Tag Archives: Alicia Silverstone

Blast From The Past

Blast From The Past is an apt title indeed, since not a lot of folks seem to remember this brilliant, high concept farce from the late 90’s that should be basking in notoriety to this day. It’s so forgotten these days it could almost be considered a cult classic, but either way it’s pure cinema bliss. In the early 60’s,

an eccentric scientist (Christopher Walken, because who else) builds himself a swanky underground bomb shelter for himself and his pregnant wife (Sissy Spacey) to hide in, should the missile crisis become a reality. They head down there during a false alarm, a plane crashes into their property confirming his fears and they pretty much stay hunkered in for over 30 years, raising their baby into a full grown man (Brendan Fraser, the life of the party). Then they head back up, or at least Fraser does anyway, to a bustling San Fernando valley in the midst of the late 90’s, which is a culture shock and a half for his sunny 50’s mindset and impossibly naive outlook. It’s a terrific concept that’s milked for a full on laugh riot as he makes his way around the city with not a clue how to interact or carry himself. Falling in love with a classic valley girl (Alicia Silverstone, excellent) in a sweet romantic subplot that soon becomes the backbone of the story, seeing the ocean for the first time, and a few hilarious cultural misunderstandings (“A negro!” He exclaims, having never seen variety in colour beyond his two parents) are just a few of the well written, thought out jokes and set pieces he rambles to and fro in. Fraser makes it a performance of physical comedy, deadpan cheekiness and puts genuine sweetness into an arc that some actors may have interpreted just slick shtick. Walken is his kooky self, while there’s work from Dave Foley, Bruce Slotnick and a jarring cameo from young Nathan Fillion. Filled to the brim with laughs, heart and the kind of humour birthed organically from story, it’s a gem.

-Nate Hill

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Virtually Speaking: An Interview with Brett Leonard by Kent Hill

 

My Grandmother was the avid cinema-goer in our family. She passed her love of movies down to my Mother who in turn, passed it on to me. Another little boy who learned about the wonders of the movies from his Mother was Brett Leonard.

This love would grow, forging a filmmaker whose career that has been eclectic, but always on the cutting edge. The man who was once a killer clown from outer space, has in many ways been one the pioneers in the eventually, all-compassing integration of the digital age into the celluloid art form. With his ground-breaking work in The Lawnmower Man, Leonard has since been blazing a trail  throughout the industry. His early concepts of combining virtual reality with the cinematic experience are still expanding, and his vision of where it is all going to go, is far from complete.

Yet I was fascinated with the journey this humble gentleman has taken. He has worked both independently and with the studios, he has directed some of the finest actors to grace the screen, he has bore the brunt of the dark politics that whirls below surface of the filmmaking process. Still, he manages to laugh it off and move on to the next project with an energy and optimism that has served him well.

I thrilled at the revelations Brett shared with me about his movies, which I admire greatly, but also about his personal adventures including something I was, I admit, grossly unaware of: he a spent a significant period of his life living and working here in Australia. To such an extent he even was labelled an Australian filmmaker by the local media. He said, in the great Down Under, he learned not only the true value of mateship, but also spent some of his most glorious days.

He was a pleasure to interview, a true gentleman, a fabulous filmmaker – ladies and gentlemen, I give you, Brett Leonard…