B Movie Glory: Hellions

It’s always frustrating when a horror flick ‘almost’ gets there, like it has a handful of real cool qualities that just sort of get buried by a heap of shitty cliches and and a middle section that drags like a chain. Hellions is such a film, a low budget, atmospheric shocker that I feel would have been better suited to a twenty minute short film format that the usual ninety minute time slot that feature horrors sit in. There’s just not enough of what’s there to go around and a lot of it ends up feeling thin and sort of stretched, like butter scraped over too much bread (seewhatididthere). The film focuses on a teenager (Chloe Rose) who is forced to fight through a Halloween night from hell when something takes over the town, something accompanied by a gauzy, unsettling mauve colour filter and an impressive original score filled with eerie hooting and wailing. Atmosphere is key here, there’s loads of it and they’ve done a fantastic job with it, to their credit. It’s just everything else that goes off the rails or doesn’t seem to fit: Chloe is hunted by weird little munchkins in Halloween costumes, there’s hellish intonations of a pregnancy gone wrong tied into the town’s plight, and a bunch of such mumbo jumbo, with a noisy climax that is only discernible as excessive commotion. Too much is too much, a pearl of wisdom these filmmakers could have heeded better. Grizzled veteran Robert Patrick helps her shoot her way out of the situation as the local Sheriff, a film always gets brownie points for simply having him there. It’s sad because what does work here, really works. The score is truly bone chilling, and the visual palette once dark forces show up is dreamy, unsettling and very creative. The opening shot of future Chloe walking up to the window of a maternity ward in a quiet panic, music on cue, is something incredible, and I wish the whole film could have followed suit. There just needed to be less running about, less chirping demonic midgets, less nonsensical hallucinatory gore, for as everyone knows, less is often more.

-Nate Hill

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