Damien Lee’s Sacrifice

An attempt was made with Damien Lee’s Sacrifice, but the efforts result in a weird, tonally bonkers slog through low rent noir that has you wondering what just happened. It’s one in a long series of Cuba Gooding Jr. cheapies and although definitely not the worst (Hardwired with him and Val Kilmer proudly holds that title) it falls short of being something coherent or memorable.

Gooding plays a tough but damaged undercover Narc in Toronto’s criminal netherworld, a good man with a dark past who seems to attract danger and bad luck. When a young defector (Devon Bostick) of the city’s nastiest heroin smuggling rig leaves his five year old sister in his care while he tries to put things right with dangerous employers, Gooding’s reflexes and morality are put to the test, and old memories of his own wife and kid are dredged up. Christian Slater plays a priest buddy, one of those men of the cloth who isn’t above picking up heavy artillery and capping a few bad guys when needs must, which is about all the actor gets to do here, but it’s a good scene worth sticking it through some muck for. Kim Coates eases into well travelled villain waters as the kingpin of the drug ring, who has a curiously well developed romantic subplot with the madam of a whorehouse (Laura Daans) he owns. Coates and Daans show up together markedly often if you follow such patterns (nerd alert on my part) and the two have chemistry but their scenes here, although good, are out of place and seem to be blueprints for a sequel to another Damien Lee film they both starred in, which I’ll get to in my next review.

Lee does mostly indie dramas and low key art house stuff, sensibilities which show up here in abundance. But when you’re hired to direct a cop/crime flick with Cuba Gooding Jr and Slater it may be pertinent to stick to well worn tropes and an appropriate tone, the dramatic aspects sort of slow the whole thing down and make it feel weirdly paced. Still, the performances are there, the story is clear and it’s entertaining enough. Oh, and it’s nice to see a film that’s not only shot but *legit set* in a Canadian city for once.

-Nate Hill

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