Indie Gems: The Art Of The Steal

I’ve reviewed The Art Of The Steal before, but it constantly kills me how underrated this banging heist comedy is, so here goes again. Imagine a wickedly funny, smartly written all star art thievery caper starring Kurt Russell, Matt Dillon and a host of others at the top of their game and you’ll have some idea. It’s strange that it’s so unheard of with this pedigree of actors involved, but it’s a joint Canadian production so that may have had an effect on marketing, or lack thereof. In any case, it’s the funniest, smartest heist flick since Ocean’s Eleven, and maybe tops it too. Russell is Crunch Calhoun, an Evel Kneval type ruffian who moonlights as a driver for a crew of fine art pilferers he leads. He’s hard up for cash and fresh out of a stretch in polish jail after his brother and second command Nicky (Matt Dillon, sleazy as ever) rats him out as a fall guy. Now back in Canada, he reluctantly agrees to work with brother dearest, as well as his old crew, for one last job, the theft of an obscure gospel manuscript. Their plan involves swerves, dekes, double-crosses, cons, conniving, hysterical fuck ups, roper dopes and double entendres, so much so that one marvels all that’s in this goody bag of a narrative can fit into a ninety minute film, a testament to both editing and direction. Crunch’s crew is is a roll call of varied talent, including twitchy rookie Jay Baruchel, wily old dog Paddy (Kenneth Welsh), Crunch’s sexy wife (Kathryn Winnick) and their flamboyant French forger (Chris Diamantopoulos). The real treat is Terence Stamp as a weary ex thief working with an Interpol snot-rag (Jason Jones) to lift time off his sentence. Stamp doesn’t show up too often in films these days but he’s comic gold here and has a surprisingly touching bit that brings a bit of reverence and gravity to the world of grand-theft-art amidst the mostly madcap tone. It’s sad that films like this don’t get a theatrical run anymore these days, because they end up on Netflix or wherever and the only way they get mass exposure is through word of mouth, chance or crazed cinephiliac zealots like me shamelessly plugging them on blogs. So go fucking watch it..now.

-Nate Hill

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