Prisoner is a rough, disturbing little psychological thriller about a potential prison film, or rather the lonely location scouting sessions of controversial, much disliked Hollywood auteur director Derek Plato (Julian McMahon). He’s an arrogant prick of a dude whose newest film has him scouring abandoned penitentiaries for that perfect location. He’s alone, curiously, until all of a sudden… he’s not. Out of nowhere appears the mysterious Jailor (Elias Koteas), a frightening man who forcefully imprisons Plato, mentally berates him and forces the man to look back upon his long and quite unpleasant past in both the film industry and his disaster of a personal life, prodding him with intimate questions and accusations. This is essentially a chamber piece with the two actors being the only ones who appear in the present timeline, which is punctuated by hazy flashbacks to his life before. McMahon carries himself nicely, handling a well worn arc with charisma and giving off an authentically unlikeable vibe early on. Koteas is a beast of an actor and could scare the pants off of real life convicts, as such he steals the show with a brutal, galvanizing performance. Now, these types of films usually head towards conclusions we’ve seen before, and I won’t spoil anything except to say that although I was satisfied with the way the ending did rise up to meet the rest of the film, some won’t be and may find it cliched, but hey, that’s life. Nevertheless, it’s a taut little mind game by way of a character study, clocking in well under ninety minutes, a sleek little piece that leaves the viewer no time to lag or lolly-gag as it trundles along through it’s intense story beats. Cool stuff.