A dark angel android desperately seeking longer life. A spectral hitchhiker hell bent on homicide. Both Dracula and Van Helsing at different points in his career. A rogue cop stalking an alien beast through futuristic London. The CEO of Wayne Enterprises. A psychotic drifter who drives a wedge between a married couple. A blind Nam vet with a deadly samurai sword. A rogue medieval warrior put under a magic spell. A ruthless European terrorist waging war against an entire city. A hobo with a shotgun. Rutger Hauer has passed away, and leaves behind him a legacy of incredible work over a decades long career that has firm and lasting roots in the horror, action and science fiction genres. With a rough hewn, elemental figure, a honey soaked purr of a voice and electric eyes, the guy practically radiated originality, never one to rush a line, hurry a glance or let his gaze move too quickly.
A native of The Netherlands, Hauer got his start in Dutch television during the 70’s, until a lasting friendship with director Paul Verhoeven led to his casting in the director’s Middle Ages romp Flesh + Blood alongside Jennifer Jason Leigh. From there the rest of the world saw this man’s immense talent and he found himself taking part in Richard Donner’s Ladyhawke, Sylvester Stallone’s Nighthawks, Nicolas Roeg’s Eureka, Sam Pekinpah’s The Osterman Weekend, Albert Pyun’s Omega Doom, Phillip Noyce’s Blind Fury, Buffy The Vampire Slayer, George Clooney’s Confessions Of A Dangerous Mind, Christopher Nolan’s Batman Begins, Robert Rodriguez’s Sin City and so many more. He also had a multitude of memorable television appearances including Smallville, Alias, True Blood, The Last Kingdom to name a few.
For me the two roles that stand out from the rest are Roy Batty in Ridley Scott’s Blade Runner and John Ryder in Robert Harmon’s The Hitcher. Within those two performances Rutger packed more magnetism, charisma and character than some can hope to exude their whole careers. It’s no secret that a great portion of his career was spent in some lower budget B movie fare, a fact that some people lament given his great talents. Here’s the thing though: He never phoned it in, gave a bad performance or threw away a line. No matter what the project was, he was always there and always stepped up to command the scene even if it was just a cameo. I remember in one horror flick about killer wasps he played a mercenary who, when warned about the creatures, stated with a straight face “actually, wasps are allergic to me.” The same conviction was put into that ridiculous line as any of his serious roles in iconic stuff, but that was his power. Character actor, leading man, comic relief, heinous villain, the President or a street thug, this guy could do it all and everything in between. As Roy says in Blade Runner: “All those moments will be lost in time, like tears in rain.” He improvised part of that line too, highlighting the organic nature of his talent beautifully. Time to say goodbye. Peace out, Rutger ❤️