Second Nature is a low grade Bourne clone that benefits from two great actors in the lead roles. Slight, airy and inconsequential, it inhabits the clandestine corner reserved for middle-of-the-road espionage ventures neatly. Alec Baldwin plays a mysterious man who recovers from a plane crash that killed his family, left with heavy amnesia and confusion surrounding his past. When a shadowy agency bigwig (Powers Boothe) contacts him claiming he used to be an assassin for his outfit, he’s thrown back in the world of high profile contract killing, the world he came from, allegedly anyway. Nothing is as it seems though, and of course his boss turns out to be a bad dude, which gives Boothe a chance to ratchet up the intensity. The film is pretty much average throughout, until we find out Baldwin’s origins and arrive at a fairly thoughtful ending with some work put into storytelling, the first signs of a creative pulse in the film beyond garden variety plot twists. Baldwin is always great, whether on the protagonist’s or antagonist’s bench, and he sells the material well enough.