The Farrelly Brothers Dumb & Dumber To

I might catch some royal shit for this, but I loved Dumb & Dumber To, the Farrelly Brother’s decade’s later follow up to pretty much one of the best comedies of all time. It’s different; meaner, raunchier, a tad more meta and way less down to earth than its predecessor, it seems to be almost universally projectile vomited upon by critics and loyal fans alike. Fuck em if they can’t take a joke, because there’s no arguing that this one isn’t funny. In bad taste? Sure, but so was the original in its own 90’s way. Less charming? Maybe, but suck it up. Discontinuous to the nature of the leads in the original? Granted,

but it’s been like twenty years and the filmmakers/actors have changed as artists. Bereft entirely of valuable, effective humour? Not a chance. Just be thankful we got something to erase the pungent memory of Dumb & Dumberer, a prequel wholly undeserving of the legacy’s name. Jim Carrey and Jeff Daniels are a little older and a little more leathery, but they’re still Harry and Lloyd, the two dim witted pioneers of mid 99’s gross out humour and buddy comedy shtick, resurrected for a brand new adventure. After a prologue where Harry rescues Lloyd from a care facility (that catheter is a wince moment), they’re off to find Harry’s daughter (Rachel Melvin) who he spawned with the notorious Freida Feltcher, brought to life by none other than Kathleen Turner in full hoe mode, she’s a face I haven’t seen in movies for years. There’s a half baked crime melodrama unfolding around them just like in the first one, and just like then, they’re too dumb to get what’s going on, a running joke that villains Laurie Holden and Rob Riggle (doing a double shift) carry amiably enough, but they’re no Joe Mental or Nicholas Andre, let’s be real. The highlight for me was when Harry and Lloyd bumble their way onstage at a TED Talk-esque (updating set pieces for a new millennium) as judges, and hurl moronic criticism at every invention that graces the desk. It’s not the same as the original but it’s been years, after all. The Farrelly’s have always been about distasteful, raunchy, whacked out humour that aims low and beats the laughs out of you, which is exactly what I found to be on display here. Vastly undervalued.

-Nate Hill

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