre film, fused from the late 1960’s to mid 1970’s films that rarely get made today. Sure, every once in a while we get a token film here or there, but few live up to the masterful craftsmanship of Steven Soderbergh.
The film’s tone is set instantly. The gravely voiceover by Terence Stamp that quickly cuts to him stoically sitting on an airplane with The Who’s THE SEEKER drowning out anything your mind is thinking about, forcing you quickly focus solely on the film.
Soderbergh, who’s career has taken a precise and taut trajectory, created something of an anomaly with this film. While he’s relied on the brilliance of Cliff Martinez scores, he never quite dabbled in the usage of popular music like he did with THE LIMEY.
THE SEEKER completely sets the tone, as well as the story instantly. Stamp is a man on his way into a bombastic suicide mission of finding the man or men responsible for the death of his daughter, and killing them and anyone who gets in his way.
As phenomenal as Stamp’s intro music is, Soderbergh one ups himself by using The Hollies KING MIDAS IN REVERSE to introduce us to one the coolest cinematic antagonists ever to be on film, Peter Fonda as the sleek, yet smarmy, Teddy Valentine.
Soderbergh’s casting is paramount in this revenge thriller. Along side Stamp and Fonda, are seminal actors from the era of the film’s kinship including Leslie Ann Warren, and Barry VANISHING POINT Newman.
The most fascinating aspect of the film is Sarah Flack’s editing. I’m not saying she’s Alan Heim, but she’s pretty damn close. The timeline jumping, fast paced editing is unlike any other film, and not only is it convenient as a plot device for foreshadowing, but it completely and utterly turns the film into a quick paced, nonstop clinic on not only filmmaking, but film editing.
THE LIMEY remains my favorite Soderbergh film, among a body of work that is made up of sheer quality and proficiency that can be comparabled to the works of Woody Allen. If anyone is studying filmmaking, in particular film editing, you need to watch ALL THAT JAZZ and THE LIMEY. On repeat.