My Grandmother was the avid cinema-goer in our family. She passed her love of movies down to my Mother who in turn, passed it on to me. Another little boy who learned about the wonders of the movies from his Mother was Brett Leonard.
This love would grow, forging a filmmaker whose career that has been eclectic, but always on the cutting edge. The man who was once a killer clown from outer space, has in many ways been one the pioneers in the eventually, all-compassing integration of the digital age into the celluloid art form. With his ground-breaking work in The Lawnmower Man, Leonard has since been blazing a trail throughout the industry. His early concepts of combining virtual reality with the cinematic experience are still expanding, and his vision of where it is all going to go, is far from complete.
Yet I was fascinated with the journey this humble gentleman has taken. He has worked both independently and with the studios, he has directed some of the finest actors to grace the screen, he has bore the brunt of the dark politics that whirls below surface of the filmmaking process. Still, he manages to laugh it off and move on to the next project with an energy and optimism that has served him well.
I thrilled at the revelations Brett shared with me about his movies, which I admire greatly, but also about his personal adventures including something I was, I admit, grossly unaware of: he a spent a significant period of his life living and working here in Australia. To such an extent he even was labelled an Australian filmmaker by the local media. He said, in the great Down Under, he learned not only the true value of mateship, but also spent some of his most glorious days.
He was a pleasure to interview, a true gentleman, a fabulous filmmaker – ladies and gentlemen, I give you, Brett Leonard…