Dario Argento’s Trauma: A Review by Nate Hill 

Dario Argento’s Trauma is simultaneously one of the most loopy and coherent efforts from the maestro. Most of his earlier work is pure sensory and atmospheric bliss, detached from things like logic and story. While this one does in fact have a discernable narrative to go along with its giallo splendor, it’s still as whacked out as anything else in his ouvre. This was the first of many times he would cast his exotic beauty of a daughter Asia in a lead role, here playing troubled Romanian teenager Aura Petrescu, on the run from dark forces that seem to plague her family. Her lunatic mother (a terrifying Piper Laurie) has her commited and examined by a freaky Doctor (Fredric Forrest in a glorious train wreck of a performance), meanwhile a mysterious serial killer called the headhunter is out there somewhere, decapitating people with a piano wire. It all gets a bit overwhelming for poor Aura, and she runs off, straight into the protective arms of an ex drug addict (Christopher Rydell) who becomes her guardian and eventual lover. Argento is terrific in the role, exuding dark beauty and burnished resilience in the face of many terrors. Brad Dourif has an intense extended cameo as a doctor with icky ties to the origin of the headhunter as well, adding a welcome bonus horror flavor. Also watch for another intense actor, James Russo, playing a police detective determined to nab the killer for good. As far as Dario’s stuff goes, this is about as complete and cohesive a narrative as you will find. Granted it’s not the garish psychedelia of classics like Suspiria, Phenomena and Inferno, but a little more subdued and clinical, a dark fairy tale that gets geniunly scary in several excellently staged scenes and provides loads of uneasy atmosphere. 

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