Stigmata

Stigmata is one of those thrillers with religious undertones that seems to avoid pesky, eye roll preaching by simply sticking to the horror aspects and providing a solid genre flick, without getting up in our faces with it’s message or feeling lame (see Roman Polanski’s The Ninth Gate and Peter Hyams End Of Days for other ones that achieve this). This one is religious in the sense that it has to be for it’s plot to move along (just look at the title) but essentially it’s part atmospheric spook-fest and part chase film, both of which it does fairly well. Patricia Arquette, in full damsel in distress mode, plays Frankie, a girl whose last priority in life is religion, but suddenly finds herself afflicted with the stigmata, mysterious self-manifesting crucifixion wounds that show up without warning, ruining bedsheets and couches alike. The Vatican soon gets wind of this and dispatches priest investigator Kiernan (Gabriel Byrne) to debunk or research her case. Something about her her soon has shattering implications for not just Catholicism but faith as a whole, and suddenly they’re on the run from a nasty villain priest (Jonathan Pryce) whose ideology is seriously cornered by these new revelations. When Pryce plays a bad guy in your film (see Ronin and The Brothers Grimm) you know he’s going to go all out, arch it up and be a grandiose piss-ant of an antagonist, his ‘priest’ here is so vibrantly evil he seems to have walked over from a Dario Argento flick. There’s a more compassionate man of faith too (Rade Serbedzija) who has a better grasp on the new theology, which he lays down in expository patience so the audience has an inkling of what’s at stake. Byrne and Arquette actually have some terrific chemistry and romantic yearnings, but sucks for them with him being a priest and all. You can do far far worse with thrillers like this, it really sets up a hellish urban atmosphere neatly and diligently tells a pretty cool story.

-Nate Hill

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