“How did you find me?”
“I’m the man.”
When you strip away all the genre and sub-genre elements from Quentin Taraninto’s KILL BILL VOLUME 1, what lies beneath is a heart wrenching story of a woman seeking vengeance against a former lover who tried to kill her, her unborn child, and her fiance and the new life she constructed after she fled from him.
What we end up with, is the genius of Quentin Tarantino. This film is a full on culmination (obsession, even) of everything that is Quentin Tarantino. His obsession with actors, westerns, kung-fu, women’s feet, popular music; absolutely everything he loves is smeared all over the screen. A faceless David Carradine, a sly Michael Parks, the resurrection of Sonny Chiba, an iconically cool Michael Madsen are all acute aspects that support the greatness of this film.
Tarantino uses the camera to make love to his muse, Uma Thurman, constructing one of the fiercest alpha females to ever be on screen. She’s a woman on a one way mission. She is going to lay waste to everything her path, as she slowly crosses names off her hit list, until she gets to her former master and lover Bill.
KILL BILL is a lot of fun to watch – Tarantino’s homages from Sergio Leone to Brian De Palma, his love for all aspects of cinema is blatant. It’s not just that love for cinema that makes his films such an explosion, but it’s also his love for pop culture, comic books, and music that creates such a fertile pallet for his films to create themselves upon.
The short anime segment, explaining Lucy Liu’s background is supremely emotional! Perhaps even more emotional than most give it credit for. It’s heartbreaking! The beauty of Sonny Chiba crafting and passing his sword over to Uma Thurman so she can progress on her mission of vengeance; and one of the best action sequences in modern film that achieves it all without any explosions, monsters, or superheroes is an enormous cinematic feat.
This film really hits the mark on every level. Cinematography, stunts, editing, costume design, production design, sound design, original music by RZA; every single corner of every single frame of this film is fleshed out in full detail. It truly is a marvel to watch. At the core of this film, apart from all the sheen and the cinematic perfection, Tarantino delivers us his most heartfelt and emotional film to date.