William Monahan’s Mojave

William Monahan‘s Mojave is garbage dressed up in hopeful noir tropes, a flick that could go either way when you see the promising trailer, but ultimately ends up as the little movie that tried, and failed pretty darn bad. What works, or at least helps it limp through its extremely violent final act, is a performance from Oscar Isaac that’s a lot of fun, if never exposited very well. It’s like The Shining by way of The Dark Half but with less King and more paradoxically muddled pseudo supernatural desert pulp, which admittedly sounds great when I write it like that but really is just repetitive and frustrating. Garrett Hedlund does a moody turn as a morally twisted Hollywood screenwriter who is ready to punch his own ticket. On a spontaneous solo trip out into the desert, he meets a mysterious, sinister weirdo (Isaac) who causes nothing but trouble and chaos from the moment he enters the narrative. Latching onto Hedlund, he follows him back to the city, makes his life hell and they slowly play a circular game of cat and mouse that the filmmakers don’t quite realize is only their own narrative circling the drain from being too exhausted and deliberately oblique. Walton Goggins shows up as a sleazy Hollywood figure and Mark Wahlberg has an amusing cameo as a producer, but it’s mostly Isaac growling out dark, nonsensical platitudes and not making much sense, despite being pretty entertaining in his efforts and putting in good villain work. Parts of this seem to have come from a better movie where… I dunno, where things actually make sense, but the way everything is organized and presented here is one big shitty head scratcher, and misses the dartboard overall. Pass.

-Nate Hill

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