Paul Verhoeven’s Hollow Man: A Review by Nate Hill 

Paul Verhoeven’s Hollow Man is one of the most scummy, awful, overblown ridiculous shit masquerading as a movie that I’ve ever had the misfortune to see. It’s also entertaining on a level that suffocates you with unpleasantness and knowing stupidity at every turn. Verhoeven has taken what could have been a fascinating and suspenseful premise and turned it into a one note, bottom feeding genre pile of piss that is pretty hard to sit through. Scientifically inaccurate (not that that matters in this terrain) relentlessly unpleasant, super awkward and an all round disaster, it’s still pretty compelling to witness, like a school bus on fire. It’s a wreck to be sure, but there’s plenty of glee to be found, if you’re feeling masochistic. Kevin Bacon has laid down a path of many asshole characters over the years, but Dr. Sebastian Caine just takes the cake. He’s an egotistical, psycho sexual maniac in charge of an underground research lab, working on a brand new cheeseball formula to make the invisible man. He’s creepy and possessive with his girlfriend  (poor Elizabeth Shue) callous to his lab staff (Josh Brolin included, before his second coming, as well as Kim Dickens) and an all around jerk off. But that’s really nothing compared to what happens when the formula works, effectively turning him invisible, with a few nasty side effects. He goes from a nasty dude to an all out monster as he starts to arbitrarily prey and perv out on his co workers in their underground bunker, going full on Lon Chaney with a side of Ted Bundy in a grating performance that is a career sinkhole for Bacon. I read Ebert give golden praise to the special effects in a scene where he teansforms from visible to invisible, but i have no idea what he was smoking that day because they are an abysmal effort. Verhoeven always has a sort of knowing layer of hedonism blanketing his work, but this one takes it to a whole new level. Hey, at least there’s a cameo from the always welcome William Devane! The rest is just a vomitorium. There’s a sequel floating around out there with Christian Slater, I’m curious but have never have come across a copy. 

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