Joss Whedon’s In Your Eyes: A Review by Nate Hill 

JOSS WHEDON ALERT
Now that I have your attention, let’s talk about In Your Eyes, a lovely little romantic/fantasy/drama written by the J Man, concerning a boy and girl who have shared a strange psychic bond over hundreds of miles since they were kids, despite never having met. 

  Its a slightly unconventional romance, a charming, breezy little piece that took me by surprise, having known nothing about it going in except Whedon’s involvment. It starts with his lovely script, laying down the bones for two adorable leads (Zoe Kazan and Michael Stahl David) to go to work. Dylan and Rebecca have never met. They live on opposite sides of the US, and lead considerably different lives. They would have nothing in common if it weren’t for an odd metaphysical connection. They can periodically (and often at inconvenient times) see into each others lives like a perceptive window, complete with senses like smell, taste and touch. When they are growing up its confusing and stunted, but I imagine it blossoms along with every other attribute, and suddenly they’ve discovered they’re not both crazy, and that there’s a real person on the other end of this bewitching mutual conduit. Soon they are communicating, much to the puzzlement of everyone else in their lives, who just observes them talking to themselves like loons. Romance isn’t far off, as we can well guess, and soon they are deeply in love in spite of their differences and the great gulf of distance between them. He’s a troubled fellow with a criminal past, a lenghthy RAP sheet and a nosy parole officer (Steve Harris). She’s a mild mannered, fragile girl married to a prissy control freak of a Doctor (Mark Fuerstein). Both of their lives are continuously disrupted by their relationship until they’re at the brink of crisis, and it seems the only way out is to find one a other in person. The almost supernatural aspect of their connection  is treated frankly, like more of a biological anomaly as opposed to ghostly gimmicks. It can be seen as Whedon exploring the nature of love in our world, finding “the one” who is always out there, somewhere, waiting. Or are they? The real hero is his incredibly down to earth script, an easy going, hilarious and poignant piece of writing. The cast is from all walks of Hollywood and includes Nikki Reed, Shameless’s Steve Howey, Richard Rhiele and a priceless cameo from Dirty Dancing’s Jennifer Grey, who is starting to look like a character from Desperate Housewives. Kazan and David are just the cutest, most earnest couple I’ve seen in a romantic film of late. She’s unsure, passionate and intuitive, he’s a scrappy patchwork teddy bear and together they’re perfect, capturing the essence of the relationship in a single very unique sex scene, nestled in with all of their “spiritual Skype” bonding, and eventual face to face meeting. Whedon loves his characters, right down to the bit parts and it shows. His writing is never short of sterling, and this one is another winner for him. 

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